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This article is dedicated the humanistic ideas in the Italian culture in the last third of XIX century that were represented with verismo were discussed. It was concluded that in that period verismo appeared as truth to nature humanism.
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The article is dedicated to the problem of prerequisites of Mannerism as style in the art of Europe, the genesis of the phenomenon, specific features of its Italian variant have been analyzed.
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The tendencies of the development of Postimpressionism in Ukrainian Art on the turn of the famous Ukrainian painter A. Kotska are analysed in the article.
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There is complex analysis of Katerinoslav-Dnipropetrosk artistic life at the beginning of XX century, which has been revealed during the process of common art life’s development.
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The most characteristic of the revealing the category of monospectaсlе аt the stage comprehension of Shevchenko’s characters are discerned at the given article.
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The article is devoted the concept of mass character in the cultural of the contemporary time, the varieties of forms of mass culture, to which the genres of vaudeville art can behave on certain principle of correlation with other mass genres, are also outlined.
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The article is dedicated to the art tendencies of avant-garde and glamour, their mutual interference, and the reflection of this process by cinema.
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The given article is based on the author’s worked out typology of the piano-player’s interpretation. The basis of this typology is the conception of retorized, rationalized, emotionalized and sensualized players’ styles. The author has given the characteristic to the sensualized piano-player’s style, that is the most evinced in interpretation of the music impressionism.
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The article deals with the study of pictorial activity of foreign masters of XVIII–XIX centuries, the creative works of which left a noticeable trace in the cultural-artistic life of.
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There are different points of view in modern critique about the aesthetic values of creative achievements, made by Soviet artists during the socialism epoch of 20-th century. Some critics recognize the achievement of art of that period and call it the totalitarian regime art, but others doubt in avant-gardism tendencies of that time. The author expresses his own vision of all this problems, taking into account the fact that the West art critics refused from the criticism of this art, including the art of Socialist realism. The criticized art of that period is correlated with the spirit of the times today. The interesting fact that the principles of classical realism art are used now in education process by New York Academy of fine arts, which was founded in 1982.
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The history of world theater, art and creative activities ancestors of theatrical scene should examine the history of theatrical masks. Traditional images of mask-Polishynelya and Petryshki, which ruhaly forward each according to their national theaters popular print, pantomime, puppet, significantly affect the future of the theater, the circus, the show. To study the phenomenon of masks in theater requires synthesis of functional and historical-typological approach. History of the scenic masks is a historical interpretation of the forms of art in its real existence. The aim of this article is to consider the use of masks in various artistic activities of the actor in different historical periods as a phenomenal tool external expressive image and its interpretation in the Performing Arts and on the stage.
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