СТЕНОПИСИ ОТ КОСТА ГЕРОВ-АНТИКАРОВ В РАЙОНА НА САМОКОВ И ПРОБЛЕМЪТ ЗА ОПАЗВАНЕ НА КУЛТУРНОТО НАСЛЕДСТВО

Author(s): Vladimir Dimitrov,Rositsa Manova / Language(s): Bulgarian Issue: 22/2023

The subject of the article are two little-known monuments from the Samokov region, partially painted by the Samokov painter Kostadin Gerov-Antikarov – the temple “St. Peter and Paul” in the village of Dospey and the church “St. arch. Michael” in the village of Prodanovtsi. In addition, the research examines the expertise and restoration of movable and immovable cultural values requiring restoring old and acquiring new knowledge. This necessitates leave the framework of pure history and classical art studies and locating the research in the field of modern theory and new technological research.

НОВООТКРИТ ПРЕСТОЛЕН КРЪСТ С РАЗПЯТИЕ НА ИИСУС ХРИСТОС В МИТРОПОЛИТСКАТА ЦЪРКВА „УСПЕНИЕ НА ПРЕСВ. БОГОРОДИЦА“ В САМОКОВ. ДАРИТЕЛСТВО – РЕСТАВРАЦИЯ – НАЧАЛНО ИЗСЛЕДВАНЕ

Author(s): Rossen Malchev,Rositsa Manova,Teodor Peev,Konstantin Rangochev / Language(s): Bulgarian Issue: 22/2023

In the spring of 2023, R. Malchev made a donation for restoration and conservation of a throne cross with a Crucifix of Jesus Christ from the altar of the “Dormition of the Holy Mother-of-God” Metropolitan Church in the town of Samokov. The work process reveals that the Crucifix of the Christ was overdrawn probably in the late 19th – early 20th century. The original Crucifix was made in a studio outside Samokov, and the cross itself was made on the spot. The revealing of the original testifies that this is the work of a fresco master from the late 17th – first half of the 18th 78 century. Presumably, the author is representative of the Cretan-Venetian Art School. The artists from this art school are strongly influenced by the work of western authors, which is displayed in their works. Future research works will reveal how and why this particular Crucifix appeared in the town of Samokov.

Kopsakarību meklējumi nejaušību kolāžā

Author(s): Stella Pelše / Language(s): Latvian Issue: 27/2023

Review of: Wunderkombināts I: Latvijas mākslas gadagrāmata 2022 Galvenā redaktore Santa Hirša Tekstu autori: Hīto Šteierle, Andris Šuvajevs, Maija Rudovska, Šelda Puķīte, Inga Lāce, Iļļa Levčenko, Zane Zajančkauska, Jānis Taurens, Jānis Ozoliņš un Kārlis Vērdiņš, Krišs Salmanis Rīga: Biedrība “Wunder Kombinat”, 2022. 144 lpp., il. ISBN 9789934914607 The book review examines the bilingual collection of articles "Wunderkombināts I: Latvijas mākslas gadagrāmata 2022 = Latvian Art Yearbook 2022 (Riga: Wunder Kombinat, 2022) edited by art critic Santa Hirša. The book consists mainly of Latvian authors' reflections plus two translated texts about various little-studied aspects of art, its interpretation as well as relevant economic, social and political contexts.

DWA RĘKOPIŚMIENNE KORANY W ZBIORACH BIBLIOTEKI KÓRNICKIEJ

Author(s): Filip Andrzej Jakubowski / Language(s): Polish Issue: 37/2020

There are two Qur’an manuscripts in the collection of the Kórnik Library (Poland) – BK 1716 and BK 2676. Th e fi rst one, dating from the 17th century, is rich in diff erent types of scribal errors and serves as an interesting example of ways of amending them. Th e second one, dating from the 15th century, includes interesting illuminations and calligraphy. Th is paper is a detailed analysis of these manuscripts, including their covers, decorations and scribal errors.

Music, Language and Identity in Greece. Defining a National Art Music in the Nineteenth and Twentieth Centuries

Author(s): Ivan Moody / Language(s): English Issue: 28/2020

Review of: Music, Language and Identity in Greece. Defining a National Art Music in the Nineteenth and Twentieth Centuries. Edited by Polina Tambakaki, Panos Vlagopoulos, Katerina Levidou and Roderick Beaton. London and New York: Routledge 2020. ISBN 978-1-138-28002-1 xiv+318pp.

Royalties Payable for Public Performance of Musical Works in Commercial Establishments and Other Public Locations

Author(s): Hristin Strijlev / Language(s): English Issue: 1s/2024

This paper discusses: Basic terms in the field of copyright and related rights, author and his basic characteristics and powers and holders of related rights and their powers, as an introduction to the topic; Public performance of musical works as a legal regulation; What, where and how is performed in public; What is the royalty payable for public performance in commercial and other public venues and is such royalty always payable to copyright and related rights holders; Examined are rulings of the ECJ related to the public performance of musical works in commercial and other public locations; Relevant conclusions and recommendations on the subject are made.

Preserving Play: Archiving Digital Games in the Czech Republic and Slovakia

Author(s): Jan Kremer,Adam Kysler / Language(s): English Issue: 1/2024

Interview with Jan KREMER by Adam Kysler

Към „медийната археология“ на грамофона в България

Author(s): Ventsislav Dimov / Language(s): Bulgarian Issue: 15/2024

The study on the music recorded and reproduced on commercial media places in the framework of the research interest the early recordings of military bands in Bulgaria, recorded and published by the Gramophone Company in the first decades of the twentieth century. The emphasis is on the role of gramophones and gramophone records in Bulgaria as functioning objects (advertisements from periodicals from the first decade of the 20th century, literary works and memoirs are analyzed), symbols (labels are analyzed). Starting from the general picture, the study focuses on the place of the army and professional musicians in early Bulgarian gramophone records, shown as fields of cultural production and habitus. The ratios of genre arrays in early recordings are described and analyzed: "folk" music (folk, potpourri), military music (marches), popular music (Western dance idioms), art music, sound pictures. The relationship of contexts with contents has been sought, bringing out some encounters in military band recordings of Western and local, modern and traditional, political and popular.

„Слънчевите изгреви“ на фолклорна музика като „спектакъл“: преливания между фестивална сцена и телевизионен ефир.

Author(s): Lozanka Peycheva / Language(s): Bulgarian Issue: 15/2024

The proposed article examines the relationship between two institutions that normatively frame and manage sustainable practices of reproduction and modernization of folklore music in Bulgaria in the 21st century - a city festival for folk art and television media (and related digital platforms) that reflects it. The Folklore Sunrise Festival and Sunrise Music TV (Kiss M+) together create a vibrant "folk" scene that is socially and culturally significant, and attractive to communities connected to Bulgarian music-folk traditions.

Съвместна изложба „Двоица“ на Венцислав Димов и Орлин Спасов

Author(s): Ventsislav Dimov,Orlin Spassov / Language(s): Bulgarian Issue: 15/2024

Presentation of the first joint exhibition by Orlin Spassov and Ventsislav Dimov "Dvoitsa" /"Both of us" (February 15 - March 20, 2024, Faculty of Journalism and Mass Communication) by the authors and photos of their works.

Артистичен порив без чадъра на професионалните регламенти и йерархии.

Author(s): Georgi Lozanov / Language(s): Bulgarian Issue: 15/2024

Speech by Georgi Lozanov at the opening of the exhibition "Dvoitsa" on February 15, 2024.

Да направиш снимка е най-лесният и същевременно най-изтънченият фокус.

Author(s): Ventsislav Dimov / Language(s): Bulgarian Issue: 15/2024

Ventsislav Dimov's interview with Orlin Spasov on the occasion of the exhibition “Both of us”(“Dvoitsa”). Spassov's answers show photography as a hobby and part of his professional interests.

Нещотърсачеството като бягство и любов, която измисля света с образи.

Author(s): Orlin Spassov / Language(s): Bulgarian Issue: 15/2024

Orlin Spassov's interview with Ventsislav Dimov on the occasion of the “Both of us” (Dvoitsa”) exhibition. Dimov's answers present art as a child's play, as an escape from words, as a search for meaning through invention.

Câteva proprietăți fundamentale ale muzeului, indispensabile în context contemporan

Author(s): Liviu Răzvan Pripon / Language(s): Romanian Issue: 1/2022

What is the strength of the museum? The answer can be summarized briefly by listing two strong and distinctive points that define this institution in its essence. The museum is a device that generates time and, on the other hand, operates with the authentic object, giving the possibility of a direct interaction with the reality of visitors. Even in case of considerable intervention by contextualization of the museum object, the visitor has the possibility to establish a direct, present and sufficiently intimate connection with at least a fraction belonging to the object itself, which intervenes in the knowledge of the truth. In contrast stand replicas or copies of objects with which we are continuously bombarded in a time of constant processing and manipulation of reality through computers and their software. In this paper I argue for the two fundamental features of the museum and I try to prove that they have an indispensable role from a cultural point of view, which cannot be replaced by other media, considered by some, competitors.

Modurile în care noile tehnologii schimbă muzeele și spațiile de consum cultural

Author(s): Mihaela Ion / Language(s): Romanian Issue: 1/2022

New technologies have started to be used in museums and other cultural consumption venues, and the online marketing notion of “phygital” is becoming more and more integrated into the art world transforming an exhibition or a museum. The main factors that have led to the digitalization of art exhibitions and a mandatory presence in the online environment, especially on social media, were the pandemic and the recurring lockdowns that turned our daily life into an online daily life. New technologies are transforming the way we interact with a work of art or an exhibition and how we deliver contemporary value judgments. The new curatorial practices and the organizational practices of an exhibition adapt to the requirements of a public eager for technological and artistic novelty. Through the examples used in the article, I highlight how new technologies transform and retransform the notions of art/non-art.

Съвременното изкуство като феномен в ерата на аксиологична несигурност

Author(s): Nikolina Deleva / Language(s): Bulgarian Issue: 4/2024

Contemporary art is in a state of value collapse, which is the result of different factors: the process of art and reality becoming one, the influence of information technologies, globalization, and commoditization. On the one hand, the globalizing world finds it increasingly difficult to find intersections, which makes it impossible to establish collective and shared values and norms, and on the other hand, voluntary living in simulated informational realities breaks the connection with reality, leading to living instead in the giant simulacrum of hyperreality. The universal commoditization and the turning of art into a fetish create an anti-cultural situation in which there are no areas left outside of monetary exchange. All these factors influence the erosion of artistic values. The final stage of this process is sacralization through destruction and immortalization through the annihilation of the work of art.

За фантастичното/вълшебното в приказния свят на Николай Райнов: издигане над човешкото и завръщане към него

Author(s): Tatyana Batuleva / Language(s): Bulgarian Issue: 4/2024

The article examines the dual nature of the fantastic and the magical in the fairy-tale world of Nikolay Raynov. On the one hand, it thrives in a universe completely different from reality. But, on the other hand, it is not a refusal to accept the human situation but rather a way to enrich this situation. The human is situated on the horizon of an ethical imperative that predetermines the fate of the characters. It stands to reason that authorization is a step from magical to fantastical. Parallels have been sought both with Propp's morphology and with Bettelheim's psychoanalytic optics. The existential choice of the heroes turns them into warriors of light and bearers of light, which, as a manifestation of the divine in man, is a key concept in the philosophical, theosophical, and artistic works of the prominent Bulgarian classic.

АРТИСТЪТ ОТБЛИЗО, АРТИСТЪТ НАДАЛЕЧ

Author(s): Vladimir Atanasov / Language(s): Bulgarian Issue: 19/2021

NATURA ARTIS MAGISTRA. REPREZENTACJE PRZYRODY W ŁEMKOWSKIEJ SZTUCE WSPÓŁCZESNEJ

Author(s): Michał Szymko / Language(s): Polish Issue: 7/2023

The aim of the article is to present the representation of nature in contemporary Lemko art. The motif of nature in Lemko art is not the subject of many studies and scientific studies. After Operation Vistula, Lemko villages were deserted. Currently, Beskid Niski is called the land of tourists, because young Lemkos leave for larger agglomerations, and older generations pass away. With the displacement of the Lemkos, the perception of nature changed - young Lemkos, working through the topic of loss, take abandoned Lemko villages and the wild nature accompanying them as their main research point. They notice the void left by their ancestors and ask clear questions about responsibility for Operation Vistula. The aim of the article is to analyze the issues of Lemko socio-cultural changes and the metaphor of nature - a symbol of the variability of fate and duration. The text was created based on collected materials, i.e. interviews, sociological research and selected examples of contemporary art dealing with the topic of the Lemko region. The works of Epifaniusz Drowniak (Nikifor Krynicki), Natalia Hładyk, Władysław Rewak, Andryj Suchorski, Ewelina Kogut and Michał Szymko were analyzed.

ОЧУВАЊЕ НЕПОКРЕТНОГ КУЛТУРНОГ НАСЛЕЂА

Author(s): Duško Kuzović / Language(s): Serbian Issue: 189/2024

Review of: Ивана Јаношевић, Непокретно културно наслеђе Палежа и Обреновца: речи, слике и прилике; Библиотека „Влада Акентијевић”, Обреновац 2022; 148 стр