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Набавна политика, циљеви, квантитативни и квалитативни критеријуми, законске регулативе
У раду је разматран проблем набавке књига у јавним библиотекама, с посебним освртом на набавку књига у Градској библиотеци у Новом Саду и моделе како се реализује овај важан сегмент у раду библиотеке, почевши од циљева набавне политике, квалитативних и квантитавних критеријума набавке и закона, смерница и стандарда на које се ослањамо у раду. Анализирана је и набавна политика у односу на старосну структуру становништва као и обухваћеност становништва Новог Сада чланством у Градској библиотеци у Новом Саду. Указано је, коначно, и на начине попуњавања фондова у Библиотеци, законске регулативе и скренута пажња на поједине проблеме с којима се библиотекари суочавају и како их превазићи.
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Data about scientific events in the field of the humanities in Bulgaria in 2018.
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The purpose of the work. The article analyzes the importance of the Convention on the Protection of the Intangible Cultural Heritage in recognizing the problems of preservation of the intangible cultural heritage at the state level. The participation of communities and organizations involved in the creation, conservation and transfer of such an inheritance has been identified. The methodology of the study consists in application of structural-functional and comparative approaches to the analysis of the activities of UNESCO and state institutes in the field of the protection of the intangible cultural heritage. The scientific novelty lies in updating the issues of preservation of the elements of the intangible cultural heritage in society and planning the cultural policy of the state. Conclusions. The legislative framework of Ukraine for the protection of the intangible cultural heritage should be established and brought to the international level with a full range of legal, administrative, financial, scientific, technical and organizational measures that will be implemented both at the national and international levels.
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The text deals with the life and activities of Nestor Markov - one of the most famous Bulgarian enlighteners after the Liberation.
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The purpose of the article is to consider the activities of the Regional Centers of Folk Art (RCFA) as cultural institutions, which, as formers of ideas and constructive actions, influence the development of culture in the regions of Ukraine, through the preservation of Ukrainian traditions. The importance of their dominant role has been emphasized, the necessity of stable tolerance of them in the state cultural processes connected with the preservation of the intangible cultural heritage, traditional folk culture, the conduct of the festival movement, the formation of the outlook of every Ukrainian as a consciously cultivated Ukrainian citizen has been emphasized. The methodology of the study is to apply the general principles of scientific knowledge, which correspond to contemporary culturological discourse. This led to the use of such research methods: system-analytic – for the study of philosophical, cultural, literary literature on the chosen problem; systemic and structural – with a view to in-depth review of the essence of the selected phenomenon as a complicated cultural and artistic fact of Ukrainian and world artistic culture; formal and comparative methods – to analyze the nature of the RCFA as formers of ideas and constructive actions in preserving Ukrainian traditions. The scientific novelty of the work is to uncover the essence of the activities of the Oblast centers of folk art as cultural institutions and to prove that they are the formators of ideas and constructive actions that influence the development of culture in Ukraine through the preservation of Ukrainian traditions. Also, by in-depth analysis of the relevant sources, the role of the RCFA in the processes related to the preservation of Ukrainian traditions, intangible cultural heritage, traditional folk culture, the festival movement, etc. was updated, their place in cultural knowledge was highlighted. Conclusions. The theoretical and methodological basis of formative ideas and constructive actions of the RCFA in the modern cultural knowledge was revealed and clarified. It has been established that regional centers of folk art revive and develop Ukrainian spirituality and identity, preserving the traditions of every region of Ukraine. Their formative ideas and constructive actions in preserving Ukrainian traditions are defined as components of the common culture of Ukraine. It is revealed that the quality indicator of the way of life of Ukrainian citizens is the realization of their identity through the preservation of national traditions, holidays, ceremonies.
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University museums in Bulgarian higher education institutions are described and analyzed in the context of the current educational and cultural trends. The important features of this specific academic units are highlighted with specification of some distinguishing museum collections, which work fruitfully inside and outside of their own university space. Administrative improvement and more active promotion are recommended as key paths for a more positive prospect ahead of the whole 27 Bulgarian university museums. In the article are involved data, extracted from the cited sources and from the official internet sites of the mentioned higher education institutions.
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Written cultural heritage is being preserved mainly in the funds of libraries and museums. Depending to the scientific or cultural area of interest, archival and literary movable cultural properties are being attributed to it. These are manuscripts, incunabula, rare and valuable books, archival documents, periodical editions in the periods 1844-1878 and 1878-1944, rare and valuable editions in different languages dating from 100 years ago, photographs, postal cards, graphics, prints, lithographs, printed maps, posters, watercolor and pastel painting. Deterioration of these monuments is due to the processes of natural aging and physic-chemical destruction of the paper on which they are written, printed or painted, but also due to the way of preservation and usage. In order to protect and preserve the written cultural heritage it is necessary to constantly conduct comprehensive set of activities, including periodic inspection in order to establish the status of the monument or collection; carrying out conservation and restoration processes; creating optimal conditions for preservation and conducting processes of reformatting of the information to another medium in accordance to the requirements imposed by laws, regulations, standards. In reality, however, researches has shown that in general the majority of requirements are not being followed or are unknown to those who are in direct contact with the monuments of the written cultural heritage while performing their specific activities.
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This study traces the history of the conservation of the Roman tomb in Silistra, unearthed in 1942. The earliest conservation works were led by experts from the National Museum, Sofia. A number of either unpublished or less known records attesting to the interventions and covering the trends in the preservation of the mural paintings at the tomb over the last seven decades are presented. The grave problems facing the protection of such monuments in this country are due to the flaws in the system of protection of Bulgaria’s heritage sites for want of a sustainable strategy. In such a discouraging context, entrusting the management of the tomb to Silistra Municipality in 2011 could prove to be a step in the right direction. From that moment onwards, local authorities in their own right, enlisting professional organizations and experts to help, have been able to initiate and coordinate all forthcoming initiatives related to the protection of this exceptional monument.
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The article treats the incorrect in terms of methodology use of artworks as a ‘credible source’ for reconstructing architectural sites in ruins. Medieval representations from Veliko Tyrnovo treated in scientific publications form the first group. Enough arguments have been adduced pertaining to their specificity of typologizing images following particular iconographic patterns. Hence the second group is accentuated, containing drawings and engravings by West-European artists of the sixteenth and the seventeenth centuries with regard to Philippopolis (Plovdiv), Kyustendil and Sozopol. Significant discrepancies are witnessed showing that these artworks wouldn’t also evince strict topographic descriptions. Furthermore, western artists have inevitably reproduced any situation premising on their experience got from their own environments, perception, knowledge, etc., i.e. foreign cultural stereotypes underlie these works. An artwork is in itself a reflection depending on historical, cultural, and individual factors. Using such a category of pictorial material in gathering information about the respective sites, might lead to replacing direct by indirect evidence and an ensuing series of interrelated assumptions. Against a backdrop of the recent massive construction and reconstruction works carried out on Bulgaria’s heritage sites, individual instances are dealt with of ignoring the original artefacts, which results anew in creating fakes thus irreversibly damaging the authenticity of cultural values.
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Improved data security can be achieved through RAID technology. This text covers and discusses some of the main RAID configurations. For each of them is presented the free disk space it provides, needed resources and the redundancy that every configuration has.
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The article contains a list of the 17th–18th centuries printed books in the French, German, Italian and Latin languages from the collection of Literary Museum of A. Pushkin in Vilnius. The article provides bibliographic data and short description of the books in brief. This article is one of the first attempts to introduce to researchers a list of rare old printed books of the Museum collection.
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The paper presents the so-far most complete biography of the Serbian writer Milica Janković. It indicates the interlacing of her professional career as a teacher and her literary work. It also speaks of the many years of a complex and sometimes controversial friendship with the publisher Svetislav Cvijanović. The second part of the paper presents forty-two letters of Milica Janković to Svetislav Cvijanović written between 1913 and 1938, which are kept in the Archive of the Serbian Academy of Sciences and Arts.
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The paper is devoted to the problem of centralization and unification of museum affairs in the professional debates during 1917. The main issue is analysis of the archival materials of the counsel on museum affairs and protection of monuments, which was held in the spring – summer of 1917 at the Institute for History of Arts (Petrograd). The author analyzes the main reports on this problem made by such prominent museum figures as A.A. Miller, P.P. Weiner, and N.M. Mogilyansky. A connection is established between their content and the general level of museology at that time. The author establishes a link of these ideas to some initiatives in the cultural politics of the post-October period. During this period, there are two main issues in the framework of this discussion. These ideas are linked to some initiatives in the cultural politics of the post-October period. There are two main issues in the framework of this discussion during the period under consideration. The first question is creation of a government body to manage all museum affairs of the country. A.A. Miller and N.M. Mogilyansky write about the structure of museum management. P.P. Weiner argues for the body of monument protection. The second question is redistribution of museum collections, evaluation of their composition on the basis of subject matter disciplines. On the one hand, these discussions show the high level of development of museology in Russia in the early 20th century. On the other hand, they show that the discourse of museology as an independent academic discipline has not yet received sufficient development. Based on the Russian material here, we can trace the transition from the pre-scientific stage of museology to the empirically descriptive stage.
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