V labyrintu zvuků aneb Několik poznámek k poeticko-hudebním albům Škrábanice a Zaškrábnutí Jaromíra Typlta a Michala Rataje
In the labyrinth of sounds: Several notes on the poetical-musical albums Škrábanice (Scribbles) and Zaškrábnutí (Scribbles More) by Jaromír Typlt and Michal Rataj

Summary/Abstract: This study makes a contribution towards resolving the issues surrounding the interpretation of intermedia works that experimentally combine poetry, word, music and sound. The particular subject of this analysis is a project known as Scribbles by writing duo Jaromír Typt and Mi-chal Rataj, which has seen the light of day both in the form of live performances and on two albums (Škrábanice [Scribbles], Zaškrábnutí [Scribbles more]), on which the present essay is also based. Taking into account the relevant artistic contexts (sound poetry, concrete music, radio art, Hörspiel), it attempts to characterize the specifics of these poetical-musical composi-tions with the emphasis on the authorial contribution of Jaromír Typlt, while also taking into account the context of his entire oeuvre.

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