The Polyphonicity of Artistic Practice and Interpretation as a Tale about It: The Art of Piotr Jargusz in the Context of the Thought of Władysław Stróżewski and Roman Ingarden
The Polyphonicity of Artistic Practice and Interpretation as a Tale about It: The Art of Piotr Jargusz in the Context of the Thought of Władysław Stróżewski and Roman Ingarden

Summary/Abstract: The text discusses the painting-performative art of Piotr Jargusz and the polysensory and immersive way of its reception and interpretation planned by the artist to be formed as a tale. The art and the tale are presented as a two-voice whole with a standard polyphonic set of aesthetically valuable qualities (according to Roman Ingarden’s terminology). Such a whole goes beyond the division into areas of perception determined by the senses and domains of arts, ultimately revealing the essential sense of reality. It is discovered by the mythos of art (represented by the artist’s actions) and the mythos of art science (represented by the tale-interpretation). The concept of mythos is introduced by the philosophy of Władysław Stróżewski, Ingarden’s student and associate. The paper offers a proposal to classify several planes of polyphonicity based on the described situation.

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