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Ivlina Vo romāns “Atkal Braidshedā” zilo teorijas skatījumā

Ivlina Vo romāns “Atkal Braidshedā” zilo teorijas skatījumā

Author(s): Anna Auziņa / Language(s): Latvian Issue: 1/2014

The article is examining the novel “Brideshead Revisited” by Evelyn Waugh and the depiction of the identity of homosexualism in it. By analysing the novel “Brideshead Revisited” the author has applied the gay theory, a theory of culture and literature of the second half of the 20th century that alongside with the theory of feminism turned against the stereotypes of patriarchal culture. The novel “Brideshead Revisited” demonstrates hints about the homoerotical bonds between the twomain characters. Although thesemessages are not direct and straight-forward; however, when reading the text from the perspective of the gay theory, we can disclose the use of allusions and codes thus providing an interpretation of friendship between Charles and Sebastian, as a romantic love story. In the case of Charles and Sebastian, the homoerotical link creates tension and problems, the depiction of their relations points to homosexual interest typical of immature personalities. However, the portrait of another, supporting character of the novel, Antony Blance, offers a different portrayal of a homosexualman: his hero ismature and successful in expressing his essentially different sexuality. In this way, Waugh has created an innovative image of a homosexual man. Nevertheless, emotionally the most vivid and nostalgic description in the novel is the portrayal of the romantic relations between both the main characters in their youth. They are depicted in a fragile and discrete manner by focusing on the emotional experience of the characters. Lack of openness and subtexts increase the artistic value of the novel.

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SIGNIFICANT INSIGNIFICANCES: WINSTON SMITH’S DIARY AND OTHER RECLAIMED HISTORIES

SIGNIFICANT INSIGNIFICANCES: WINSTON SMITH’S DIARY AND OTHER RECLAIMED HISTORIES

Author(s): Tom Phillips / Language(s): English Issue: 26/2019

The construction of counter-narratives which reclaim and rename history by challenging hegemonic discourse cannot simply be a question of replacing one metanarrative with another. Genuine counter-narratives also challenge the category of “the historical” itself, blurring its parameters and making value-claims for what is often regarded as historically insignificant or marginal. In this chapter, I examine works by three authors – George Orwell, Charles Olson and Georgi Gospodinov – who, despite the diversity of their outlook, output and circumstances, exhibit a shared interest in the significance of the seemingly insignificant and in its potentiality as a foundation for ethical challenges to the assumptions and definitions of hegemonic metanarratives. Winston Smith’s diary in Orwell’s 1984, the autobiographical anecdotes, obscure historical documents and local mythology included in Olson’s Maximus Poems and the fragmentary texts of Gospodinov’s Всички нашите тела are discussed in relation to Kierkegaard’s notion of dignity in personal history, Lyotard’s definition of postmodernism as an “incredulity towards metanarratives” and Auerbach’s discussion of modernism in Mimesis, which also serves to illuminate continuities between the different “epochs” of the modernist/post-modernist age as well as identifying a possible need to interrogate the way literary history itself is defined and narrated.

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Granātābola semantika O. Vailda pasaku krājuma "Granātābolu naminš" un P. Rozīša stāstu krājumā "Granātu ziedi"

Granātābola semantika O. Vailda pasaku krājuma "Granātābolu naminš" un P. Rozīša stāstu krājumā "Granātu ziedi"

Author(s): Ilze Kačāne / Language(s): Latvian Issue: 1/2006

In culturological discourse pomegranate contains extensive and diverse semantics. It can be interpreted as a symbol of fertility, resurrection, and rebirth, In Oscar Wilde's fairy-tales many such symbols are present. Among them the pomegranate is one of the semanthemes that repeats. This repetition is the significant component of the writer's poetics. O. Wilde and his creative works have influenced many Latvian writers. Pavils Rozitis gets acquainted with his works when translating his "Aesthetic Manifesto" in 1909 and the supplemental Wilde's fairy-tale "The Fisherman and His Soul" Pomegranate is one of the images in P. Rozltis's collection of short stories "The Blossoms of Pomegranates". The article is an attempt to clarify common and different pomegranate semantics in Wilde's and Rozitis's works.

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Поэзия Дж. Китса в России двадцать первого века

Author(s): E.G. Linyuchkina,Maria A. Kozyreva / Language(s): Russian Issue: 1/2018

The paper is devoted to the analysis of the reproductive reception of John Keats’ works in Russia during the 21st century. Based on the study of user queries in the most used, according to the Seo-auditor, search engines on the Internet – Yandex and Google – and groups devoted to the author in the most popular social networks – VKontakte, Odnoklassniki, and Facebook, it has been concluded that due to the lack of promotion of the English poet-romanticist in Russia, J. Keats has a low popularity among ordinary readers. Compared to the popularity of A.S. Pushkin, G.G. Byron, and W. Shakespeare in the Russian Internet, the popularity of J. Keats can be estimated as very low. Translations and publications of sonnets, odes, and creations of other genres, especially epic poems, by J. Keats in the Russian language caused a surge of research interest to the author, his creativity, his literary method, biography, and artistic ideas. The analysis of dissertations and articles on J. Keats written during the last decades has revealed a shift of interest of researchers from the genre features of his works towards the aesthetic concept of authorship, which distinguished J. Keats from other English romantic poets of the 19th century and influenced many followers of J. Keats, such as W. Morris and O. Wilde.

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DVE SLOVENSKÉ INSCENÁCIE VLADIMÍRA MORÁVKA

DVE SLOVENSKÉ INSCENÁCIE VLADIMÍRA MORÁVKA

Author(s): Nadežda Lindovská / Language(s): Slovak Issue: 04/2020

The Czech director Vladimír Morávek has staged two remarkable theatre productions in Slovakia. Both were staged on the verge of the millennia and were inspired by the world theatre classics. In 1999, Morávek staged Shakespeare’s Macbeth at Andrej Bagar Theatre in Nitra, and in 2005, he directed Cyrano de Bergerac by Edmond Rostand on the stage of the Drama Company of the Slovak National Theatre in Bratislava. The production of Macbeth in Nitra was the most successful and most frequently awarded production of the 1998/1999 theatre season. Both national and international theatre critics were particularly generous in their reviews. The production of Cyrano de Bergerac in Bratislava was among the repertory titles most popular with the audiences. However, reviewers were more reserved in their opinions. Both the productions had several things in common, namely, they both strived to interpret the well-known drama text in a novel way, while putting emphasis on actors’ performance, visuality and musicality. Morávek’s directions of Macbeth and Cyrano have enriched the relations between the Czech and the Slovak theatre scenes with a new experience and have become a significant part of the art biographies of several theatre professionals.

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BOUNDARIES OF THE BODY POLITICS IN MEDIEVAL HAGIOGRAPHICAL ROMANCE

Author(s): Hülya Tafli Düzgün / Language(s): English Issue: 4/2020

The boundaries addressed in Medieval England are of various kinds. They include not only the socio-cultural, political and geographical frontiers that romance of medieval England imagine and imply, but also demarcations of metaphors, such as the boundary between factuality and fictionality; boundaries between different genres of literature; and boundaries between different kinds of experience such as magic, miracles, supernatural and divine. Particularly tangible manifestations of divine favour abound in the romances of medieval England. In this sense, La Estoire de Seint Aedward le rei is an intensely body-conscious text, and this paper looks into the boundaries of the king’s body and the body politics in this hagiographical romance. The aim of this paper is to explore how the boundaries of Edward will be reshaped and how each Edward is erased in turn to make a room for the next Edward, where both the manuscript and his body are re-inscribed with a new agenda.

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MULTICULTURAL PERSPECTIVES: STUDY OF THE FEMALE CHARACTERS IN THE SELECT RAJ NOVELS

Author(s): Bhaskar Chettri,Dhananjay Tripathi / Language(s): English Issue: 1/2021

This article examines a particular body of fiction classified as Raj novels whose narratives draw extensively on the social, political and historical contexts of the British Raj in India. The present article analyses three select novels; The Jewel in the Crown (1966) by Paul Scott, Heat and Dust (1975) by Ruth Prawer Jhabvala and The Tailor’s Needle (2009) by Lakshmi Raj Sharma, in the light of multiculturalism propagated by the major female characters in the novels. The article postulates how the Raj novels, generally categorized as historical fiction and studied in the context of colonial and postcolonial studies, could also be studied in the context of multiculturalism. Furthermore, it examines the role of the major female characters in these Raj novels and assesses how they acted as a harbinger of multicultural values at the time of high imperialism when the era itself was perceived as a masculine enterprise endowed with conflict, rebellion, hostility and antagonism.

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THE AESTHETICS OF IMMORTALITY IN THE NOVEL THE PICTURE OF DORIAN GRAY BY OSCAR WILDE

Author(s): Cristina Nicolaescu / Language(s): English Issue: 3/2021

The aim of this paper is to reveal the artistic effects that the concepts of eternal youth and immortality have in the novel The Picture of Dorian Gray by Oscar Wilde from the perspective of their aesthetics. As critical reception has been diverse in comprehension and evaluation it becomes obvious that the multifaceted literary work from the end of the nineteenth century is profound in both its composition and thematic structure.

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MEDICINE AND LITERARY ROMANTICISM

MEDICINE AND LITERARY ROMANTICISM

Author(s): Mirela Radu / Language(s): English Issue: 4/2021

The present article is aimed at drawing a parallel between two seemingly separate fields: medicine and literature. The two do not exclude each other, on the contrary, they complement happily. The representatives of medicine, with obvious erudition, have been, throughout the history of humanity, some of the important initiators of the understanding of life in its various forms: scientific, artistic, aesthetic, etc. The human being, examined both physically and spiritually, needs a broad approach that combines several sciences. It is the art of healing that has, since ancient times, succeeded in leading to a deeper perception of man. The present study is an interdisciplinary attempt to connect the study of literature with medicine. In this paper we aim to analyze personalities of the medical world who, loving aesthetic values, have left the narrow world of science, managing to become creators of works of art and literature with a strong impact on culture. The present study is an interdisciplinary approach which connects the study of literature with the one of medicine.

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Signs of Translator Visibility in J.R.R. Tolkien’s
The Hobbit or There and Back Again

Signs of Translator Visibility in J.R.R. Tolkien’s The Hobbit or There and Back Again

Author(s): Roxana Bîrsanu / Language(s): English Issue: 2/2019

The translation of any literary work is a form of confirmation of its worth and of theappreciation it enjoys in a certain target literary system. J.R.R. Tolkien’s The Hobbit orThere and Back Again has four Romanian translations, performed at various moments intime, both during and after the fall of the communist regime. The moment of translationproduction is relevant in respect of the translation norms that govern the act of translationand influence translating decisions in different periods. This paper analyses thesetranslations from the perspective of the translators’ degree of visibility in the texts. To thisend, we will provide a series of general observations extracted from the comparison of theRomanian versions and from the analysis of some excerpts specific to the writing style andtechniques of the author and of the genre within which the novel under discussion isinscribed.

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Daniel Wiesner, Taneční divadlo aneb vyprávění o Macbethovi

Daniel Wiesner, Taneční divadlo aneb vyprávění o Macbethovi

Author(s): Miriam Hasíková / Language(s): Czech Issue: 1/2017

Review of: Daniel Wiesner, Taneční divadlo aneb vyprávění o Macbethovi, Praha, Nakladatelství AMU, 2016, 159 stran, ISBN 978-80-7331-411-8.

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Conforming to Expectations or Defying Convention?
Gender Roles in Doris Lessing’s Short Story Notes for a Case History

Conforming to Expectations or Defying Convention? Gender Roles in Doris Lessing’s Short Story Notes for a Case History

Author(s): Corina Mariana Mitrulescu / Language(s): English Issue: 1/2024

This paper explores Lessing’s views regarding gender roles along with the idea of complying with societal expectations, in the short story “Notes for a Case History.” It focuses on the examination of Maureen Watson’s experiences as a young woman in post-WWII society, delving into the tensions that arise from the societal requirements to conform to traditional gender roles and the need to defy conventional norms in order to preserve one’s identity. Lessing’s portrayal of the protagonist’s struggles highlights both the complexities of gender roles and societal pressures, ultimately questioning the structures that have traditionally defined masculinity and femininity.

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“Fie upon the Law”: The Thomistic Perspective on Justice and Mercy in The Merchant of Venice

“Fie upon the Law”: The Thomistic Perspective on Justice and Mercy in The Merchant of Venice

Author(s): Mateusz Godlewski / Language(s): English Issue: 15/2024

This paper attempts to read Shakespeare’s famous trial scene in Merchant of Venice, and particularly Portia’s famous speech, in the context of its remarkable affinity with the Thomistic teachings on justice and mercy. In recent years some scholars argued for the previously unexplored relevance of Thomas Aquinas’s thought in Shakespeare’s plays, especially his analysis of the passions and moral values. In Merchant of Venice the thematic polarity of justice and mercy is essential, yet interpreting it as a dialectic opposition is far too simplistic. From Aquinas’s perspective, a proper understanding of mercy can be secured only when it is situated in the order of justice, and his (and Aristotle’s) distinction between commutative and distributive justice sheds an interesting light on Portia, Bassanio, Antonio, and Shylock. Antonio and Bassanio’s contractual language, as well as Shylock’s unshaken determination to fulfil his bond, mirror the sense of commutative justice, which “directs exchange and intercourse of business” and “consists of mutual giving and receiving” (ST, I.21.1, resp.). Portia’s speech on mercy, on the other hand, introduces distributive justice, which “consist in distribution; (...) whereby a ruler or a steward gives to each what his rank deserves” (ST, 1.21.1). Portia’s swerve to hierarchical, regal terminology extends the understanding of justice and mercy, which is not only “enthroned in the hearts of kings”, but is ultimately of a divine nature and “an attribute to God Himself ” (4.1.193). Aquinas’s teachings that “mercy of God is always a free gift that works through justice” (Caponi: 2018) are echoed in this speech. The entire trial scene suggests an understanding of mercy which coincides with Thomistic perspective: not as a relaxation of justice, but as its perfection and restoration. Shakespeare eloquently represents these ideas in his dramatis personae who are complex, passionate, and fully human.

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“I Play the Devil.” Theodicy and Kingship in Shakespeare’s The Tragedy of Richard the Third

“I Play the Devil.” Theodicy and Kingship in Shakespeare’s The Tragedy of Richard the Third

Author(s): Cameron Barrows / Language(s): English Issue: 15/2024

The villainy of a despot and William Shakespeare’s The Tragedy of Richard the Third will forever mark the English literary imagination. Through examining the nexus of the performative power of kingship and its relationship to Elizabethan moral and political order, the issue of theodicy naturally arises as it relates to English history. In joining history to theodicy, Shakespeare questions English ideas of personhood and the performative nature of political identity.

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Portrayal of Urban Violence in JG Ballard’s Novels

Portrayal of Urban Violence in JG Ballard’s Novels

Author(s): Milena Škobo / Language(s): English Issue: 26/2024

This paper deals with the social and humanistic aspects of life within communities affected by violence, focusing on the concrete manifestations of violence in JG. Ballard’s The Atrocity Exhibition (1970), his urban disaster novel High Rise (1975), and his urban violence novel Cocaine Nights (1996), to explore the evolving typologies of violence within urban settings. Each novel offers a unique exploration of violence within the urban landscape, ranging from psychological and societal violence to the fetishisation of automotive accidents and the darker undercurrents of suburban tranquillity. The paper offers insights into Ballard’s recurring motifs and stylistic approaches to depicting urban violence. The hypothesis posits that Ballard’s depiction of urban violence serves as a reflection of contemporary societal anxieties and the impact of modernity on human behaviour. We suggest that the violence in urban communities portrayed in these novels stems directly from society’s obsession with media sensationalism and technological progress. Additionally, there is a reciprocal relationship between the urban environment and the human psyche, where the protagonists’ internal states are projected outward. By dealing with the specific forms of violence depicted in selected novels, the paper seeks to elucidate the thematic nuances of societal breakdown, the alienation of individuals and its impact on their well-being within the context of contemporary urban life.

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Conceptualisation of Death in Oscar Wilde´s Modern Fanciful Tale The Selfish Giant: A Cognitivist Approach

Conceptualisation of Death in Oscar Wilde´s Modern Fanciful Tale The Selfish Giant: A Cognitivist Approach

Author(s): Ester Vidović / Language(s): English Issue: 26/2024

The paper addresses the controversial nature of presenting the concept of death in children´s literature. Young children seem to understand death at a relatively young age. However, there have been controversies related to how this topic should be addressed in children´s literature. While some take a stand that children should be shielded as much as possible, others believe we have to present a true and honest image of death in literature. Oscar Wilde´s modern fanciful tales provide a fertile ground for studying the concept of death. His fairy tales often do not have a happy ending, and in many of his stories, protagonists die unjustly, which gives children a more realistic picture of death. The concept of death in the story The Selfish Giant has been analysed via the Theory of Conceptual Metaphors, as proposed by Mark Johnson and George Lakoff and other scientists from a cognitivist background. The proposed metaphors are founded on spatial image schemas as well as primary metaphors, as elaborated by Lakoff and Johnson. Death in Wilde´s stories is portrayed in subtle tones and in accordance with the philosophy of life cycles, as well as the Judeo-Christian tradition. Moreover, Wilde´s poetic language makes the fairy tale a worthy and enjoyable read for young children.

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LINGUISTIC SUBCULTURE: LITERARY ARGOT AND ITS TRANSLATIONAL INSIGHTS (IN “A CLOCKWORK ORANGE” BY ANTHONY BURGESS)

Author(s): Marus Mkrtchyan / Language(s): English Issue: 7/2023

This research scrutinizes the linguistic elements that shape the behavior of the characters in Anthony Burgess' novel "A Clockwork Orange." It is dedicated to the analysis of the language features in the novella. It primarily uncovers how these language features contribute to the characters' personalities and identities. The study also investigates the challenges that arise during the translation process of these linguistic aspects. The research focuses on the study of the characters’ features and their moral/ideological outlook, identification of the mentioned features creating language means, their semantic value and emotive impact, implementation of a comparative analysis of the ST and TT, analysis and specification of the translation techniques used in the target language. The theoretical and practical significance of the research is highlighted with the fact that the novella carries many stylistically marked elements the translation of which is very important and essential as it determines the fact whether the main ideas discussed in the book and the subtextual information will be maintained in the TT or not. And it greatly depends on the strategies and techniques the translator will choose to carry out the challenging and complicated task. The analysis of the culturally bound words can lead to discovering new ways of dealing with many texts having the same features and characteristics. The following methods are used in the process of conducting the research: descriptive analysis, literary discourse analysis, linguo-cultural analysis, comparative analysis.

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DEMON JUČERAŠNJICE: KRATKA POVIJEST IDENTIFIKACIJE U FRANKENSTEINU MARY WOLLSTONECRAFT GODWIN SHELLEY

DEMON JUČERAŠNJICE: KRATKA POVIJEST IDENTIFIKACIJE U FRANKENSTEINU MARY WOLLSTONECRAFT GODWIN SHELLEY

Author(s): Jela Sabljić Vujica / Language(s): Croatian Issue: 2/2023

Frankenstein by Mary Shelley analyzes the concept of identity at, at least, three levels. At the very first one the core things are being postulated, which enable the process of identification – and that is the level of philosophy of identity. At the second level, elements which garantee individual integrity are being postulated – and that is the level of psychology of identity. Finally, at the third level we postulate the historical frame in which the individual integrity is being realised – and that is the level of the politics of identity. In this paper the analysis and interpretation of the identity categories is a starting point for a discussion about contemporary understanding and consequential conceptualisation of identity. In this manner we show that the identity politics is above other levels of identification, wheras the historical frame is reduced finally onto the manipulative space of selfsurvival.

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„Upadek Artura” J.R.R. Tolkiena w kontekście formulicznej tradycji średnioangielskiej arturiańskiej poezji aliteracyjnej

„Upadek Artura” J.R.R. Tolkiena w kontekście formulicznej tradycji średnioangielskiej arturiańskiej poezji aliteracyjnej

Author(s): Bartłomiej Błaszkiewicz / Language(s): Polish Issue: 2/2016

The article discusses the unfinished alliterative poem by J.R.R. Tolkien entitled The Fall of Arthur in the context of the Middle-English aliterative verse tradition. Tolkien’s poem is here specifically compared to the alliterative Morte Arthure, which constitutes the most compatible example of the literary Arthurian tradition in the English High-Medieval period. The argument concentrates on such aspects of poetic composition as the use of oral-descended parallel syntactic and lexical structures as well as the question of high and low poetic register. As a result of the conducted analysis it becomes possible to account for the emerging contrast between the systematic use of the formulaic material in the medieval poem and the practice of ornamental stylisation adopted in The Fall of Arthur, which reflects the literate cultural context of its composition.

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Концепция Шекспира в литературной и театральной критике П. П. Гнедича

Концепция Шекспира в литературной и театральной критике П. П. Гнедича

Author(s): Dmitry N. Zhatkin,Vera V. Serdechnaia / Language(s): Russian Issue: 3/2024

The authors analyze Shakespearean criticism and translation principles of Pyotr Petrovich Gnedich (1855–1925), prose writer, playwright, art critic, and famous theater figure of the turn of the 20th century. The purpose of the work is to clarify Gnedich’s place in Russian Shakespearean literature and to elucidate the vision of Shakespeare in his criticism. The objectives of the work include an overview of Gnedich’s translation and production contribution to the history of Russian theatrical Shakespeare; a study of Gnedich’s criticism of Shakespearean drama on the Russian stage; consideration of Gnedich’s translation principles as the precursors of the accurate translation school. Results of the work: Gnedich writes about Shakespeare, translates his plays and stages them over the course of his life; he does not deviate from the idea that Shakespearean drama is advanced and challenges the theater, first and foremost, the Russian theater. Gnedich measures the development of theatre according to Shakespeare and notes the sad neglect of his plays in the history of Russian theater: despite all of his efforts, from the dominance of everyday plays, the Russian theater shifts towards a predominance of new drama and symbolism. Gnedich’s translations are also inspired by the idea of updated, more accurate Shakespeare on the Russian stage. Thus, in his appeal to Shakespeare, Gnedich pursues new principles without yet naming them: in production work - he leans towards director’s theater, in translation - towards accurate translation (which will later be called “equirhythmic”.) Gnedich was the first to introduce “Julius Caesar” to the Russian stage in 1897 and the first to stage Shakespeare on a chamber stage (at the St. Petersburg Maly Theater of A. S. Suvorin). In 1922, Gnedich offers an unusual concept of the image of Hamlet as a typically Russian passive character, regarding the play as a kind of warning against the position of an inactive “superfluous man.”

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