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Nighttime Invasions, Colonial Dispossession, and Indigenous Resilience in Richard Wagamese’s Indian Horse
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Nighttime Invasions, Colonial Dispossession, and Indigenous Resilience in Richard Wagamese’s Indian Horse

Author(s): Doro Wiese / Language(s): English Issue: 38/2022

This essay demonstrates how Richard Wagamese employs oral storytelling techniques to make the complex idea of Indigenous dispossession sensually and intellectually accessible to readers of his novel, Indian Horse. The Wabseemoong First Nation writer depicts the devastating effects of white entitlement when rendering character Saul Indian Horse’s experiences in Canada’s residential schools and the effect those schools had on his subsequent life. Using narrative analysis, it will be shown how Saul loses his ability to perceive places as being alive and resonant, and is thereby dispossessed on an individual, social, and spiritual level. Furthermore, Wagamese’s descriptions of the physical, emotional, and sexual abuse of Indigenous children draw attention to the harrowing histories of Canada’s residential schools, thus laying bare the necropolitical potential of settler-colonial dispossession. This essay links Wagamese’s narrative to recent arguments brought forward in Indigenous studies. It aims to demonstrate that Indigenous dispossession in settler colonial states is part of modernity, and its overarching political economy, that is capitalism.

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Lühidalt

Author(s): Brita Melts,Vivian Siirman,Peeter Sauter / Language(s): Estonian Issue: 7/2022

Review of: Andrus Kasemaa. Minu lõhn. Luuletusi 2015-2021. Tallinn: Tuum, 2021. 80 lk. Vana Kannel XIV. Peetri regilaulud. (Monumenta Estoniae antiquae I. Carmina popularia XIV.) Koost Ottilie Kõiva, Janika Oras. Tartu: EKM Teaduskirjastus, 2021. 997 lk. Eda Kalmre. Kriimani kriimud lood. Mõis ja saja-aastane küla. Kaasautorid Vahur Kalmre ja Aare Kasemets. Tartu: Kriimani Küla Selts, EKM Teaduskirjastus, 2022. 288 lk. Siirdeajastu kultuurimuutused. Cultural Changes of the Transition Period. (Philologia Estonica Tallinnensis 6.) Tallinn: Tallinna Ülikooli Kirjastus, 2021. 160 lk.

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Kaitstud doktoritööd

Author(s): Not Specified Author / Language(s): Estonian Issue: 7/2022

Defended doctoral theses.

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Eesti keele varauusaegne mänguruum

Author(s): Kristiina Ross / Language(s): Estonian Issue: 8-9/2022

The article discusses the uses and opportunities of the Estonian language in the early modern times, focusing on the 17th and early 18th century. In the 18th century the Estonian territory was subjected to violent Christianisation by conquerors whose native language was German. The local elite was formed of native speakers of German (and in the 17th century, when the area was part of the Swedish Kingdom) also of native speakers of Swedish. The bearers of the traditional Estonian culture fell into the lowest social stratum. For centuries following the Reformation the Estonian literary language was created and developed by non-native pastors who produced Estonian translations of catechisms, psalms and the Bible, all based on German patterns. Native Estonian was used in oral communication. This, however, lends the view of the Estonian language history based on the analysis of written texts a colonial nuance, preventing one from getting an adequate survey of the usage as a whole. The 17th century, which was the most significant time for the emergence of literary Estonian, has left us not a single record of any native Estonian translator who might have participated in the formation of the language. Such a view of Estonian leaves an impression of the language as a passive object shaped and moulded at will by the non-native authorities. To capture a better idea of the actual polyfunctionality of the language, efforts should be made to include oral and semi-written registers in the language description, despite the scarcity of reliable and relevant information on the Estonian language. The article attempts to give a rough idea of early modern Estonian by moving along its sublanguages, whose existence can be inferred from written records of other languages as well as from the bits and pieces of information available on Estonian. Based on a list of sublanguages affected by the 17th-century reforms in Sweden (Loit 2012) and considering the specifics of the Estonian-speaking community, it is found that early modern Estonian can be assumed to have included sublanguages of their own for business, military matters, church, trade, poetry, correspondence and everyday communication, plus a (German-Estonian) mixed language. The contours of all those sublanguages need to be defined.

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Lühikroonika

Author(s): Not Specified Author / Language(s): Estonian Issue: 8-9/2022

Chronicle of events.

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Kulturno-memorijska studija o Abdulahu Salahudinu Uššakiju, divanskom pjesniku sa kraja 18. stoljeća

Kulturno-memorijska studija o Abdulahu Salahudinu Uššakiju, divanskom pjesniku sa kraja 18. stoljeća

Author(s): Ali Hasanović / Language(s): Bosnian Issue: 15/2021

Review of: Berin Bajrić, Mnemopoetika sufijskog pjesnika, Orijentalni institut, Sarajevo 2019.

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Eesti kirjanikud ja meie liit - 100 aastat ja rohkemgi

Author(s): Janika Kronberg / Language(s): Estonian Issue: 10/2022

8. oktoobrit 1922 peetakse Eesti Kirjanikkude Liidu asutamise daatumiks. Friedebert Tuglasest ei saa eesti kirjanduselu institutsionaliseerumise juures kuidagi mööda, seetõttu lugegem tema „Eluloolistest märkmetest” selle päeva sissekannet: „Kolmas kirjanike kongress Tallinna raekoja saalis. Koos 26 kirjanikku ja arvustajat. Kongressi avasin mina, juhatas Metsanurk. Andsin aru keskkomitee tegevusest. Otsustati senise keskkomitee volitused lõpetada, EKL kirjanike keskedustuseks tunnistada ja temale keskkomitee volitused ning varandused üle anda. Tegin ettepaneku EKL-u ajakirja asutamiseks ja, teiseks, kirjandusnädalate korraldamiseks.” Samal päeval toimus raekojas liidu 16 hääleõigusliku liikmega üldkoosolek ja juhatuse valimine, seejärel juhatuse koosolek. Tuglase märkus „Olin sedapuhku EKL-u esimeheks 8. X 1922 - 7. III 1923” sealsamas tõendab, et trükiversiooni aluseks võetud päevamärkmeid on Tuglas hiljem ja vahest korduvalt redigeerinud ja täiendanud. Nagu talle omane oli.

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La grande histoire au prisme de la petite histoire dans les Mémoires de Voltaire

La grande histoire au prisme de la petite histoire dans les Mémoires de Voltaire

Author(s): Stanisław Fiszer / Language(s): English,French Issue: 12/2022

Voltaire composed his Memoirs of the Life of Monsieur de Voltaire: Written by Himself at approximately the same time as his novel Candide, or Optimism published in 1759. For this reason, these Memoirs occupy a central place in the philosopher’s work. Combining ironic comment on the important historic events and salacious gossip of the world, they trace very briefly 25 years of Voltaire’s life. The author of this paper tries to analyse the relationship between the memorialist’s style, strongly coloured with the grotesque, and his vision of history. Next, he juxtaposes the Memoirs with Voltaire’s historical works. Finally, he demonstrates the close affinity between their non-linear representations of history, despite differences in their style.

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Mémoire et autobiographie dans l ’œuvre de Claude Simon

Mémoire et autobiographie dans l ’œuvre de Claude Simon

Author(s): Mokhtar Belarbi / Language(s): English,French Issue: 12/2022

Memory occupies a privileged place in works of Claude Simon. Through an analysis of Les Georgiques, L ’Acacia and Le Jardin des Plantes, our goal in this article is to show that Claude Simon did not seek to write an “autofiction” or a “historical novel”, but to write a literary autobiography. His ultimate goal was not to “recover lost time”, but to inscribe “lost time” in literature. This study demonstrates that the new form of autobiography initiated by Claude Simon is entirely distinct from a traditional autobiography. It is written by means of the writer’s tireless recourse to stimuli, that is to say by questioning texts written by people who have found themselves in similar situations. It is an auto-sensorio-graphy: the writing is essentially based on a description of sensations, not facts. It is also an auto-thanato-graphy since death is the central character.

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Martin Lipu hiliste värsside semantikast

Author(s): Rebekka Lotman / Language(s): Estonian Issue: 11/2022

Review of: Martin Lipp. Hilised õied. Luuletused 1910-1918. Kogutud ja korraldatud tormi päivil 1919. a. jaanuari kuul. Tartu: EELK Nõo Püha Laurentsiuse kogudus, 2021. 431 lk.

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Tõhus täiendus baltisaksa kirjanduse kojutoomisele

Author(s): Tiit Rosenberg / Language(s): Estonian Issue: 11/2022

Review of: Dr. Bertram. Balti visandid. Värvikaid lugusid 19. sajandi Eesti- ja Liivimaalt. Saksa keelest tõlkinud, kommentaarid ja järelsõna Pille Toompere. [Püünsi:] Kirjastus Bertram, 2022. 359 lk.

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Teejuhid seto fantaasiamaastikele

Author(s): Anti Lillak / Language(s): Estonian Issue: 12/2022

Review of: Ello Kirsi Setomaal kogutud lood 1938-1940. (Monumenta Estoniae Antiquae VIII. Maailmade vahel I.) Tartu: Eesti Kirjandusmuuseumi folkloristika osakond, 2022. 565 lk.

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Les collectionneurs chez Pascal Quignard – s  ’accrocher obstinément au pass

Les collectionneurs chez Pascal Quignard – s ’accrocher obstinément au pass

Author(s): Andreea-Maria PREDA / Language(s): English,French Issue: 12/2022

The purpose of this article is to highlight – in a comparative approach – the versatility of the role of collectibles in the process of recollection among collectors in certain novels by Pascal Quignard. The analysis of the memorial discourse of collectors reveals two aspects: the different relationship to the value of the object (museum or intimate) and the power to trigger emotions. The discourse balances between an impersonal evocation, with emphasis on the material importance, the testimonial and aesthetic dimension of art objects from ancient times and a passionate and subjective description of small, banal objects, but charged with psychological meanings. The article demonstrates that excessively relating to time-/trace-objects by virtue of their documentary or commemorative value will lead to a failure of the memorisation process. Paradoxically, the collector always remains in search of the lost memory, despite the excess of material evidence he holds.

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Errance existentielle, mémoire du corps et langage primordial dans N’zid de Malika Mokeddem

Errance existentielle, mémoire du corps et langage primordial dans N’zid de Malika Mokeddem

Author(s): Frank Dalmas / Language(s): English,French Issue: 12/2022

This article explores a phenomenological outlook in the work of Algerian writer Malika Mokeddem. Such an approach departs from the standard scholarship on this author and proposes a wide-ranging alternative to postcolonial studies. The themes of nomadism, language of origin and corporeal expression are investigated through the lens of Merleau-Ponty’s “chair” and the pairing notions of “parole parlante” and “parole parlée.” A strong case study can be made with her novel N’zid (2001), which exploits the amnesia of the female protagonist sailing alone on the Mediterranean Sea, castaway from human interactions and without clues of her whereabouts. Inside and outside worlds meet up as she embarks on a silent journey to her innermost self and physical fantasies. Through uninhibited drawings and by reminiscing sensual flashbacks, she soothes her impaired memory and seizes back her blurred identity.

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La poétique de la (post)mémoire dans un roman (post)migratoire. Une lecture des Mots de Russie d’Isabelle  Bielecki

La poétique de la (post)mémoire dans un roman (post)migratoire. Une lecture des Mots de Russie d’Isabelle Bielecki

Author(s): Przemysław Szczur / Language(s): English,French Issue: 12/2022

The article constitutes an analysis of Les Mots de Russie, an autobiographical novel by Isabelle Bielecki, a contemporary Belgian writer of Russian-Polish origin. The theoretical framework of the study is provided by two key concepts: Jean-François Perrin’s novelistic poetics of memory and Marianne Hirsch’s postmemory. The author analyses the composition of the text, based on a problematic (post) memory. Two plots coexist there: one that corresponds to the story of the return of memories and its circumstances; and the other which is made up of the content of these memories. The phenomenon of post-memory, the result of a historical trauma, modifies the novelistic poetics of memory by introducing a discontinuous structure, uncertainty about what happened, an ambiguous moral aspect of the figures of direct victims of the trauma, the story of the physical sufferings of its indirect victims, but also the possibility of overcoming the traumatic legacy through writing. (Post)memory is thus presented as a powerful creative stimulus.

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Remontée ou héritage ? Mémoire(s) de soi chez Yves Bonnefoy poète et traducteur

Remontée ou héritage ? Mémoire(s) de soi chez Yves Bonnefoy poète et traducteur

Author(s): Sara Bonanni,Simona Pollicino / Language(s): English,French Issue: 12/2022

This study explores different variations on the theme of “memory” in Yves Bonnefoy’s poetry and translations. In his latest works, the poet bequeaths to his readers his childhood memories entrusting them with a mission with which he invests poetry: to celebrate, against oblivion, the “memory” of the experience shared with others. Moreover, memory is both the source and the process of poetic creation, as his practise as a translator also demonstrates. If the task of the translator, according to Bonnefoy, coincides with a search, an exploration of the depths of the sea that is every language, in order to bring forth from the dark the light of a restorative word, then, by translating the verses of other poets, Bonnefoy relives the experience of poetry through a new poetic act, recalling each time the intuition and the emotion.

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Que la mémoire parle ! La rupture du pacte de silence grâce au français dans Manèges de Laura Alcoba

Que la mémoire parle ! La rupture du pacte de silence grâce au français dans Manèges de Laura Alcoba

Author(s): Amandine Guillard / Language(s): English,French Issue: 12/2022

In this article, we will analyse the novel Manèges, written by the Franco-Argentinian author Laura Alcoba. More specifically, it is the connection with the French language, able as it is to echo the Argentinian memory, that will be the subject of this study. As she was silenced during her clandestine childhood in Buenos Aires, Laura Alcoba found an unhoped-for liberty in this language of exile, which sheemployed in order to put her experience, so far been silenced and unnamed, into words. As a medium of memory, the French language seems to be the only way to reconnect with the past whose expression in the mother tongue would probably be insuperable for the author. The distance created by French – synonymous with liberty and rebirth – from the Spanish language – synonymous with repression and silence – is the necessary condition for her memory to be finally able to speak.

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Cambodge, me voici : trauma, post-mémoire et construction d ’un espace culturel féminin dans le théâtre parlé de Jean-Baptiste Phou

Cambodge, me voici : trauma, post-mémoire et construction d ’un espace culturel féminin dans le théâtre parlé de Jean-Baptiste Phou

Author(s): Tess Do,Darren Zhang / Language(s): English,French Issue: 12/2022

More than forty years after the end of the Khmer Rouge regime, the trauma of genocide still weighs heavily on the French-Cambodian diaspora. Confronted with the silence of the previous generation who refuses to talk about the genocidal past, Jean-Baptiste Phou uses Khmer spoken theatre to give voice to four Cambodian women and to portray their lives on stage. In this essay we propose a reading of Cambodge, me voici in the light of Marianne Hirsch’s postmemory. The intersection of the axes of the protagonists’ desire and the creation of a familial, feminine and maternal space will allow us to analyse the formation of this diasporic memory and its intra- and intergenerational transmission through two sororal and mother-daughter pairs. We postulate that the choice of casting and the staging of the two, French and Khmer, versions of the play transform the stage into a site of shared memory in which the role played by women in the reparation and transmission of Cambodian cultural heritage is revealed.

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Écrire la mémoire selon Caroline Lamarche. À propos de L ’Asturienne et de La Fin des abeilles

Écrire la mémoire selon Caroline Lamarche. À propos de L ’Asturienne et de La Fin des abeilles

Author(s): Judyta Zbierska-Mościcka / Language(s): English,French Issue: 12/2022

The article proposes a reading of two books by Caroline Lamarche, L’Asturienne and La Fin des abeilles, in the context of a reflection on family memory, which is considered here to be the foundation of the sense of self. The works in question are part of the broad current of autobiographical texts which have proliferated since 1980. Lamarche’s recent books offer an example of original memorial writing anchored in the uncertainty of the present time that seeks its roots and its raison d’être in the past. The article focuses on the poetics of these texts on the one hand, and, on the other, on the way in which the work of memory is manifested here. Anne Muxel’s sociological reflection on family memory complements this analysis by providing the necessary methodological tools. The notions of transmission, reviviscence and reflexivity proposed by Muxel demonstrate the meaning of remembrance, for both individual and community.

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Mémoires d’éditeurs (XXe – XXIe siècles)

Mémoires d’éditeurs (XXe – XXIe siècles)

Author(s): Daniel Sangsue / Language(s): English,French Issue: 12/2022

Based on a corpus of ten works (of the following publishers: Belfond,Bordas, Buchet, Corti, Girodias, Laffont, Nadeau, Nyssen, Pauvert, Verny and Zylberstein), this paper tries to define a small poetics of publishers’ memoirs, a genre which oscillates between an autobiography, a story and a portrait, and which mixes individual and collective memory. The study focuses on different components and topoï of this kind of narratives: a Bildungsroman, themes of passion for books and a book as an object, a foundation story, a description of a publisher’s tasks (choice of manuscripts, supporting authors, running for literary awards, etc.). Presenting a pragmatic view on the production of books, publishers’ memoirs offer a gallery of renewed portraits of different writers, as well as afford an alternative and interesting glance at literature, and in particular at: historical context of its production, material and pecuniary conditions of its creation, author’ and publishers’ strategies, relationships between authors and publishers.

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