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Український класичний авангард: інтуїтивізм і психологізм

Author(s): Olena Shokina / Language(s): Ukrainian / Issue: 1/2010

In the thesis philosophical views of artists of the Ukrainian avant-garde of the beginning of the 20th century expressed in texts of its brightest representatives are investigated. The philosophic-cultural analysis of texts of the artists-theorists of the Ukrainian avant-garde which has given the chance to systematise their philosophical views has been carried out, for the first time to establish their uniqueness and a direct connection as between intuitivism, psychologism.

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Український танець «гопак» – обробка фольклорного першоджерела чи стилізація?

Author(s): Artem Igorovich Morozov / Language(s): Ukrainian / Issue: 40/2018

Purpose of the article is to reveal the features of modern folk-stage forms of the hopak in the aspect of connections with the folklore source. Methodology. The methodology is based on a combination of the historical and chronological principle, methods of systematization, art criticism analysis. Scientific Novelty. Scientific novelty consists in revealing the peculiarities of the interconnection of folk-scenic versions of hopak's dance with folklore sources, namely, the creation of a hopak based on the general lexical fund of the male dance of Central Ukraine and the elements of figurative filling that are inherent in the folklore source. Conclusions. The absence of a universal system for fixing dance phenomena, a high degree of improvisation of the hopak did not contribute to the preservation of folklore sources. It is justified to single out stylization of the second order – an imitation of composition and style features of the "Hopak" by P. Virsky, the evolution of which occurred from the production by P. Virsky and M. Bolotov of "Hopak" in S. Gulak-Artemovsky's opera "Zaporozhets za Dunai" (1936) through the variant of "Hopak" by Virsky and Bolotov from the "Ukrainian Suite" in the first program of the State Folk Dance Ensemble of the Ukrainian SSR of 1937 until the subsequent editions of P. Virsky, as a result of which the work acquired a compositional form, is preserved in the repertoire of H the national deserved academic dance ensemble of Ukraine named after P.Virsky and is a model for staging interpretations for many years. In modern culture, "Hopak" acts as a kind of "archetype," in the world it is associated with the Ukrainian nation and has also become an emblematic symbol of the Ukrainian folk choreographic culture.

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УКРАЇНСЬКІ ХУДОЖНІ ПРОМИСЛИ В НАУКОВИХ ПРАЦЯХ ВІТЧИЗНЯНИХ ДОСЛІДНИКІВ

УКРАЇНСЬКІ ХУДОЖНІ ПРОМИСЛИ В НАУКОВИХ ПРАЦЯХ ВІТЧИЗНЯНИХ ДОСЛІДНИКІВ

Author(s): Anastasia Vitaliyivna Varyvonchyk / Language(s): Ukrainian / Issue: 2/2021

The purpose of the article is to disseminate information on the formation, development, the genesis of art crafts in Ukraine and determining the status of the study of the scientific problem of leveling their meaning. The monographs presented, books, albums, articles noted the essence of technologies for performing products in decorative and applied arts, in which the features of the figurative structure of artistic works are subject to a comprehensive analysis of art historical directions. The methodology of the study is based on the factual, bibliographic, and topological consideration of materials, on the analysis of the art historical, historical, cultural nature used by the method of accumulating and systematization of factual material. Analytical, deductive, and inductive methods were also used, providing the possibility of summing up common outcomes based on the information received from the primary sources, archival documents, materials, memories of witnesses of events. The scientific novelty is to disclose the foundations of the scientific content of Ukrainian artistic classes based on the analysis of the origin, kinship, the development of phenomena denoted by the words "crafts" and "Industry". Analyzing the works of scientists about the creation of products of patterned textile artistic weaving, embroidery, carpets, wood threads, pottery, painting. We put the question of the emergence of the most well-known industries of traditional art crafts in Ukraine. Drawing attention to the fact that in the post-war years numerous mechanized factories, equipped with the production of domestic equipment, increased production of consumer goods, production took an active part in the district, regional and interregional social resources, the union was exhibited by artistic fields at exhibitions of state and international levels At the end of the twentieth century in the area of the local industry there is a decline. Many organizations affected art crafts during the NTR (scientific and technical revolution) and engineering growth. The Ministry of Local Industry was carried out to control numerous enterprises for the manufacture of works of art. Conclusions. Based on the results of the study of the source base and the study of archival materials, we can draw conclusions that in the analyzed publications of the authors, there is not enough attention to the industrial aspect, namely the activities of the production association, factories who worked with art crafts in Ukraine. Artists are mentioned by scientists, and there is no subject consideration of the case, there is confusion in the interpretation of key concepts. In our opinion, insufficient attention of researchers and scientists, this important topic is due to the lack of practical experience in production, knowledge of the industrial artistic association and demonstrates the low theoretical level of analysis in this important industry - art and production, namely production, creating artworks.

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Улицата като място на превращение при немските експресионисти, Гео Милев и Асен Разцветников
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Улицата като място на превращение при немските експресионисти, Гео Милев и Асен Разцветников

Author(s): Vasil Vasilev / Language(s): English,Bulgarian / Issue: 1/2020

This text deals with the dynamics and dialectics of the street as a special space of multifaceted impacts and transformations, which are in many cases of a borderline and ecstatic kind. From the viewpoint of the authors under consideration, the street is seen and experienced as a topos of crisis, of revelations, but also of secrets, of apocalyptic visions revealed primarily in the depths of affect, but also through morbid expressionistic reflection; visions that seem to come together and unite within hypnotic prophecies...

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Уметничкиот перформанс како своевиден чин на отпор

Author(s): Angelina Banović-Markovska / Language(s): Macedonian / Issue: 1/2019

Современите толкувања ја откриваат тезата дека секоја творечка активност, како креативен чин на дејствување, е манифестација на слободна волја со која уметникот ја остварува својата опшетствено-политичка мисија, потврдувајќи ја тезата дека меѓу личното и политичкото, нема голема разлика. Затоа, за постмодерните теоретичари на уметноста, перформансот е effet de réel кој ги избришал трагите од постапката што претходела на неговото создавање, при што самиот чин на изведбата (како отворено уметничко дело), станал помоќен акт од самата креација, како финален уметнички производ. Затоа, во контекст на неодамнешните случувањаi , сврзани со нашето академско и политичко милје, овој текст ја претставува уметноста на Марина Абрамовиќ, една од најангажираните и најинтригантните живи ументици на векот. Нејзиното животно искуство и големиот број уметнички изведби ширум светот, ги провоцираат граничните состојби на телото и умот.

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УМЕТНИЧКОТО ДЕЛО ВО ЕРАТА НА ИНТЕРАКТИВНИОТ КОНТЕКСТ

УМЕТНИЧКОТО ДЕЛО ВО ЕРАТА НА ИНТЕРАКТИВНИОТ КОНТЕКСТ

Author(s): Vangel Nonevski / Language(s): Macedonian / Issue: 9/2011

The contemporary work of art has found itself in a situation where it must renegotiate its ontological foundations in the age of digital reproduction, because its aura is now being additionally blurred by the digital replica (not only by the mechanical one). Therefore, we can’t expect that the reception of artworks will still continue to be “pure” and stable, according to the classical, mimetic understanding of the notion. The new consideration of aesthetic reception should bare in mind the essentially interactive properties of new media. Because new media art or digital art should be considered as a sort of interface between the machine and the public, its aura (ontology) should rise from the interactive connection between the architects of the virtual reality of databases and the consumers who gain access to it. Therefore, what is today considered to be a work of art is in fact a work of context: artists provide unfinished “art contexts” (even in cases where works are initially not envisaged as contexts, but rather as ordinary works of art) for others to complete and/or to put through an endless circle of deconstruction, recontextualization, restructuring, reshaping... Consequently, although semantic deconstruction still plays a large role and effectively is a basic ontological factor of aesthetic legitimacy in digital art, it still has to be diversified from the semantic virtualization which dominates in interactive arts. Conclusion: The semantic virtualization means that aesthetic communication is no longer based solely on interpretation and deconstruction of the meaning of works of art, but rather on direct participatory advantage-taking of the contexts that are provided by the works of art.

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Универсалният език на изкуството и Пътят на коприната

Универсалният език на изкуството и Пътят на коприната

Author(s): Plamen Legkostup / Language(s): Bulgarian / Issue: 1/2019

The paper discusses some main points about the essence of the art of painting and its functions as a mediator in knowing the world. The author states the thesis that there is no better mediator in the relations between civilizations, cultures and countries than art, because in the process of evolution people, as life itself, have changed and perfected, but art has always “spoken” in its universal, imagery language, and has helped for the knowledge of history, culture, traditions and customs of different peoples to reach them freely and casually. The communicative or integrative functions of art should be used for better understanding of Chinese history and culture, which are very different from the history and culture of every Western state. The universality of the language of art is due to its significant functions, some of which are discussed in the paper. According to the author, the role of the artist is to make the art and culture of the different peoples more understandable and reachable, because by knowing them, the people’s traditions and the spirituality are known, which leads to tolerance and mutual respect, and the dialogue between Bulgaria and China nowadays is unthinkable without looking at it in the context of the “One Belt, One Road” Initiative. He is deeply convinced that in order to be able to realize the synthesis of intercultural communication in today’s world, it is necessary, step by step, to interact with other national cultures in order to follow the path of understanding and make sure that Bulgarians and Chinese will become more involved in the foreign culture, traditions, customs and art. The author believes that his mission is to make the art and culture of China more understandable for the people in Bulgaria. That’s why, he has begun working on a series of paintings, dedicated to the Silk Road, which were inspired entirely by his impressions of China and the current trends in the developing relations between the PRC and the rest of the world. Specific examples of the author’s artworks are mentioned in the paper, such as: “The Silk Road – Mirror of Civilizations”, “The Ship of Civilizations”, “The Maritime Silk Road”, “The Blossoms on the Silk Road”, “The Modern World along the Silk Road”, “The Clash of Civilizations”, etc.

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Университетски практики за създаване на студентски подкаст

Университетски практики за създаване на студентски подкаст

Author(s): Stela Angova,Ivan Valchanov / Language(s): Bulgarian / Issue: 8/2020

The study aims to identify university practices for creating a student podcast. The hypothesis is that there is a paradigm shift, but not a rejection, regarding the first steps of students in journalism and they rather attempt producing podcasts than creating a newspaper. The knowledge for creating print media products is upgraded through all media elements and digital communication strategies. This results in a real multimedia practice consisting of generating ideas, teamwork, script writing, editing, recording, publishing in online platforms and social media promotion. Empirical material has been collected from American, Australian, Western European, and Bulgarian universities. The case studies seek to discover the reasons for the increased interest in podcasts as a modern audio format. The study aims to outline the main characteristics of a successful student podcast and to examine the tendencies for production and listening to podcasts among the younger audience.

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Універсалізм творчої діяльності Е.Вілли-Лобоса

Author(s): Viktor Yuriyovych Bаtаnоv / Language(s): Ukrainian / Issue: 11/2018

The Purpose of the article given work there is realizations of the particularities to the universality of E. VillaLobos in connection with alternative trend cultural orientation to the Latest history, which has selected at the end ХІХ ct. P.Valéry as "system of Leonardo da Vinci," swept away phenomenal association creative, scientific and artistic thinking, as well as the state-organizing range to activity incompatible with measurements of New time. Contributory correction in musicology of the description of the making the Villa-Lobosa, in which alternatives artistic-self-contained and applied-popular art finely intertwine with unexpected ethics-sociological observations, given birth being too extensive, multinational, polytechnical Brasilia. Methodology. Methodological base of the work is intonation approach of the school B.Asafiev in Ukraine with inherent him linguistics- culturology aspect of the interpretation musicology method, with handhold on analyst-structured principle and handhold on comparative stylistic features, hermeneutics-interpretation foreshortening of the music semiotics " intonation dictionary of the epoch" on Asafiev and further developments in work A.Sokol, E. Markova and others. Scientific novelty of the study is conditioned by originality to theoretical idea "systems Leonardo da Vinci" P.Valéry in projections on material of the creative biography of the great Brazilian artist and statesman, as well as that that for the first time in Ukrainian musicology are presented descriptions of the works of E. Villa-Lobos in context declared to ideas, including operatic heritage of the composer, not illuminated in Ukrainian- and Russian-language source. Conclusions. The whole experience state-educational construction to Brasilia have opened the new ethics-social standards, aesthetic equipped and deeply original. Humankind is called to listen and absorb for the experience of music genius of E. Villa-Lobos, accordingly, regularities in mastering Bachiana passed XX centuries. The manifestation of the universality of the activity incidence in a legacy of E. Villa-Lobos has caused to lives "proto-post-vanguard" manifestation of the thinking of this author, who has shown in Brazilian bаchianas determined compromise of the simplicity "masses-cultural latin" and heights professional hyperbole to metaphoric thinking beyond reach on previous history step. In operatic manifestation ("Yerma") turns out to be the original line of verism, in which is kept borrowing in artistic integer естественнонаучно justified didactics in spirit of the natural science, but in the event of named work is brought forth moral standard of gender faithfulness, which never was discussed in artistic sphere on height ethics-aesthetic valid her understanding and acceptance.

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Універсальна майстерність саксофоніста як феномен сучасної музичної творчої практики

Author(s): Mihail Krupej / Language(s): Ukrainian / Issue: 39/2021

The purpose of the article is to select practice-approved ways to the combinatorial presentation of the componentі of the musical expression, in which, on the base of the general beliefs about music-rhetorical base inventio tax ways of the joining to speech liberty of the combinatorial use the music material. The methodology consists of riverbed intonation approach that is to say by means of beliefs about the unity of process factors in music and speech, as this bequeathing in works of B.Asafiev and his followers in Ukraine, unrolled specified interdisciplinary generalization, on example text books A.Losev, R.Ingarden, E.Nazaykinkij, E.Markova and others. The scientific novelty of the work is based on original and the practically-creative approved the idea of joining in mechanism rhetorical inventio, practical persons, combinatorial collation fragment and holistic music that-image, which the sequence forms the speech continuum of the music. Conclusions. The made analysis of the theoretical life lengths from the theory of the improvisation and theoretical positions of the rhetoric has allowed formulating the concrete operations cortical music operations of inventio as a way of the semantic join generalising value that-symbol with author's and out author’s thematic acquisition in straightening of acquisition "spoken creation of the music". The last one meets the terms modern performance art with his "neo-gothic style" discharge from priority to composer activity.

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Устойчив дизайн за функционални пространства
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Устойчив дизайн за функционални пространства

Author(s): Banko Bankov / Language(s): Bulgarian / Issue: 4/2015

One of the main obstacles which modern industrial and product designers have to face is the mass production driven by contemporary culture and way of life. The faster, the design evolves the more dependent to everyday object it gets. More designers are trying to find alternative solutions for simplified way of living which is becoming more urgent because of social, environmental, economic and often personal reasons. The article examines products designers Ahmed Fewzy, Rolands Landsbergs, Feviz Karaman and analysis of the creative sequence for functionally and conceptually forming of design products.

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Устойчив дизайн и креативни практики
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Устойчив дизайн и креативни практики

Author(s): Bilyana Kaloyanova / Language(s): Bulgarian / Issue: 4/2015

The article explores the application of the sustainable method in design. It defines what is sustainable design, along with the connection of the definitions for sustainable, green and eco design. The principles and criteria to define design practices are elaborated. The different aspects of sustainable design are presented by examples showing the diversity of creative practices included in this category.

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Учението за първообраза от „Диалектика на художествената форма“
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Учението за първообраза от „Диалектика на художествената форма“

Author(s): Galin Penev / Language(s): English,Bulgarian / Issue: 3/2019

The article considers how prototype is established through a dialectical construction of artistic form. The conception of prototype is presented through a long dialectical examination of the relation between subjective sense and its material counterpart as a topos of symbolic being. The prototype is a regulative ideal pattern of maximum expression in artistic form. The image and its prototype establish each other simultaneously. In artistic experience, we encounter a phenomenon of correspondence. Losev presented a detailed structure of likeness in image, and showed how it involves the disclosure of the prototype.

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Фактори жанрового міксту й хорової сонорики у втіленні образності світських творів В. Степурка

Фактори жанрового міксту й хорової сонорики у втіленні образності світських творів В. Степурка

Author(s): Yaroslava Bardashevska / Language(s): Ukrainian / Issue: 4/2019

The рurpose of the article is to determine the genre and stylistic features of samples from the sphere of profane art and to identify distinctive perspectives in the interpretation of sound matter based on the analysis of musical meanings and images of the secular acapelic choral works of V. Stepurko. Methodology. Since the research concerns one area of creative works of one artist, the methodology of personological researches, in particular biographical, hermeneutical and phenomenological methods are used in the work to identify the basic setups and their development in the composer's creative works. Also applied methods developed in the field of art appreciation and cultural studies: stylistic in close relation to the analytical and structural, integral analysis method, choir, with the help of which we study the issues of choral timbre and sonorism as important factors in the dramaturgy of choral compositions. The scientific novelty of the work is to outline the concepts of the secular choral works of V. Stepurko, and on this basis - the genre priorities of this sphere of creative works. The characterization of the individual choral style of the composer, which is traced in the secular acapella choirs, allows us to comprehend the specificity of the inclusion of his choral works in the contemporary Ukrainian art and contributes to the formation of an aggregate picture of the modern Ukrainian music. Conclusions. The artist uses numerous stylistic devices from the arsenal of various historical periods and styles that provide freedom for the embodiment of intentions in the tideway of genre modeling. And the approach to the possibilities of using sound modes outside the verbal-poetic basis, on the one hand, has an effect of the typical tendency of the twentieth century to synchronization of the vocal and choral means, on the other hand - a new idea of the possibility of embodiment of the general laws of being by searching for an original equivalence of sound material for them.

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Фантастиката – медиум на модерността: Светослав Минков

Фантастиката – медиум на модерността: Светослав Минков

Author(s): Nikolina Burneva / Language(s): Bulgarian / Issue: 1/2019

The article introduces the reader to the context of the momentous transformations of the aesthetic and worldview paradigms at the end of ‘the long 19th century’ and the arrival of modernity in Bulgarian culture which had– until then – been traditional and folklore-based. In this context, the author traces the early work of Svetoslav Minkov – a distinguished author of fantastic literature and cofounder of Bulgarian diabolical literature. The article focuses on comparative reading of several short stories by Gustav Meyrink and Svetoslav Minkov in order to highlight the arguments supporting the discussion of this literary movement in a broad, European context.

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Фантастично и фантасмагорично в контекста на романтическата традиция

Фантастично и фантасмагорично в контекста на романтическата традиция

Author(s): Boris Minkov / Language(s): Bulgarian / Issue: 1/2019

The present study attempts to abandon the genre-related discussion of the fantastic. For this purpose, it develops a working concept of phantasmagoria: image projection of cognitive universalia which have been frozen after passing throught the prism of the ironic turn. To trace the various characteristics of the phantasmagorical, the article provides examples from the work of Е. T. A. Hoffmann, Clemens Brentano, Wilhelm Hauff and Heinrich Heine. In relation to the romantic tradition of phantasmagoria after the 19th century, it discusses Stanisіaw Lem’s The Star Diaries. An essential point in the study is the contention that phantasmagoria is unrelated to the ‘realistic art-unrealistic art’ opposition.

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Фантастичното в новите медии
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Фантастичното в новите медии

Author(s): Silvia Petrova / Language(s): English,Bulgarian / Issue: 4/2018

The text discusses the interaction and blurring of boundaries between the real and the fantastic, resulting from the entry into our daily existence of the technology of augmented reality. Augmented-reality mobile apps may transform the world into a playfield, but this easy access to fairy tale narratives is always accompanied by the banality of everyday life. In this context, the article examines the new perception of the body as both real and virtual, as a hybrid between human and machine, and as tangible and elusive

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ФАХОВА ПІДГОТОВКА МАЙБУТНІХ МАЙСТРІВ СЦЕНИ ЯК АКТУАЛЬНИЙ НАПРЯМ КОРПОРАТИВНОЇ КУЛЬТУРИ В ІНФОРМАЦІЙНОМУ ПРОСТОРІ

ФАХОВА ПІДГОТОВКА МАЙБУТНІХ МАЙСТРІВ СЦЕНИ ЯК АКТУАЛЬНИЙ НАПРЯМ КОРПОРАТИВНОЇ КУЛЬТУРИ В ІНФОРМАЦІЙНОМУ ПРОСТОРІ

Author(s): Maryna Tatarenko,Olena Mykolayivna Kosinova / Language(s): Ukrainian / Issue: 4/2020

The purpose of the article is to investigate the features of professional training of stage specialists in the context of the development of corporate culture in the information space. The research methodology provides a comprehensive approach using analytical, systematic methods, comparative, which allows to identify the main features and professional competencies that need to be mastered by students as masters of the stage in the development of the information society. The scientific novelty of the work lies in the actualization of professional aesthetic and stage competencies and skills of students of creative specialties, given the entry of the educational process in the information-oriented context of the development of artistic professional education. Conclusions. As a result of the research it was established that the educational and creative process involves the acquisition of aesthetic knowledge by students and the formation of relevant beliefs, needs, interests, habits, skills and abilities in accordance with the demands of the modern information society. The article reveals the concept of aesthetic education of students of art freelance as a purposeful and systematic process of formation of aesthetic concepts, tastes and ideals, attitude to the profession, to nature and art, to society and life, to communication and relationships, development of creative component of professional activity. The value aspect of the new paradigm of creative education directly determines the main tasks and directions of reforming creative education in Ukraine. This applies both to the main goal of the education system (creating conditions for the development and self-realization of each individual as a citizen of Ukraine) and the fundamental principles and priorities of creative development of stage masters.

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Феномен авторсько-виконавської постнеокласичної творчості як наукова проблема (діалектично-творча колізія «автор–артист»)

Феномен авторсько-виконавської постнеокласичної творчості як наукова проблема (діалектично-творча колізія «автор–артист»)

Author(s): Ivan Jerghijev / Language(s): Ukrainian / Issue: 1/2020

The purpose of the article is to investigate one of the most important problems of the theory and aesthetics of music - the author-performer’s creativity as a process and the result of two different types of activity, correlation between the direction set by an author and the author-performer’s initiative as an artistic interpretation of his own composition. The methodology of the research is based on interdisciplinary approaches since the study and constitution of the author’s musical creativity as a phenomenon of modern culture raises many problematic issues, which cover wide horizons of cultural and artistic fields. The author uses classical methods that are effective for art history research: analytical, audio-visual, comparative, etc. The scientific novelty lies in the fact that the problem of an author’s game-interpretation of his own musical work, or self-interpretation has never been the subject of special research in philosophical, psychological and musicological discourse. Conclusions. As a result of the research (a discourse analysis of existing literature on this problem, a survey of music authors, analysis of author’s own author-artistic creativity, etc.) it was found that the ambivalence of a collision of author-artistic creativity exists on the verge of composer’s and performer’s thinking, respectively - the musical language of an author and the musical statement of an artist, and is solved by the means of partiality, partial "bifurcation" of the creator-performer’s personality, who himself completes his (work) in many renewed interpretations. For the practical solution of the problem under study, it is important that the author understands the endpoint (terminus ad quem) of his creative product, which he needs to reach as an artist - spiritual perception, aesthetic impression of the viewer-listener from the complete meaningful form of the author's musical performance in the artistic version.

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Феномен книги як синтез мистецтв та технологій

Author(s): Tatyana Safonova / Language(s): Ukrainian / Issue: 3/2010

The article describes the emerging and convergence of new art styles and trends, latest technologies that were invented during the innovating and creative lives of artists of different kinds – typographers, layout designers, type writers, illustrators and designers – in its connection with the art of the book along different times in different countries.

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VAT number: DE300273105
Phone: +49 (0)69-20026820
Fax: +49 (0)69-20026819
Email: info@ceeol.com

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