REFLEKTIMI I DHIMBJES NË ARTIN LETRAR
REFLECTION OF PAIN IN LITERARY ART

Summary/Abstract: The purpose of this paper which prompted us to give our opinions on these two authors will have been fulfilled when we take the content of the paper, the idea of realization, the methods applied and the results obtained in consideration. Both poets addressed a topic which has brought them together. It is of great importance how the same topic is addressed from two different perspectives, the perspective of men and women. The way a father experiences pain of child loss, and the way a mother does the same. How a father mourns his son, and the way how a mother mourns the same loss. A pain that strikes both parents equally but is experienced differently. Podrimja's poems, in addition to pain, sorrow, longing, despair, also conveys a sense of guilt and self-blame about the inability to do more for his son. The author is accusing himself. The spirit of a personal judgment and accusation that the author carries on his shoulders and that often takes his breath away can be felt. On the other hand, in Açka's poetry we have the pain that is constantly stabbing. There are no self-accusations, there is no guilt, but there is disobedience to the predestined fate. There is revolt for the injustices of life, for the absurdity of breaking the law of the process of life. These are the similarities and differences between the two authors. The way the poems are constructed resembles a liberating narrative, the authors have opened their hearts, hence their narrative has been identified as a talking cure. Both collections of poetry give to Albanian poetry the example of how it has been achieved that the personal is transferred to literary art. Embroidery of pain with aesthetic words is the best definition.

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