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Book review: Duleba, A. - Dančišin, V.: Výskum hraníc (border studies). Predmet a hlavné smery výskumu. Prešov: Vydavateľstvo Prešovskej univerzity, 2018.
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The development of Krashen`s theory of second language acquisition has been disadvantaged due to the dispute over its untestable hypotheses. In his Monitor Model Krashen (1981; 1982; 1985) claims that linguistic competence can only be acquired subconsciously, while conscious learning mainly depends on learners’ mood and emotions at the time of learning a second language. A review of the studies investigating the coherence of Krashen’s hypotheses derived from the Monitor Model supported the validity of this approach. However, competing theories emphasize the importance of conscious learning not addressed by the Monitor Model. This paper critically reviews the five key aspects of Krashen’s Monitor Model and closely looks at the relevance of the theory and its characteristics to SLA nowadays. It was concluded that while effective in some classroom applications, the Monitor Model is too restrictive to justify the conscious learning as a source of spontaneous language production, so cannot alone provide a comprehensive account of language competence.
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Praca zbiorowa, poświęcona ciekawemu zagadnieniu miejsca i roli podróży w kulturze wczesnonowożytnej Europy, po raz kolejny dotyka wielokrotnie analizowanego już zjawiska Grand Tour. Tym razem perspektywa jest nieco odwrócona i na tym niewątpliwie polega wartość, a przy tym również wyjątkowość tej publikacji.
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Review on two drama collections "Against Forgetting" and "Parallel Realities", containing contemporary Hungarian dramas that cannot be characterized as "closet dramas"
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Review of Kornélia Deres's book "Képkalapács" which analyses the relationship between technology and intermedia in contemporary theatre
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Review of dance performances focusing on the Hungarian Revolution of 1956
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Review of "56 drops of blood" performed at Vörösmarty Theatre in Székesfehérvár, a piece directed by János Szikora
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Review of "Lady Budapest" written by Tibor Kocsák and Tibor Miklós, directed by Szilárd Somogyi, and presented at the Operetta House Budapest
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Review of "The School of Wives" by Molière, directed by Tamás Ascher at Katona József Theatre, Budapest
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Review ofTompa Miklós Company's "Olbrin Joachim's wonderful journey" directed by Kinga Mezei, presented atThe National Theatre of Târgu Mureș
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