Очерки истории селадонов

Author(s): Evgeniia I. Gelman / Language(s): Russian Publication Year: 0

The article deals with the history of the origin and the main stages of development of celadon what is one of the most remarkable inventions of mankind in the field of ceramic production. The path to the highest heyday of this sort of high-firing ceramics took about 2000 years. Kilns and workshops for their production functioned in North and South China, as well as in the Korean Peninsula. Special raw materials became a necessary condition for their appearance, and potter’s craftsmanship, experience and technical thought turned them into real masterpieces in the 8th—13th c.Ceramic wares with green glaze were spreading along the trade routes to the countries of East and South-East Asia, through Central Asia and the Middle East reached Africa during the Middle Ages. New archaeological discoveries in different regions of Eurasia are constantly expanding the geography of their distribution. After the discovery of celadons in Europe in the 17th c. interest in the technology of their production is constantly growing, and research methods are being improved.

Proroczy aspekt awangardy

Author(s): Bożena Tokarz / Language(s): Polish Publication Year: 0

The art and poetry of the historical avant-garde contains prophetic elements referring to the later artistic development, which are not subject to a simple continuation but rather continuation via degradation. They result from the two prevalent tendencies at that time: from aesthetic aristocratism in the midst modern civilization’s equalizing tendencies and from seizure of non-art areas, rejection of tradition and reaching for sources; as well as from the perceived blemishes in the image of monolithic perfection. The post-avant-garde work rejected the ideology of the historical avant-garde believing in the role of the artist in the world, in unity, in aesthetic, social and technological utopias, by undertaking the following artistic activities: destruction in construction, language relativism, momentary artistic creation, emotionality against anti-emotionality, hybrid forms, anti-aestheticism, diffusion of arts, the focalization and multinterpretability of the world. The works of Srečko Kosovel and Julian Przyboś have in a different way initiated changes in the post-avant-garde poetry, using some of the mentioned strategies for expressing a different worldview.

«Мои глаза ласкают твой портрет». Несколько штрихов к образу исследователя Светланы Рябцевой

Author(s): Roman A. Rabinovich,Nicolai P. Telnov / Language(s): Russian Publication Year: 0

obituary

Авторите на трите оригинални български ерминии Дичо Зограф, Захарий Петрович и Върбан Коларов като наставници във вярата и учители по родолюбие

Author(s): Mariyana Shabarkova-Petrova / Language(s): Bulgarian Publication Year: 0

The study is based on the personal observations and archive of the author from a twenty-year study of the Bulgarian frescoes and of the author's research as a compiler and publisher of the three original Bulgarian Hermeneias by Dicho Zograf, Zachari Petrovich and Varban Kolarov (Sofia, 2016, 2017, 2017). All three Hermeneias quoted, but especially those of Zachariy Petrovich, testify to the enviable iconostasis of the icon-painters. They have documented their in-depth knowledge not only of traditional local dyes but also of West European dyes and technologies, as well as of a Table of Symbols of the German Alchemist and Doctor Johann Joachim Becker, 1689, symbols whose names we meet in the Hermeneia of Zachari Petrovich. The following aspects of the subject are considered, supported by quotes by Didron, Uspensky, Dicho Zograf, Zachari Petrovich and Varban Kolarov:Guardians of the secret book of the icon - the Bulgarian monks in Mount Athos, Saints-icon-painters and icon-painters-saints, The specifics of the Holy Craft, Herminists as mentors in the faith, Herminists as patriotic teachers.

Między nauką, sztuką i fałszerstwem. Przypadek łacińskiej krytyki tekstu

Author(s): Jerzy Axer / Language(s): Polish Publication Year: 0

The methodology and practice of editing Latin texts is dealt within this article as an example of a humanist's work combining activities scientific work with artistic creativity, including the technique of counterfeiting old works champions. The first part of the text is devoted to presenting the situation methodology in the field of text criticism in the 1960s and 1970s, when the author was a student and aspiring researcher. He then wondersover the reasons for the changes that took place in his editor's workshop in later ones decades, and finally addresses contemporary disputes on the role of a scientific publisher. He is particularly interested in interdisciplinary aspects of the problem.

Mechanizmy mistyfikacji i demistyfikacji w nauce na przykładzie sporu o autentyczność tzw. Ewangelii żony Jezusa

Author(s): Przemysław Piwowarczyk / Language(s): Polish Publication Year: 0

In the history of the so-called The gospel of Jesus' wife focuses on the problems related to the study of early Christian manuscripts. We have up to dealing with a manuscript of unknown origin, with a willing owner remain anonymous, the aspiration of the university institution to be public publicity, as well as the ideological perspectives of the researcher. The manuscript itself in the end it turned out to be a forgery. There was, however, a definite establishment of this fact impossible through laboratory tests and traditional palaeographic analyzes or historical. Only the professional journalist became involved and a diligently conducted journalistic investigation resulted in a difficult task rebuttal of evidence. It is the inclusion of this third method in the permanent repertoire manuscript verification methods could prove to be the boon that resulted from a four-year discussion.

Dlaczego filozofia jest zła dla duszy? Komentarz do krytyki filozofów Al-Ġazālego

Author(s): Karol Wilczyński / Language(s): Polish Publication Year: 0

In this text, two concepts included in the two are analyzed in the works of Al-Ġazāli - the concept of dispersion (Arabic: tahāfut) and the concept of attachmentto authority (Arabic: taqlīd), which are described in Tahāfut al-falāsifa ("The Dispersion of the Philosophers") and in Al-Munqiḏ min al-ḍalāl (Righteous Scales. Rescue from getting lost). The author tries to show that Al-Ġazālī in his the criticism of philosophy focused not only on theoretical issues, but that one of the key parts of his criticism is also the practical issues concerningway of life. Pointing to specific examples of the use of the two of these concepts to overthrow philosophy, the author proposes a different interpretation the two later works of Al-Ġazāli mentioned above.

Jeden tylko poeta nigdy nie kłamie... Maciej Kazimierz Sarbiewski o przywileju poetów

Author(s): Maria Łukaszewicz-Chantry / Language(s): Polish Publication Year: 0

Maciej Kazimierz Sarbiewski in his treatise De perfecta poesi, sive Vergiliuset Homerus, reflecting on the art of poetry, assures that the poet never lies. This privilege comes from the belief that the poet creates in imitation of God, as if giving a new existence to his heroes. That's why "Can talk about what is not as if it really existed." Poetic fictions are also often a veil hiding a precious truth to which one can to arrive using the appropriate allegorical interpretation.

Iluzja i prawda w teatrze od baroku po romantyzm

Author(s): Izabella Zatorska / Language(s): Polish Publication Year: 0

What does theater represent as a metonymy of literature and art in the turning centuries? The difficulty in applying Aristotle's principle of mimesis was known to French classicist theater. The problem of the elusiveness of the essence of things in times when post-truths were unknown, he presented both figuratively and practically baroque theater: from the theatrum mundi perspective, through the construction of 'theaterin the theater ” (Shakespeare, Pierre Corneille, Molière) showed another, disturbing one the bottom of the "norm of the day". The issue of appearances (Lesage, Marivaux) has brought about Diderot's aesthetic and moral reform, drama theoretician and practice. Radicalin their rebellion, the heroes of Schiller and Musset rejected such a compromise with an illusion, like the possibility of reform, while longing to embody the ideal pure love, ready to destroy others and even themselves if they had that ideal turn out to be a lie. Goodness and responsibility, this is, according to Fr. Tischner - the values ​​on which the supported drama promises that Abel's choice will prevail Cain's election.

Uczciwość jako cecha człowieka nieucywilizowanego we francuskim obrazie Słowian Południowych na przełomie XVIII i XIX wieku

Author(s): Wojciech Sajkowski / Language(s): Polish Publication Year: 0

The considerations concern the French view of the morality of recognized peoples for uncivilized - South Slavs living in the area of ​​today Croatia and Montenegro. The problem of morality is analyzed primarily all in the context of the natural honesty attributed to peoples considered uncivilized. The analysis uses more than just testimonials French authors, but also French-language descriptions, popular in France days of enlightenment. This is especially true of the relationship between Alberto Fortis and Stefan Zanovic. These sources (shaping the images of Morlaks - Slavic shepherds living in the Dalmatian province - or Montenegrins) that were popular in the second half of the 18th century, they were combined with documents related to the French rule in Dalmatia (1806–1813). The analysis made it possible indicate what place in the Enlightenment discussion of morality civilized and savage peoples occupied communities Slavic families living on the outskirts of Europe at that time.

Prawdziwość sądów estetycznych. George’a Santayany polemika z tradycją

Author(s): Adam Grzeliński / Language(s): Polish Publication Year: 0

The considerations concern the issue of the truthfulness of aesthetic judgments in the concept George Santayana, author of Sense of Beauty and Mind, among others in art. Although Santayana places experience at the center of her analysis aesthetic and explicitly opposed to the recognition that aesthetic judgments have characters upraindividual, the author of the chapter tries to show that this conceptit does not have to contradict the achievements of the 18th century aesthetic that proclaims truth fulness judgments of taste (Shaftesbury, Hume, Burke or Kant). Performance the American aesthetic's multiple understanding of beauty shows what the truth of the limitations of Kant's aesthetics, however, does not contradict her achievements. The distinction made by him in the beauty of matter, form and expression allows at the same time, notice the two fold sense of the truth of aesthetic judgments - on the one handpages pointing to their universality, on the other - referring to ideals reason, the sensual representation of which is available in works of art.

Nie naga, lecz nosząca „suknię na sukni”. Metafora prawdy u Johanna Georga Hamanna

Author(s): Anna Żymełka-Pietrzak / Language(s): Polish Publication Year: 0

The author presents a detailed analysis and interpretation of the truth metaphor (appearing in Johann Georg Hamann's letter to Immanuel Kant of July 27, 1759), in which the truth is presented as a woman in layers dresses, and after tearing them off, it turns out to be a ghost. This metaphor remains considered emblematic and interpreted in the theological and ethical context Hamann's model of truth. God's truth is made available to man in communication an act of self-lowering, a specific type of which is embodied. Is it is available to man through its specific historical manifestations, the most important of which is the God-man himself. The truth incarnation is fine terrestrial is realized in man through the creative activities of the author who it imitates God's kenotic action in relation to his own thoughts. Yes the conceived author's activity is also a service to the truth.

Bezcenna nieużyteczna. Ekonomie i prawdy poezji

Author(s): Marta Baron-Milian / Language(s): Polish Publication Year: 0

The author attempts to epistemological approach to the status of poetry from a perspective questions asked by the economics of literature. He lists selected theories poetry - Jochen Hörisch, Wiktor B. Szkłowski, Jean Baudrillard and Franco Berardi - which can be considered specific "economies of poetry" due to their proposed description of the properties of the poetic medium in an economic perspective. For each of them, poetry is defined as uneconomical and useless, which at the same time - paradoxically - becomes a condition for its existence as a linguistic breaking are acirculation of signs, a point of resistance to conventionalized communication and the automation of perception, and thus - a medium offering a specific knowledge of reality.

Prawda i fałsz lustra. Podmiotowość – odzwierciedlenie – praktyka

Author(s): Paweł Tomczok / Language(s): Polish Publication Year: 0

The author discusses the mirror as an important figure in philosophy, literature and the world everyday life, practice. It presents three basic meanings of the mirrorin various discourses. The first part of the text is devoted to the figures of subjectivity, the second - reflected in science and art, and the last - practical use and understanding of the title category.

Prawda w muzyce – czy jest czego szukać? Rozważania w kontekście nurtu wykonawstwa historycznego

Author(s): Karolina Kolinek-Siechowicz / Language(s): Polish Publication Year: 0

The author deals with the problem of truth in music from the point of view of the current performances of historical early music. It looks at the various stages development of this phenomenon, asking questions about how much to strive for authenticity the performance or the approximation to the composer's intentions were the result search for historical truth, and how much truth about contemporaries was in the maesthetic attitudes of musicians and listeners.

Prawda ucieleśniona w muzyce

Author(s): Anna Chęćka-Gotkowicz / Language(s): Polish Publication Year: 0

This voice in the discussion of musical truth shows two ways, which the representatives of contemporary Anglo-Saxon philosophy most often follow analytical. The first one is to search for truth/falsehood in the musical work itself and in its structures, the other is related to truth experience of music, and therefore - with sincerity, authenticity the performance itself (and especially with the performer's fidelity to the text music and with its faithfulness to itself). Finally, it appears a literary example of a debate on musical truth. For an aesthetic, it can be he is a source of reflection on the issues of metacriticism of the performance of a musical work, for the critic - an incentive to verify their own interpretation strategies.

Prawda obrazu, prawda materii. Robert Rauschenberg, Henryk Streng i historia sztuki

Author(s): Piotr Słodkowski / Language(s): Polish Publication Year: 0

Starting from the problem of truth in painting, the author of the text dedicates it methodological reflection on inter-pictorial relations. Starting point for this idea there is a juxtaposition of two radically different artistic events: the erasure made by Rauschenberg in de Kooning's drawing and scratches of signatures in his own paintings by Henryk Stange. Both of these the interventions provoke an analysis of the transition from the intertextual viewing images for research optics, which - on the contrary - enhances material dimension of visual representation.

Polska historia literatury jako miejsce pamięci

Author(s): Maciej Junkiert / Language(s): Polish Publication Year: 0

The author analyzes the origin and specificity of 19th-century Polish historical and literary research. He compares the context of the birth of a new discipline in the partition Poland and in German states. History considered from this perspective literature appears to be an important factor contributing to the emergence of modern nations, and literary historians are presented as key authoritiesin the field of cultural past and present. The author is interested in the similarities and differences resulting, for example, from the fact that history in German states literature was an important academic discipline, while Polish authors they developed it in much more difficult conditions.

View of the World from Palas Street: The Dynamics of Cultural Memory in Saul Steinberg’s Representation of Interwar Bucharest

Author(s): Mihaela Gligor / Language(s): English Publication Year: 2021

Santini and Italy

Author(s): / Language(s): English,Italian

This book contains proceedings of the international conference Santini and Italy, held in Rome in June 2023. In his contribution, Augusto Roca de Amicis describes the nature of the structural relations of Santini's work to Italian architecture. Pavel Kalina discusses the development of Santini scholarship in the art historical literature of the 20th and early 21st centuries. Richard Biegel shows in his contribution that the sources of Santini's work can be found not only in Italian but also in French architecture. Michael Young's text points to the connection between Santini's architecture and contemporary literary theory and practice, which blended different languages and styles. In his article, Ulrich Fürst stresses the importance of a sense of originality for the design of the Benedictine monastery church at Rajhrad, whose construction demonstrated its independence from the monastery of Břevnov, for which the Dientzenhofers worked. Johana Bronková explores the relationship between Santini's architecture and the work of the great Italian architect Francesco Borromini. Marisa Tabarrini presents a completely new discovery - the unknown plans of Santini's church of St. Peter and Paul in Prague's Zderaz. Important for understanding the functioning of Baroque buildings is the article by Jakub Řehak, who analyses the water and ventilation system of the monastery in Plasy. On the other hand, Madleine Riedenklau's text is devoted to the literature on the monastery and church in Sedlec. Irena Bukačová introduces the reader to the past and present of the pilgrimage site in Mariánská Týnice.