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Apie Martyno Jakulio disertaciją „Špitolės Vilniuje XVI–XVIII a.“ ir jos gynimą
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Apie Martyno Jakulio disertaciją „Špitolės Vilniuje XVI–XVIII a.“ ir jos gynimą
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Apie Karolio Kučiausko disertaciją „Prieškario Vilniaus urbanistinis modelis ir jo recepcija karo ir pokario metais (1932–1956 m.)“ ir jos gynimą
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Władysław Duczko, omawiając moją książkę Srebro i władza. Trybuty i handel dalekosiężny a kształtowanie się państwa piastowskiego i państw sąsiednich w latach 800–1100, stawia tezy, które nie znajdują odzwierciedlenia w faktach. Ponieważ zarazem zniekształcają one kreślony przez niego obraz treści monografii, należy się do nich odnieść. Argumentacja archeologa oscyluje między dwiema osiami: etnicznej przynależności deponujących kruszec w tzw. epoce wikingów oraz chronologizacji i zawartości skarbów srebrnych w Polsce Centralnej, zwłaszcza Wielkopolsce.
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Assaut de magnificence que ces toiles prodigieuses et envoutantes de Cezar Secrieru, dans cette nouvelle exposition « L’Infini du bleu » à l’Organisation Mondiale de la Propriété Intellectuelle à Genève (14-26 novembre 2016).
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The text is a review of the Dariusz Śnieżko’s book Kompleksja literatury. Studia staropolskie (The Complexion of Literature. Old-Polish Studies) (TAiWPN UNIVERSITAS, Krakow 2019). The only serious doubt regards the sound of the title (readers might not know the word “complexion”). Kompleksja literatury is a fascinating book. For whom? – certainly students of Old-Polish literature (and it will be also inspiring for scholars of the next historical and literary epochs). What? – revealing the most important dimensions of Old-Polish literature. Why? – because in works published so far the scant use of source texts proves to be representative of the most general material remaining of Old-Polish literature in its intertwining of anthropology and dialectics of orality and literacy.
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The article discusses cognitive poetics as an important theoretical framework in contemporary literary studies, in the context of the publication of the second, revised edition of Peter Stockwell’s Cognitive Poetics: An Introduction (2020). First, the authors discuss critical comments put forward by scholars with respect to Stockwell’s earlier studies in cognitive poetics, and next, from a literary-studies perspective they carry out an overall assessment of the revisions and modifications introduced in the book’s current edition. Irrespective of some critical remarks, there is no doubt that thanks to the changes, the inspirational value of Stockwell’s book has been enhanced.
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Vili Radman's overview of Ratio formationis (instructions and guidelines for formation in religious institutions and in the context of religious life).
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The aim of this paper is a review Bosnian-Herzegovinian bibliography of serial publications compiling which is being published since 1977 by National and University Library of Bosnia and Herzegovina. During its forthcoming, it changed the title, which influenced the changing of ISSN number. The continuity of publishing of bibliography was interrupted and the continuation of its current publishing initiated the need of giving an overview, significance and role of serial publications in development of BH society. The paper mostly deals with Bosnian-Herzegovinian bibliography of serial publications for 2003, which is the first bibliography if serial publications compiling within Ci-operative Online Bibliographic System and Services of Bosnia and Herzegovina (COBISS.BH), within initial sub-base for database design of serial publications (BIBSER). It included digitization, legal deposit of serial publications, copyright (author’s right) and related rights.
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This review study examines all the master’s and doctoral theses completed on teaching English to young learners (TEYL) between the years 2014 and 2020 in Turkey. Eighty theses and dissertations indexed in the Turkish National Theses Database were included in the study. The tendencies in the theses in terms of sub-subjects covered, research designs applied, sampling methods used, research contexts targeted, and overall findings were identified and discussed. This paper provides an account of recent graduate research in TEYL to be a reference for researchers and supervisors in the field by presenting the results of a conceptual and descriptive analysis of the theses. Furthermore, by interpreting the tendencies in research methodology and over/understudied areas in the field, the study.
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The article presents the latest monograph by Patrycja Trzeszczyńska (Diaspora – Memory – Places: The Ukrainians from Poland of the 1980s in Canada. An Ethnographic Study), which analyzes the functioning of the memory of migrants from Poland. The inspiration to undertake to carry out the research was the author’s intention to continue her studies on the memory of the Lemkos. On the basis of the impressive material collected in the course of P. Trzeszczyńska’s three-year field research (conducted in the years 2014–2016), the anthropologist proved the occurrence of a vital ‘diasporic’ transformation in the identity of the migrants who, even if they remember the trauma experienced by their parents, this memory is no longer necessary for them to construct their own Ukrainian identity. In this situation, looking for Lemkos in Canada turned out groundless, since each new wave of migrants from Poland brought along their own memory (or post-memory) of the past, which led to the internal differentiation within the Ukrainian diaspora in Canada as far as both generations and regions are concerned. Thanks to the penetrating analysis of the functioning of the generational memory of migrants from Poland, the author of the monograph expanded the knowledge on the role of memory in the process of creating and enriching cultural identity of contemporary (no only diasporic) communities.
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The written refers to the collaboration of the Public Institution Museum of Sarajevo and Hotel “Europe”, initiated by the celebration of the jubilee of the Hotel, and realized through an appropriate exhibition.
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Povodom obilježavanja 100 godina od Sarajevskog atentata, JU Muzej Sarajeva je, između ostalih projekata rađenih za ovu priliku, uradila i postavila i izložbu pod nazivom “Sarajevo 1914–2014”. Izložba je postavljena i otvorena u muzejskom prostoru Vijećnice, koja je za javnost otvorena nakon rekonstrukcije iste godine, tačnije u maju 2014.
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