Povestea ardelenilor emigrați în America: Hanți Kelpius și John Căcăroanța
This is a segment of a novel signed by Daniel Vighi
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This is a segment of a novel signed by Daniel Vighi
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This is a fragment of a prose signed by Virgil Ratiu
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This is a short prose fragment signed by Cornel Dimovici from „Crucile de fier”
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This literary fragment is a collection of short stories signed by Paul Tumanian, Mircea Pora and Dan Gradinaru.
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Main characters in the most of the postmodern children’s fantasy literature are frequently animals, so we can linkage animal studies and fantasy literature. The main goal of this work is going to be an analysis of animals which are presented in Philip Pullman’s children’s fantasy trilogy His Dark Materials, as characters called ‘dæmons’. In order to prove that presentations of inhuman animals, relation of human and animal, and physical externalization of an animal as the representation of humans’ other I, are in specific function of forming human identity; in the analysis, there is going to be used the combination of critical-animalistic and philology methods.
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This article deals with the so far unpublished parts of the handwritten legacy of Dusko Trifunovic, one of the most distinguished poetic figures in the Serbian and Bo snian literature of the second half of the twentieth century. His poetics evolved around three dialectic phases – writing of poetry in the strict sense, writing of lyrics applied to music and a combined process containing the elements of both previously mentioned phases, from the last decade of the poet’s life. The saved manuscripts correspond to the third period and mainly take the lyrical-aphoristic and fragmentary-prose form.
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This article is an attempt to shortly trace the course of the days in Cluj devoted to Maupassant’s actuality in the 21st century: all the communications approached the main aspects of this writer’s work either by punctiliously deepening certain short stories (« Une partie de campagne », « La Maison Tellier ») and, of course, some questions concerning ethos, enunciation, ellipses or characters’ typology; or discussing some themes as travels, children, illegitimate paternity, animals, music, sport; or even trying to identify some issues, i.e. fantastic, fetishism, report to money, contacts with impressionism; and finally presenting the implications supposed by some of the film adaptations of the Maupassant’s text (Bel-Ami).
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In June 2013, Babeş-Bolyai University from Cluj-Napoca, Romania, organized the international colloquium Maupassant 2013, meant to celebrate the 120 years passed since Maupassant’s death, within an essay to have a whole Romanian Year dedicated to him; lack of funds reduced it to some parts of the country, especially Transylvania. This article presents what was done in this respect, the most important result being a collection of varied essays belonging to different authors – the great majority working in important European universities – who wrote them on the basis of the topics suggested in the call for papers: the biography, between truth and legend; the short stories, between humour and fantastic; the creator of images: illustrations and movie adaptations; the translation of the work. Such a diversity of topics allowed a wide range of approaches which resulted in extremely interesting contributions, demonstrating Maupassant’s actuality even in the second decade of the 21st century.
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The paper presents a volume written by Liliana Anghel in French. It comprises nine articles on Gustave Flaubert’s and Guy de Maupassant’s works, some of them being comparative ones about Realism or Naturalism in their literary creations. To prove the facts discussed in the book, these presentations of the two French authors’ lives and ideas are accompanied by fragments of their works.
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The paper presents recent information published in France about the writer Horia Ursu, our colleague, and his book – The Siege of Vienna –, which was very well received and rewarded in Romania, now translated in French and highly appreciated in France.
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The text written by Ana Blandiana is an ironic confession about how to master the art of poetry writing.
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The text is an editorial written in a very witty and ironic way by Petru Cimpoesu.
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The text is an original piece from Alexandru Vlad's personal archives, offered to being published by the writer's family.
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This section is a selection of short stories belonging to different contemporary Romanian writers.
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This section of the Vatra literary review contains fragments from the works of two Hungarian writers, Marton Eveline and Tomory Peter, translated into Romanian by Kocsis Francisko.
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The text is a fragment from Cnstantin Arcu's journey book.
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