„Raumkunst” autorstwa Teodora Axentowicza
Raumkunst by Teodor Axentowicz
Author(s): Stefania Krzysztofowicz-KozakowskaSubject(s): History, Social Sciences, Sociology, Modern Age, Recent History (1900 till today), 19th Century, Ethnic Minorities Studies
Published by: KSIĘGARNIA AKADEMICKA Sp. z o.o.
Keywords: Teodor Axentowicz; exhibition architecture; Society of Polish Artists “Art”; Secession; St. Louis World’s Fair 1904; Imperial Austrian Exhibition 1906, XI; Esposizione d’Arte della Città di Venezia 1
Summary/Abstract: Three exhibition arrangements analysed in the article – the halls of Polish artists on the exhibitions in St. Louis (1904), London (1906) and XI International Biennial of Art in Venice (1914) – allow us to consider Teodor Axentowicz as a precursor of the new form of organisation of the exhibition space within the Polish culture. This form was a pattern for the subsequent architects of exhibitions belonging to the Society of Polish Artists “Art”. Projects of Axentowicz perfectly fitted to the modern style of exhibition interior arrangement, which was promoted by the Viennese environment of “Secession” at the turn of the 20th century.
Journal: Lehahayer. Czasopismo poświęcone dziejom Ormian polskich
- Issue Year: 2021
- Issue No: 8
- Page Range: 185-190
- Page Count: 6
- Language: Polish