DOUBLE LANGUAGE OR PERCEIVED LITERARY TEXT KALEIDOSCOPICS. A MIRROR-BACKED WORLD
DOUBLE LANGUAGE OR PERCEIVED LITERARY TEXT KALEIDOSCOPICS. A MIRROR-BACKED WORLD

Summary/Abstract: The literary text itself represents a somehow strange world by its splendour. Perfect even, from an artistic point of view, the work of art, literature mirrors a fictional paradigm of "immediate reality" (Max Blecher) with a pronounced curative function. The specialized or the unsighted reader penetrates with wonder into a mirror room, into the concave-depth structure of a world with still jaw shapes. Gradually the wave of Isis will move aside and the receiver of the literary text will see what the demon of those pages wanted to shatter in a moment of inspiration. The diegetic universe also captures a world, reflects it in the lecturer's consciousness, the latter being able to distinguish the nuns and even participate in the recreation of the original text by an unseen love for literature. We can imagine a suite of lecturers, each wanting to replay what was an ideatical "disorder" for him. It is a record that the literary work will be perceived as kaleidoscopic as in parabola with orbits and elephant. And through the contributions of the text's pictorial, with a vast of literary fetish, the narration will be metamorphosis in a "Aerta work". And because literature reconstitutes still unshocked worlds in a beautiful Creator's mirror, we would try to imagine that: “life is written to us in mirrors as in a palimpsest in which, layer of layer, everything that was written once died and somehow not ...” (Petru Creția)

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