The Ontological Dimensions and the Essence of Truth in Art in Martin Heidegger’s Philosophy Cover Image
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Онтологическите измерения и същност на истината в изкуството във философията на Мартин Хайдегер
The Ontological Dimensions and the Essence of Truth in Art in Martin Heidegger’s Philosophy

Author(s): Tsvetelin Angelov
Subject(s): Philosophy, History of Philosophy, Philosophical Traditions, Phenomenology
Published by: Институт по философия и социология при БАН
Keywords: truth; Being; human; Dasein; the existing; work of art; aletheia; undisguisedness; language; creative work;

Summary/Abstract: Art is that through which Dasein joins the being that transcends all that exists. The language of art, and particularly that of poetry, is the prelogic and preconceptional original language–the ‘house of being’, through which joining the being by man is carried out. All this gives Heidegger reason to assume that the language of being is pro-nounced– from being–in–man–through–art, as this primordial-and-original language is the immediate manifestation of being as the truth of/for the existing in undisguisedness, i.e. ἀλήθεια. In this way, art performs not only a mediating, but a directly collecting and uni-fying function in relation to the being and the existing.

  • Issue Year: XXX/2021
  • Issue No: 6
  • Page Range: 14-25
  • Page Count: 12
  • Language: Bulgarian