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Result 761-780 of 784
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“ÖTEKİ AMERİKA”NIN SESİ: HOWARD FAST’İN SUÇSUZLAR ADLI ROMANINDA YERLEŞİKLER VE GÖÇMENLER

“ÖTEKİ AMERİKA”NIN SESİ: HOWARD FAST’İN SUÇSUZLAR ADLI ROMANINDA YERLEŞİKLER VE GÖÇMENLER

Author(s): Murat Erdem / Language(s): Turkish Issue: 9/2021

This study aims to provide an analysis of political, social and historical facts prevalent in the American society by looking into the cultural aspects of the 1920s America through the lens of the American author Howard Fast and his The Passion of Sacco and Vanzetti (1953). The novel offers a fictional account of the execution of the two Italian immigrants, Nicola Sacco and Bartolomeo Vanzetti, without a fair trial. These two were convicted of a robbery that took place in Boston along with the murder of two security guards, an incident that plays an important role in American history. However, what the novel actually highlights is the threat posed to the American society and its established order by these two Italian immigrants and anarchists. In this study, building upon the intersection between literature and history, it is aimed to discuss the struggle of immigrants for existence and survival against this establishment. These people were subjected to discrimination and unjust treatment in a social structure, which can be defined as “The Other America.” In this respect, drawing upon discussion on literature and history, this study will attempt to juxtapose both narratives in order to unfold the political and cultural aspects emphasized in Fast’s novel. In the darkness of the 1920s, immigrants, workers, radicals, anarchists, socialists, communists and defenders of these worldviews in American society can be considered among those labelled as “others.” As opposed to them, local residents, with their racist, biased and xenophobic manners, stand as the representatives of the establishment and maintain its order via the practices of the law and academy in an atmosphere of the “Red Scare.” In this respect, from a perspective where literature and history intersect, while examining the conflict between the local residents and immigrants, we will unfold how the establishment employs state apparatus. Interestingly, in our country, although this novel by Howard Fast is translated into Turkish, almost no academic research has been carried out about the author and his work. I, therefore, consider this study to be of interest to researchers and students as it gives recognition to a prolific author and his novel.

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“Stories are sitting on radio waves” Morality and Time in Burning Vision

“Stories are sitting on radio waves” Morality and Time in Burning Vision

Author(s): Vesna Lopičić,Melissa Tanti / Language(s): English Issue: 2/2019

The most impressive and potentially confusing aspect of Marie Clements’s 2002 play Burning Vision is its treatment of time. While the plot, or rather parallel plots, can be pieced together after a few readings (involving Native Dene, Japanese, and American characters), the representation of time is more challenging and thought-provoking. Short scenes and brief dialogues seem to fly at the reader like shrapnel, with an exceptional effect. Besides the effect of flickering movie images, this method of rendering time seems to affirm the idea of past, present and future existing simultaneously in a work of art, or perhaps the postmodern idea of David Harvey’s time-space compression. Besides these readings, Clements’s consistent use of changing radio frequency to announce yet another stage-scene/time-frame invites a more radical approach to this text. This article aims to show the moral significance of the author’s rejection of chronological time. When the space-time reality is observed in terms of quantum physics, everything happens now and therefore has a powerful moral impact since there is no elapsed time as a buffer zone to give the comfort of the long and faraway gone. Morality, however, is not the paradigm usually associated with scientific inquiry. This aspect of the play comes when the meaning of Indigenous conceptions of space and time are added to the scientific propositions that form the backbone of Clements’s story. In the spirit of connecting science and art, the ideas of contemporary science will be counterbalanced with Indigenous philosophy.

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“Strangers Still More Strange”: The Meaning of Rivers Bedeviled

“Strangers Still More Strange”: The Meaning of Rivers Bedeviled

Author(s): T. S. McMillin / Language(s): English Issue: 1/2021

Steamboats transformed rivers in the nineteenth-century United States, providing what many people considered a kind of mastery over nature. In literature from the period, while most writers marveled at or exulted in that perceived mastery, some questioned the origins of the reputed conquest. Did it result from human ingenuity? divine inspiration? a deal with the devil? Amid all the fog, smoke, and other vapors associated with the steamboat, vivid stories, compelling dramas, and comic searches for meaning took shape, and no literary work captured the tension informing, uncertainty surrounding, and ramifications emerging from this instance of technological innovation as powerfully as The Confidence-Man: His Masquerade (1857). Herman Melville’s last novel, The Confidence-Man explores the author’s notion that “Books of fiction” can perhaps give readers more truth, “more reality, than real life can show.” Literature, for Melville, was an opportunity to reconsider the nature of things and our means of understanding that nature. In The Confidence-Man, he presented readers with a different view of the Mississippi River and the curious vessels working its waters. The novel imagined The Devil himself to be on board the steamboat, imperiling the soul of America.

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“THE HEAVE OF THE SWELL” – METAPHORS OF THE SEA IN SHORT STORIES FROM ATLANTIC CANADA (1900–1930)

“THE HEAVE OF THE SWELL” – METAPHORS OF THE SEA IN SHORT STORIES FROM ATLANTIC CANADA (1900–1930)

Author(s): Judit Nagy / Language(s): English Issue: 2/2021

“The Heave of the Swell” – Metaphors of the Sea in Short Stories from Atlantic Canada (1900-1930). The paper examines the use of sea metaphors in Atlantic Canadian short stories written between 1900 and 1930. Lakoff and Kövecses’s cognitive concept of the metaphor will provide the theoretical framework for the identification and classification of sea metaphors surfacing in the texts to be analysed. Using the socio-cultural background information provided in the first part of the paper, the more substantial second part will constitute the actual analysis, which will concentrate on the sea metaphor use of the works of prominent Atlantic Canadian short story writers from the golden age of the sea story.

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“The Jingle Man” and the Transcendental Issues
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“The Jingle Man” and the Transcendental Issues

Author(s): Saša Simović / Language(s): English Issue: 26/2021

Edgar Allan Poe neither cherished nor appreciated the fundamental standing points of American Transcendentalism, never missing the opportunity to express his “disagreement” with the ideas discussed by some leading figures of this religious, literary and philosophical movement in antebellum America. He criticized their “obscurity for the sake of obscurity“, their being prone to vagueness and imprecission as well as the way they perceived the Universe, the Oneness, the Soul of the World and the Soul of the Individual. The aim of this paper is to highlight Poe’s perspective on Transcendentalism, both on the literary scene of the day and in some of his short stories.

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“The Recovery of the People Is Tied to the Recovery of Food”: Food Sovereignty and Winona LaDuke’s Last Standing Woman
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“The Recovery of the People Is Tied to the Recovery of Food”: Food Sovereignty and Winona LaDuke’s Last Standing Woman

Author(s): Cristina Stanciu / Language(s): English Issue: 2/2019

This essay turns to LaDuke’s literature and activism to explore ways in which contemporary Native American writers center their work around issues of food sovereignty, environmental protection, and economic self-determination as essential platforms for community regeneration, renewal, and survival. I argue that Last Standing Woman (1997), Anishinaabe writer Winona LaDuke’s first novel, dramatizes many of these concerns at the heart of her activist and political work. Central to the novel Last Standing Woman is the significance of wild rice for the White Earth Anishinaabe (Ojibwe) people of Minnesota. In Last Standing Woman, wild rice is not only a traditional and sustainable crop but also one that can ensure the livelihood of the community. At the heart of a feminist and activist novel like Last Standing Woman – as well as Winona LaDuke’s activist work, more broadly – is a twofold challenge, which resonates across much Native American writing: on the one hand, the challenge to preserve (existing resources, cultural practices, etc.); on the other, to recover the losses Native communities have suffered historically through colonization and its many consequences, such as the enormous loss of land suffered by the White Earth community. The turn to literature provides Winona LaDuke with a powerful site of political engagement, where she foregrounds issues of gender, tribal politics, and the environment at the same time as she tells a powerful story about Anishinaabe continued resilience.

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“To give form to what cannot be comprehended”: Trauma in Kurt Vonnegut’s Slaughterhouse-Five and Martin Amis’s Time’s Arrow

“To give form to what cannot be comprehended”: Trauma in Kurt Vonnegut’s Slaughterhouse-Five and Martin Amis’s Time’s Arrow

Author(s): Aleksandra Czajkowska / Language(s): English Issue: 03 (34)/2021

The primary objective of this article is the analysis of trauma in Kurt Vonnegut’s Slaughterhouse-Five and Martin Amis’s Time’s Arrow. It is argued that through the deployment of experimental literary techniques (particularly destabilized and non-linear narratives) these two novels offer valuable insights into the mechanisms of a traumatized mind and help to understand the uncertain sense of the self experienced by those who suffer from traumatic memories.

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“Very much alive and very much under threat”: Chasing the Coffee-Flavored American Dream in Dave Eggers’s Monk of Mokha
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“Very much alive and very much under threat”: Chasing the Coffee-Flavored American Dream in Dave Eggers’s Monk of Mokha

Author(s): Raluca Andreescu / Language(s): English Issue: 2/2019

This essay examines the manner in which Dave Eggers’s recent work of literary nonfiction, The Monk of Mokha (2018), sets out to amplify the voices of the marginalized by chronicling the adventures of a young Yemeni-American in search of the best coffee in the world. This takes the protagonist from the infamous neighborhood of his birth in San Francisco, “a valley of desperation in a city of towering wealth,” to his trials and tribulations in the war-torn homeland of Yemen. I will argue that the narrative, which blurs the lines between fiction and nonfiction and combines history, politics, biography and thriller, highlights the American entrepreneurial zeal and contagious exuberance which still feed the immigrant American Dream and proves that social mobility in the United States is still attainable, sometimes as a result of chasing the world’s most dangerous cup of coffee. Moreover, I argue that the protagonist’s endeavor can be read within the larger context of contemporary political consumption as an example of social justice activism and ethics-driven buying.

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“What’s in a Name?” The Institutionalization of American Studies in Romania

“What’s in a Name?” The Institutionalization of American Studies in Romania

Author(s): Diana Benea / Language(s): English Issue: 21/2020

The present article sets out to analyze the emergence and institutionalization of American Studies as an academic discipline in Romania, with a focus on the specific contexts and factors that influenced this process, and the ways in which its practitioners defined, constructed, and focused their endeavors. Taking the University of Bucharest as a case study and adding insights from other Romanian universities, the paper seeks to give an account of: 1) the ways in which the several decades-long tradition of teaching American literature in the Communist period (sporadically until the 1960s, but ever more substantially in the following decades) prepared the ground for the institutionalization of American Studies programs; 2) the “conditions of possibility” that enabled this institutionalization after the collapse of the Communist regime in 1989, with an emphasis on the restructuring of the Romanian higher education system, on the one hand, and the specific renegotiations of the field of American Studies, on the other; 3) American Studies curriculum development and its impact on Romanian academia as an example of curricular reform in the spirit of interdisciplinarity; 4) the situated contributions that Romanian Americanists have made to international scholarship in American Studies by bringing new research agendas to the fore.

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“Where Butchers Sing Like Angels” Of Captive Bodies and Colonized Minds (With a Little Help from Louise Erdrich)

“Where Butchers Sing Like Angels” Of Captive Bodies and Colonized Minds (With a Little Help from Louise Erdrich)

Author(s): Małgorzata Poks / Language(s): English Issue: 1/2020

The Master Butchers Signing Club—Louise Erdrich’s “countehistory” (Natalie Eppelsheimer) of the declared and undeclared wars of Western patriarchy—depicts a world where butchering, when done with precision and expertise, approximates art. Fidelis Waldvogel, whose name means literally Faithful Forestbird, is a sensitive German boy turned the first-rate sniper in the First World War and master butcher in his adult life in America. When Fidelis revisits his homeland after the slaughter of World War II, Delphine, his second wife, has a vision of smoke and ashes bursting out of the mouths of the master butchers singing onstage in a masterful harmony of voices. Why it is only Delphine, an outsider in the Western world, that can see the crematorium-like reality overimposed on the bucolic scenery of a small German town? Drawing on decolonial and Critical Animal Studies, this article tries to demystify some of the norms and normativities we live by.

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“Множинні тіла монарха”: стратегії реалізації метафори body politic на сучасній північноамериканській сцені

“Множинні тіла монарха”: стратегії реалізації метафори body politic на сучасній північноамериканській сцені

Author(s): Natalia Vysotska / Language(s): Ukrainian Issue: 101/2020

The paper seeks to explore the strategies instrumental for the implementation of the body politic metaphor that had been active in Western culture since classical antiquity in the plays authored by present-day North American dramatists (Sarah Ruhl’s Passion Play, USA, 2010, and Timothy Findley’s Elizabeth Rex, Canada, 2000). Drawing upon the concept of the “king’s two bodies” (E. Plowden, E. Кantorowicz, М. Аxton, А. Мusolff, L. Montrose and other New Historicists), the author sets out to demonstrate that in S. Ruhl’s dramatic cycle the metaphor serves to indicate the inextricable links between the concepts of power, the sacred, and the theatrical, whereas Т. Findley uses it to study the ontology of sex and gender in political and theatrical contexts. It is argued that the age-old somatic metaphor conceived in the archaic layers of human psyche manifests its viable receptive potential through its efficient functioning in the early 21st century cultural artifacts.

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„Bez Polaków nie byłoby Ameryki”. Obraz Polonii amerykańskiej w Akordeonowych zbrodniach
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„Bez Polaków nie byłoby Ameryki”. Obraz Polonii amerykańskiej w Akordeonowych zbrodniach

Author(s): Alicja Piechucka / Language(s): Polish Publication Year: 0

The philosophical underpinnings and existential implications of Annie Proulx’s fiction situate it in the tradition of literary naturalism. The writer portrays characters from the lower social classes, people who are unable to overcome the impasse in which they have found themselves. Far from idyllic sentiments, Proulx’s approach to the experience of place connects her to the writers associated with so-called new regionalism. She shows the degrading influence of the life amidst beautiful natural surroundings on individual human psyche. Proulx looks closely at the processes of the commodification of regional culture and interprets them as symptoms of a dangerous global tendency.

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„Czy adoptowałeś już niepełnosprawne dziecko?”: przyczynek do analizy niepełnosprawności w dyskursie pro-choice w Polsce
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„Czy adoptowałeś już niepełnosprawne dziecko?”: przyczynek do analizy niepełnosprawności w dyskursie pro-choice w Polsce

Author(s): Natalia Pamuła / Language(s): Polish Issue: 2/2020

Focusing on the Black Protests in 2016 and 2018, Pamuła explores how the Polish prochoice movement uses disability as a rhetorical device to defend abortion rights without referring to the subjectivity and rights of people with disabilities. She takes a critical look at expressions such as “little monsters” (referring to fetuses with diagnosed abnormalities) by drawing on disability studies and feminist disability studies. Discussing the social and the medical model of disability she asks how effective it would be to replace the debate on abortion with a debate on reproductive justice in the context of disability.

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„Czym jest dla mnie Afryka?” Renesans harlemowski w poszukiwaniu tożsamości

„Czym jest dla mnie Afryka?” Renesans harlemowski w poszukiwaniu tożsamości

Author(s): Zdzisław Głębocki / Language(s): Polish Issue: 15/2019

The article addresses the question of African inspirations in the works of African-American artists. In the poem Heritage Countee Cullen asks: “What is Africa to me?”. The question was also formulated by African-American intellectuals, social activists, and artists, in particular those associated with the Harlem Renaissance, becoming an important metaphor in formulating racial and artistic identity. The article traces this quest in selected literary works which echo the Dark Continent and supplements the discussion with examples of visual arts from this period inspired by Africa.

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„Dead-wall reveries”. Przypadek kopisty z Wall Street

„Dead-wall reveries”. Przypadek kopisty z Wall Street

Author(s): Jerzy Franczak / Language(s): Polish Issue: 2 (18)/2021

This article offers a reinterpretation of Herman Melville’s famous short story “Bartleby, the Scrivener: A Story of Wall Street”, which has been interpreter countless times. Jerzy Franczak describes the operations of “Bartleby’s factory” and polemically refers to all the readings that attribute a subversive and community-forming potential to the idiosyncratic formula of resistance repeated by the protagonist. The trope of the wall is central to Franczak’s line of interpretation. He understands it as the protagonist’s projection of external necessities: unchanging rules that govern the social world. By supplementing Marxist approaches (especially that of Leo Marx) with concepts taken from Jacques Ranciere’s writings, Franczak is able to develop a perspective which weakens the deterministic vision of an individual oppressed by the socioeconomic destiny. In Franczak’s interpretation, Bartleby is a victim of his own fatalism, while the lawyer-narrator, commonly portrayed as an embodiment of the system of power, is a political entity whose project of building a shared platform for understanding and acting falls through.

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„Historia nie jest osobna”. Hannah Arendt i jej biografia/e

„Historia nie jest osobna”. Hannah Arendt i jej biografia/e

Author(s): Daria Nowicka / Language(s): Polish Issue: 37/2020

This article – as mentioned in the introduction – details three ways to understand the category of biography in Hannah Arendt’s writings. In the first, I mention the very act of writing a biography by the author – a story of Rahel Varnhagen or Walter Benjamin, also referring to the biographical and epistolographic essays that Arendt pointed out. In the second, I’m interested in the aspect of refugee biography proposed by Arendt in “We Refugees” which she used to redefine the term “refugee”. In the third aspect, I present Arendt as the protagonist of a biography in Julia Kristeva’s writings.

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„Jesteśmy zdolni do prawdziwego spotkania z Drugim”. Z Marci Shore rozmawia Magdalena Brodacka-Dwojak

„Jesteśmy zdolni do prawdziwego spotkania z Drugim”. Z Marci Shore rozmawia Magdalena Brodacka-Dwojak

Author(s): Marci Shore,Magdalena Brodacka / Language(s): Polish Issue: 1/2021

Marci Shore in Conversation with Magdalena Brodacka-Dwojak

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„Najczarniejsze jądro”: Ironia i poetyka strachu w wybranych amerykańskich tekstach o wojnie w Wietnamie

„Najczarniejsze jądro”: Ironia i poetyka strachu w wybranych amerykańskich tekstach o wojnie w Wietnamie

Author(s): Aleksandra Musiał / Language(s): English Issue: 36/2021

This article discusses several American texts about the war in Vietnam, paying particular attention to Michael Herr’s memoir Dispatches and Gustav Hasford’s The Short­Timers. Using Paul Fussell’s model of the ironic pattern of war experiences recounted in literary texts authored by soldier-writers, the article argues that the close entanglement of the poetics of fear and a sense of Fussellian irony permeate the representations of the Vietnam War in these, as well as in other American books. The article also attempts to briefly categorise the representations of fear in several narratives of the war.

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„Nie będzie to łatwa wyprawa” (Mason i Dixon)
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„Nie będzie to łatwa wyprawa” (Mason i Dixon)

Author(s): Mikołaj Wiśniewski / Language(s): Polish Publication Year: 0

Thomas Pynchon is an acclaimed American writer associated with postmodernism. His fiction offers complex insights into the social, cultural and political dimensions of American life, describing a variety of important phenomena, such as the invasion of entertainment industry, the expansion of new technologies, the strengthening of regimes within apparently democratic establishments. Pynchon dissects the linguistic mechanisms of communication and of shaping human consciousness.

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„Przedziwna sztuka porażki” Jacka Halberstama

„Przedziwna sztuka porażki” Jacka Halberstama

Author(s): Paweł Wieczorek / Language(s): Polish Issue: 02/2019

Book-Review: Jack Halberstam, Przedziwna sztuka porażki [The Queer Art of Failure], tłum. Mikołaj Denderski, Wydawnictwo Krytyki Politycznej, Warszawa 2018. ‒ Paweł Wieczorek

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