The Sound of Yellow: Kandinsky's yellow colour in von Hartmann's and Schnittke's music

Author(s): Neda Kolić / Language(s): English Issue: 03 (30)/2016

The pioneer of abstraction, Wassily Kandinsky (Васи́лий Васи́льевичКанди́нский, 1866–1944), used musical terms as titles for his paintingswith intention to release them from the themes, considering that musicis “the art which has devoted itself not to the reproduction of naturalphenomena, but rather to the expression of the artist’s soul, in musicalsound”. Through his paintings Kandinsky rethought the principles ofmusic. Not a painting, but an another artistic creation, through whichwe are given a chance to cognize Kandinsky’s comprehension of music,is The Yellow Sound (Der gelbe Klang, 1912), a “composition” for stage.It is the paradigm of Kandinsky’s “true stage-composition”, his totallynew view of theatre that consists of three elements – musical movement,pictorial movement, and physical movement, but interwoventogether in harmony that will trigger inner harmony in a spectator.Music for his scenario was provided by the composer Thomas vonHartmann (Фома́ Алекса́ндрович Га́ртман, 1886–1956), and anothermusical version was written by Alfred Schnittke (Альфре́д Га́рриевичШни́тке, 1934–1998 / Der gelbe Klang, 1974). In Concerning the Spiritualin Art Kandinsky presented his theory of colour through which he explainedhis own (synesthetic) view of yellow colour / sound, particularlyin comparison with blue colour, that was “musicalized” through TheYellow Sound. What kind of yellow and blue tone Kandinsky had inmind, and what nuances of these colours did von Hartmann / Schnittkesee / hear? What musical instrument(s) can produce yellow, i.e. bluecolour? Which music scale / tone / interval has yellow / blue tone(s)?Are we able to perceive all the shades of yellow / blue sound?

Silence as a symbol of death in the reflection of Gisèle Brelet and Tōru Takemitsu

Author(s): Marek Dolewka / Language(s): English Issue: 03 (30)/2016

The link between silence and death has been a recurring theme of human thought and can often be found in reflections on music. Among many attempts to approach this problem, the author of this paper focuses on those done by Gisèle Brelet and Tōru Takemitsu. The “faithful companion” of music which “perpetually is born, dies and is born again” – this is one of the ways in which French musicologist describes silence. “For a human being, there is always the duality of life and death. Music as an art form always has to connect vehemently with both” – notices Japanese composer, who in another statement combines silence with “the dark world of death”. Interestingly, both Brelet and Takemitsu arrive at the conclusion that such connotations may well be the source of the fear of silence that affects some composers or performers. Despite different contexts, some analogies to their thought – like connecting silence with nothingness and loneliness – may be also found in the Canadian composer Raymond Murray Schafer’s writings, presented fragmentarily in the last subsection. The differences in the notion of the problem between the authors are, moreover, discussed in this paper.

Teoria kompozycji discontinuum-continuum meksykańskiego kompozytora Julio Estrady

Author(s): Manuel Domínguez Salas / Language(s): Polish Issue: 01 (32)/2017

Discontinuum-continuum: the theory of composition by Julio Estrada. The Julio Estrada’s output is still the unexplored area, what creates the opportunity to study the phenomenon called discontinuum-continuum. During the last 36 years of the creative activity, Estrada has developed several aspects of the macro timbre that integrate several compounds of a composition. In his research, Estrada confronts two different situations in the compositional process: continuous transformation of the sound and chronographical method, using strictly defined recording process in order to receive three-dimensional movements of the sound in the topological order. As a result of existing these two situations, a musical work is impossible to be defined by one technique or musical style. Examination of the theory of composition called discontinuum-continuum allows one to understand a new methodology of musical creation that involves scientific research of the physical phenomenon of sound and introspection of the imagination of the sound.

МеДиалог: медиите като логос и диалог?

Author(s): Ventsislav Dimov / Language(s): Bulgarian Issue: 1/2017

The introductory article of the first issue of 'Medialog' journal presents the new academic journal, part of a new media culture portal. 'Medialog' is a journey into the media worlds. 'Medialog' is an invitation to dialogue addressed to academic researchers and university lecturers, PhD students and students; to all who are curious to understand something more and different about media, communications and culture.

Paradigms of Cinema Communication – Constellations in the Field of Cinema Art

Author(s): Irina Kitova / Language(s): English Issue: 4/2019

Determining the structuring models of communication in the plane of cinema art – the paradigms of communication in the field of art that mediate not only the interactions in the ‘author-film-audience’ relation but also function as implicit premises, both in the creation of a film and the establishment of its expressional, emotional and meaning consistency, and in its being perceived, experienced and understood by each separate viewer, as well as by the audience as a whole – would contribute to the restored legitimacy of cinema as an art in the current informational and cultural contexts.

THE SITUATION OF THE FRANCOPHONIE AND THE FRANCOPHONE CULTURE IN KOSOVO

Author(s): LUMA Krenare / Language(s): English Issue: 14/2020

The educational and sociolinguistic context in post-war Kosovo and the cooperation in building a current educational system have gone through very specific histories. The current situation of French and Francophonie is the result of great changes throughout history. All this sociolinguistic situation is closely related to the sociopolitical context.Any linguistic situation is necessarily linked to the socio-political context, but in Kosovo more than elsewhere. It must be remembered that, for ten years, the Serbian judiciary had a long arm and that one in two Albanian-speaking adults had already been arrested in one way or another by the police. The massacres resulting from the violence had become part of everyday life. In 1999, during the Kosovo War, Serbian revenge experienced unprecedented developments while ethnic cleansing in Albania accelerated rapidly during 1998-1999. At present, the official languages of Kosovo are Albanian and Serbian. At the municipal level, minority languages such as Turkish, Bosnian and Romani are languages officially used under specific conditions.French is only the language of communication between French-speaking communities and French-speaking Kosovars working in contact with embassies and cultural services in French-speaking countries. In this context French therefore has the status of a foreign language in its own right. It is also taught as a second foreign language in schools in the same way as German.

Опити за употреба в публичната комуникация на пандемията Ковид-19 като държавна идеология

Author(s): Georgi Lozanov / Language(s): Bulgarian Issue: 9/2021

The article looks at the systematic attempts to transform the coronavirus epidemic into a state ideology similar to the Marxist-Leninist one, within the former Eastern Bloc. However, the current ideological attempts do not rely on repressive state apparatuses. They are voluntarily accepted. What operates behind this voluntary acceptance is a public communication strategy based on the war model and in a regime of hyper-information, i.e. infodemic. It is a strategy with a pyramidal structure, the top of which is held by the state government, reframed as “good” power. For the first time at the base of an ideology is not a historic event, but a natural one. This gives such a nature-based ideology the chance to exploit and govern the most basic existential fears of people. Furthermore, the article is focused on the current Bulgarian political situation. However, the aforementioned pandemic’s ideological strategies and their influence in Bulgaria are placed in the broader context of the return of conservative ideologies and the destabilization of the liberal consensus in Europe and the States.The article looks at the systematic attempts to transform the coronavirus epidemic into a state ideology similar to the Marxist-Leninist one, within the former Eastern Bloc. However, the current ideological attempts do not rely on repressive state apparatuses. They are voluntarily accepted. What operates behind this voluntary acceptance is a public communication strategy based on the war model and in a regime of hyper-information, i.e. infodemic. It is a strategy with a pyramidal structure, the top of which is held by the state government, reframed as “good” power. For the first time at the base of an ideology is not a historic event, but a natural one. This gives such a nature-based ideology the chance to exploit and govern the most basic existential fears of people. Furthermore, the article is focused on the current Bulgarian political situation. However, the aforementioned pandemic’s ideological strategies and their influence in Bulgaria are placed in the broader context of the return of conservative ideologies and the destabilization of the liberal consensus in Europe and the States.

Шелинг – от логос към мит

Author(s): Iliana Ilieva / Language(s): Bulgarian Issue: 4/2021

This article aims to analyze the beginning of the transition from logos to myth. To incorporate the religious into his Enlightenment philosophical system, Schelling presents a reconstruction of myth. The conceptions of the religious consciousness of the Self from antiquity as presented. The myth embodies cultural reality and the history of self-consciousness, an idea that was later considered by Mircea Eliade. Myths evolve in parallel with human evolution. The need for the development of abstract thinking and the complex social environment presuppose the new mythology. Christianity in history appears as part of the mechanism of human development, which generally symbolizes the transition from mythology to Christianity. Theology must abstract mythologies from the purely divine, but together they participate in the formation of human consciousness.

Концептуализирането на художника в артист: иновации, игри и импровизации

Author(s): Todor Yalamov / Language(s): Bulgarian Issue: 4/2021

The paper problematizes the work and evolution of a Bulgarian artist from the point of view of the biographical approach, his artistic interventions and his re-legitimization as a contemporary artist. It discusses various aspects of contemporary art from the point of view of the artist, his interventions, market demands, the underlying contradictions, as well as the transformative tendencies in the small graphics. The paper argues that it is necessary to expand the understanding of contemporary art with certain actions of artists.

Политически пърформанси в българския медиен поток

Author(s): Silvia Petrova / Language(s): Bulgarian Issue: 10/2021

The text presents the main conclusions based on the study of the political messages in the Turkish series broadcasted on Bulgarian television and on Netflix. The main political messages in the series, showed on Bulgarian television, are the responsibility for decisions, connect with the life of a woman and a child. Among the important political topics are: migration, education abroad and returning home, conflicts between rich and poor.

Introduction: Animal (As) Writing, Writing (As) Animal

Author(s): Rodolfo Piskorski / Language(s): English Issue: 1/2021

Zo(o)graphies: Darwinian ‘Evolutions’ of a Fictional Bestiary

Author(s): Laurent Milesi / Language(s): English Issue: 1/2021

The essay puts to the test Darwinian evolutionist theories, especially the key concepts of adaptation, natural selection and survival of the fittest, in the reading of several plots and fictions (some of them Ark-related animal fictions) concerned with evolution, trauma, adaptability, mimicry/mimesis and survival: Julian Barnes’s Flaubert Parrot and A History of the World in 10½ Chapters, Timothy Findley’s Not Wanted on the Voyage, Robert Kroetsch’s The Studhorse Man and John Fowles’s The French Lieutenant’s Woman. Weaving its critical argument with reference to several of Derrida’s reflections – on the impossibility of a pure origin, the proximity between commencement and commandment, the logic of obsequence, or relation between being and following (je suis), applied deconstructively to the traditional hierarchy between the human and the animal, mastery and monstrosity, and logos and bêtise, etc. – ‘Zo(o)graphies’ is structured in a series of interlinked tableaux, bestiaries as well as insets (Thomas Pynchon’s Gravity’s Rainbow, Jacques Derrida’s Glas). Following from the opening evocation of Peter Greenaway’s Vermeer-themed film A Zed & Two Noughts, which introduces the joint semantics of zographein: to paint from life, and zoon: animal, discreetly at work throughout, this study will eventually attempt to recast the problematic of the evolution of literature and literary forms as involution and regression.

Човешката мярка като академичен етос

Author(s): Snezhana Popova / Language(s): Bulgarian Issue: 11/2022

A collection of works ‘Sociology as a civic commitment’ dedicated to the 65th anniversary of Professor Petya Kabakchieva, (Sofia, St. Kliment Ohridski University Press, 2022) contains articles and studies written by established Bulgarian sociologists and social scientists and their younger followers. Compilers of the collection are Maya Grekova, Mila Mineva, Lea Vaysova and Dimitar Blagoev.

From Critique of Mass Culture to Culture: Modernity and Arendt’s Political Aesthetics

Author(s): Tengiz Tsimnaridze / Language(s): English Issue: 3/2022

In this article, I intend to discuss the Arendtian conception of culture. In her influential essay “Crisis in Culture: Its Social and Its Political Significance,” Arendt argues that culture is at risk of disappearing under conditions of modernity. In her view, modernity is the age of mass society that leads to the destruction of culture and the development of mass culture. This is the situation Arendt has in mind when she speaks of a “crisis in culture,” a situation she describes as worldlessness. Culture, according to her, is a phenomenon of the world. Because of this conviction, argues Arendt, culture has a closer relationship to politics. The article is divided into two parts. In the first part, I explore Arendt's critical reflection on the modern attitude to culture. In the second part, I examine her analysis of the relationship between culture and politics. Throughout these parts, I suggest a reading of Arendt that illustrates her understanding of culture based on the authority of Greek and Roman thought and Kant’s Critique of Judgment.

Представата за идентичност в българското кино по време на кризи

Author(s): Petia Alexandrova / Language(s): Bulgarian Issue: 12/2022

National identity in Bulgarian socialist cinema and especially in the films of the program 1300 years of Bulgaria is understood mainly as a plot – to reflect events from our native history and way of life. Very cleverly, they glided over only those events that, even in their drama, are positive for our self-esteem. But the constructive direction was in the films about migration and guilds as a native modification of the results of industrialization and modernization. In the time of transition, national identity appeared as a problematization – ethnic minorities, ideological, religious, and other repressions came into focus. I define the third stage of identity as confusion. There is no magnetic energy, innovative ideas, deep truth, and sincerity – the screen is 18 percent gray.

"Лицето на българщината": Националният събор за народно творчество в Копривщица и неговите медийни отражения

Author(s): Lozanka Peycheva,Lozanka Peycheva / Language(s): Bulgarian Issue: 12/2022

The article examines the National festival of folklore in Koprivshtitsa – a culmination of the assembly-singing movement – by looking for sustainable media representations of the folklore festivals, which has already been held for twelve editions (between 1965 and 2022). The mechanisms for organization and media coverage are sought in the chronological lines before and after 1989. The focus is on the discourses and presentation of the festival as a manifestation of collective and national identity, “the face of Bulgarianism”

Война, радио и музика: радиопропагандни мобилизации и настъпления на руско-украинските фронтове

Author(s): Ventsislav Dimov,Ventsislav Dimov / Language(s): Bulgarian Issue: 12/2022

The article explores current phenomena - the relationship between war, radio and music. The focus is on the army radio stations of two warring countries: Russia's Radio Zvezda and Ukraine's Army FM. The research examines the programming policy, funding, music content and audience attitudes of the two radio stations. The question is raised how the media and their musical contents are mobilized and "dressed" in a uniform. Observations on the radio stations and the changed music in them related to the wartime and regime in 2022 point to some new features of the radio propaganda mobilizations and the musical "weapons" used in them

Introduction: Speculations of the Unconscious: Encounters between Philosophy, Psychoanalysis, Literature and the Arts

Author(s): Arleen Ionescu,Laurent Milesi,Edward Waysband / Language(s): English Issue: 1/2023

The unconscious (das Unbewusste; etymologically, that which is unknown) is a relatively modern concept that naturalized areas of the unknown previously explored by literature, mythology, and metaphysics. Each in their own domain, Karl Marx, Sigmund Freud and Friedrich Nietzsche, the three ‘masters of suspicion’ (according to Paul Ricoeur), debunked the hubristic claims of modern rational consciousness, exposing its social, existential and psychological grey zones. 1 Inspired by, yet critiquing humanity’s confidence in the power of reason, their acknowledgement of the limits of the Enlightenment is emblematized in Freud’s charting of the conflictual relations between the orderly ego and the unruly id.

Arta grafică modernă a femeilor artiste din patrimoniul Muzeului de Artă Tulcea

Author(s): Alice-Georgiana Fănaru / Language(s): Romanian Issue: 1/2022

The study presents the graphic works of six modern female artists that are part of the Tulcea Fine Arts Museum`s heritage. Their work, presented in the context of the modern period of development of fine arts in our country, is prefaced by a comparative analysis between feminism and the feminine in art, starting from the general understanding of the concept of feminism. The article aims to promote the graphics collection of the Tulcea museum and to provide a starting point for future analytical studies.

Natura, cywilizacja, filozofia

Author(s): Piotr Augustyniak / Language(s): Polish Issue: 48/2024

This article is about philosophy as a path, leading man, a civilised being, to re-establish communication with what Gilles Deleuze calls “primordial nature.” This foundational phenomenon, being the primary reservoir of life energy, underpins the existence of the human civilised world. However, by the same token, this phenomenon, since exempt from conditioning and subject to no restrictions or constraints, can disrupt the functioning of this world. Thus, disengagement from primordial nature is the fundamental purpose of the existence of civilization. Unfortunately, its development over time excessively diminishes that connection, deepening alienation, frustration and aggression in social life. I will undertake to demonstrate that the practice of philosophy can be one of the basic ways of coping with that inevitable civilisational impasse.