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The authors present the political values functioning in the Polish-Lithuanian Commonwealth - primarily, but not only, in the community of politically active noble citizens. They try to recreate them on the basis of a thorough analysis of various sources - treaties and political journalism, public speeches at the Seym and regional councils, but also unofficial statements, private exchange of views between participants in political life. The subject of the analysis is, inter alia, the ideal of the state as a community of citizens present in the political discourse, as well as the contemporary vision of a man-citizen, a member of the political community, and his obligations towards it. The authors also present and interpret the then understanding of the concepts of homeland or patriotism, and devote a lot of attention to the fundamental values of the political life of the Polish-Lithuanian Commonwealth, such as law and freedom. They show the analyzed issues not only in a broader European context, but also in different epochs, which allows to follow the evolution in the understanding and evaluation of political concepts and ideals. The 12-volume series of monographs Kultura Pierwszej Rzeczpospolitej w dialogu z Europą. Hermeneutyka wartości” presents the cultural heritage of the 15th and 18th centuries as an integral but original part of European culture. The research goal is to identify the ways and forms of the mutual transmission of aesthetic, political and religious values and to present in a broad, multilateral comparative context the axiological structure of Polish culture of the past epochs. Cultural texts are examined from an internal perspective as records of acts aimed at understanding values, and from an external perspective as statements that join European literary-aesthetic, political and religious discussions. In an intense dialogue, the culture of the Republic of Poland shows not only a receptivity to new ideas, but also creativity and dynamics of action in Europe.
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The authors present the political values functioning in the Polish-Lithuanian Commonwealth – primarily, but not only, in the community of politically active noble citizens. They try to recreate them on the basis of a thorough analysis of various sources – treaties and political journalism, public speeches at the Sejm and regional councils, but also unofficial statements, private exchange of views between participants in political life. The subject of the analysis is, inter alia, the ideal of the state as a community of citizens present in the political discourse, as well as the contemporary vision of a man-citizen, a member of the political community, and his obligations towards it. The authors also present and interpret the then understanding of the concepts of homeland or patriotism, and devote a lot of attention to the fundamental values of the political life of the Polish-Lithuanian Commonwealth, such as law and freedom. They show the analyzed issues not only in a broader European context, but also in different epochs, which allows to follow the evolution in the understanding and evaluation of political concepts and ideals. The 12-volume series of monographs "Kultura Pierwszej Rzeczpospolitej w dialogu z Europą. Hermeneutyka wartości” presents the cultural heritage of the 15th and 18th centuries as an integral but original part of European culture. The research goal is to identify the ways and forms of the mutual transmission of aesthetic, political and religious values and to present in a broad, multilateral comparative context the axiological structure of Polish culture of the past epochs. Cultural texts are examined from an internal perspective as records of acts aimed at understanding values, and from an external perspective as statements that join European literary-aesthetic, political and religious discussions. In an intense dialogue, the culture of the Republic of Poland shows not only a receptivity to new ideas, but also creativity and dynamics of action in Europe.
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The authors present the political values functioning in the Polish-Lithuanian Commonwealth – primarily, but not only, in the community of politically active noble citizens. They try to recreate them on the basis of a thorough analysis of various sources – treaties and political journalism, public speeches at the Sejm and regional councils, but also unofficial statements, private exchange of views between participants in political life. The subject of the analysis is, inter alia, the ideal of the state as a community of citizens present in the political discourse, as well as the contemporary vision of a man-citizen, a member of the political community, and his obligations towards it. The authors also present and interpret the then understanding of the concepts of homeland or patriotism, and devote a lot of attention to the fundamental values of the political life of the Polish-Lithuanian Commonwealth, such as law and freedom. They show the analyzed issues not only in a broader European context, but also in different epochs, which allows to follow the evolution in the understanding and evaluation of political concepts and ideals. The 12-volume series of monographs „Kultura Pierwszej Rzeczpospolitej w dialogu z Europą. Hermeneutyka wartości” presents the cultural heritage of the 15th and 18th centuries as an integral but original part of European culture. The research goal is to identify the ways and forms of the mutual transmission of aesthetic, political and religious values and to present in a broad, multilateral comparative context the axiological structure of Polish culture of the past epochs. Cultural texts are examined from an internal perspective as records of acts aimed at understanding values, and from an external perspective as statements that join European literary-aesthetic, political and religious discussions. In an intense dialogue, the culture of the Republic of Poland shows not only a receptivity to new ideas, but also creativity and dynamics of action in Europe.
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The authors present the political values functioning in the Polish-Lithuanian Commonwealth – primarily, but not only, in the community of politically active noble citizens. They try to recreate them on the basis of a thorough analysis of various sources – treaties and political journalism, public speeches at the Sejm and regional councils, but also unofficial statements, private exchange of views between participants in political life. The subject of the analysis is, inter alia, the ideal of the state as a community of citizens present in the political discourse, as well as the contemporary vision of a man-citizen, a member of the political community, and his obligations towards it. The authors also present and interpret the then understanding of the concepts of homeland or patriotism, and devote a lot of attention to the fundamental values of the political life of the Polish-Lithuanian Commonwealth, such as law and freedom. They show the analyzed issues not only in a broader European context, but also in different epochs, which allows to follow the evolution in the understanding and evaluation of political concepts and ideals. The 12-volume series of monographs „Kultura Pierwszej Rzeczpospolitej w dialogu z Europą. Hermeneutyka wartości” presents the cultural heritage of the 15th and 18th centuries as an integral but original part of European culture. The research goal is to identify the ways and forms of the mutual transmission of aesthetic, political and religious values and to present in a broad, multilateral comparative context the axiological structure of Polish culture of the past epochs. Cultural texts are examined from an internal perspective as records of acts aimed at understanding values, and from an external perspective as statements that join European literary-aesthetic, political and religious discussions. In an intense dialogue, the culture of the Republic of Poland shows not only a receptivity to new ideas, but also creativity and dynamics of action in Europe.
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The authors present the political values functioning in the Polish-Lithuanian Commonwealth – primarily, but not only, in the community of politically active noble citizens. They try to recreate them on the basis of a thorough analysis of various sources – treaties and political journalism, public speeches at the Sejm and regional councils, but also unofficial statements, private exchange of views between participants in political life. The subject of the analysis is, inter alia, the ideal of the state as a community of citizens present in the political discourse, as well as the contemporary vision of a man-citizen, a member of the political community, and his obligations towards it. The authors also present and interpret the then understanding of the concepts of homeland or patriotism, and devote a lot of attention to the fundamental values of the political life of the Polish-Lithuanian Commonwealth, such as law and freedom. They show the analyzed issues not only in a broader European context, but also in different epochs, which allows to follow the evolution in the understanding and evaluation of political concepts and ideals. The 12-volume series of monographs „Kultura Pierwszej Rzeczpospolitej w dialogu z Europą. Hermeneutyka wartości” presents the cultural heritage of the 15th and 18th centuries as an integral but original part of European culture. The research goal is to identify the ways and forms of the mutual transmission of aesthetic, political and religious values and to present in a broad, multilateral comparative context the axiological structure of Polish culture of the past epochs. Cultural texts are examined from an internal perspective as records of acts aimed at understanding values, and from an external perspective as statements that join European literary-aesthetic, political and religious discussions. In an intense dialogue, the culture of the Republic of Poland shows not only a receptivity to new ideas, but also creativity and dynamics of action in Europe.
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The authors present the political values functioning in the Polish-Lithuanian Commonwealth – primarily, but not only, in the community of politically active noble citizens. They try to recreate them on the basis of a thorough analysis of various sources – treaties and political journalism, public speeches at the Sejm and regional councils, but also unofficial statements, private exchange of views between participants in political life. The subject of the analysis is, inter alia, the ideal of the state as a community of citizens present in the political discourse, as well as the contemporary vision of a man-citizen, a member of the political community, and his obligations towards it. The authors also present and interpret the then understanding of the concepts of homeland or patriotism, and devote a lot of attention to the fundamental values of the political life of the Polish-Lithuanian Commonwealth, such as law and freedom. They show the analyzed issues not only in a broader European context, but also in different epochs, which allows to follow the evolution in the understanding and evaluation of political concepts and ideals. The 12-volume series of monographs „Kultura Pierwszej Rzeczpospolitej w dialogu z Europą. Hermeneutyka wartości” presents the cultural heritage of the 15th and 18th centuries as an integral but original part of European culture. The research goal is to identify the ways and forms of the mutual transmission of aesthetic, political and religious values and to present in a broad, multilateral comparative context the axiological structure of Polish culture of the past epochs. Cultural texts are examined from an internal perspective as records of acts aimed at understanding values, and from an external perspective as statements that join European literary-aesthetic, political and religious discussions. In an intense dialogue, the culture of the Republic of Poland shows not only a receptivity to new ideas, but also creativity and dynamics of action in Europe.
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The authors present the political values functioning in the Polish-Lithuanian Commonwealth – primarily, but not only, in the community of politically active noble citizens. They try to recreate them on the basis of a thorough analysis of various sources – treaties and political journalism, public speeches at the Sejm and regional councils, but also unofficial statements, private exchange of views between participants in political life. The subject of the analysis is, inter alia, the ideal of the state as a community of citizens present in the political discourse, as well as the contemporary vision of a man-citizen, a member of the political community, and his obligations towards it. The authors also present and interpret the then understanding of the concepts of homeland or patriotism, and devote a lot of attention to the fundamental values of the political life of the Polish-Lithuanian Commonwealth, such as law and freedom. They show the analyzed issues not only in a broader European context, but also in different epochs, which allows to follow the evolution in the understanding and evaluation of political concepts and ideals. The 12-volume series of monographs „Kultura Pierwszej Rzeczpospolitej w dialogu z Europą. Hermeneutyka wartości” presents the cultural heritage of the 15th and 18th centuries as an integral but original part of European culture. The research goal is to identify the ways and forms of the mutual transmission of aesthetic, political and religious values and to present in a broad, multilateral comparative context the axiological structure of Polish culture of the past epochs. Cultural texts are examined from an internal perspective as records of acts aimed at understanding values, and from an external perspective as statements that join European literary-aesthetic, political and religious discussions. In an intense dialogue, the culture of the Republic of Poland shows not only a receptivity to new ideas, but also creativity and dynamics of action in Europe.
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The authors present the political values functioning in the Polish-Lithuanian Commonwealth – primarily, but not only, in the community of politically active noble citizens. They try to recreate them on the basis of a thorough analysis of various sources – treaties and political journalism, public speeches at the Sejm and regional councils, but also unofficial statements, private exchange of views between participants in political life. The subject of the analysis is, inter alia, the ideal of the state as a community of citizens present in the political discourse, as well as the contemporary vision of a man-citizen, a member of the political community, and his obligations towards it. The authors also present and interpret the then understanding of the concepts of homeland or patriotism, and devote a lot of attention to the fundamental values of the political life of the Polish-Lithuanian Commonwealth, such as law and freedom. They show the analyzed issues not only in a broader European context, but also in different epochs, which allows to follow the evolution in the understanding and evaluation of political concepts and ideals. The 12-volume series of monographs „Kultura Pierwszej Rzeczpospolitej w dialogu z Europą. Hermeneutyka wartości” presents the cultural heritage of the 15th and 18th centuries as an integral but original part of European culture. The research goal is to identify the ways and forms of the mutual transmission of aesthetic, political and religious values and to present in a broad, multilateral comparative context the axiological structure of Polish culture of the past epochs. Cultural texts are examined from an internal perspective as records of acts aimed at understanding values, and from an external perspective as statements that join European literary-aesthetic, political and religious discussions. In an intense dialogue, the culture of the Republic of Poland shows not only a receptivity to new ideas, but also creativity and dynamics of action in Europe.
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The authors present the political values functioning in the Polish-Lithuanian Commonwealth – primarily, but not only, in the community of politically active noble citizens. They try to recreate them on the basis of a thorough analysis of various sources – treaties and political journalism, public speeches at the Sejm and regional councils, but also unofficial statements, private exchange of views between participants in political life. The subject of the analysis is, inter alia, the ideal of the state as a community of citizens present in the political discourse, as well as the contemporary vision of a man-citizen, a member of the political community, and his obligations towards it. The authors also present and interpret the then understanding of the concepts of homeland or patriotism, and devote a lot of attention to the fundamental values of the political life of the Polish-Lithuanian Commonwealth, such as law and freedom. They show the analyzed issues not only in a broader European context, but also in different epochs, which allows to follow the evolution in the understanding and evaluation of political concepts and ideals. The 12-volume series of monographs „Kultura Pierwszej Rzeczpospolitej w dialogu z Europą. Hermeneutyka wartości” presents the cultural heritage of the 15th and 18th centuries as an integral but original part of European culture. The research goal is to identify the ways and forms of the mutual transmission of aesthetic, political and religious values and to present in a broad, multilateral comparative context the axiological structure of Polish culture of the past epochs. Cultural texts are examined from an internal perspective as records of acts aimed at understanding values, and from an external perspective as statements that join European literary-aesthetic, political and religious discussions. In an intense dialogue, the culture of the Republic of Poland shows not only a receptivity to new ideas, but also creativity and dynamics of action in Europe.
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The authors present the political values functioning in the Polish-Lithuanian Commonwealth – primarily, but not only, in the community of politically active noble citizens. They try to recreate them on the basis of a thorough analysis of various sources – treaties and political journalism, public speeches at the Sejm and regional councils, but also unofficial statements, private exchange of views between participants in political life. The subject of the analysis is, inter alia, the ideal of the state as a community of citizens present in the political discourse, as well as the contemporary vision of a man-citizen, a member of the political community, and his obligations towards it. The authors also present and interpret the then understanding of the concepts of homeland or patriotism, and devote a lot of attention to the fundamental values of the political life of the Polish-Lithuanian Commonwealth, such as law and freedom. They show the analyzed issues not only in a broader European context, but also in different epochs, which allows to follow the evolution in the understanding and evaluation of political concepts and ideals. The 12-volume series of monographs „Kultura Pierwszej Rzeczpospolitej w dialogu z Europą. Hermeneutyka wartości” presents the cultural heritage of the 15th and 18th centuries as an integral but original part of European culture. The research goal is to identify the ways and forms of the mutual transmission of aesthetic, political and religious values and to present in a broad, multilateral comparative context the axiological structure of Polish culture of the past epochs. Cultural texts are examined from an internal perspective as records of acts aimed at understanding values, and from an external perspective as statements that join European literary-aesthetic, political and religious discussions. In an intense dialogue, the culture of the Republic of Poland shows not only a receptivity to new ideas, but also creativity and dynamics of action in Europe.
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The subject of the study is Vox (2018; Polish translation – 2019), the debut novel of Christina Dalcher, an American writer and linguist. The author presents the issues of interpersonal communication in a world in which some members of society (women) of a certain country have been allotted a daily word limit of 100 words. The novel concerns the problem of marginalization of a particular social group – determined by the criterion of biological sex – which confines them to the sphere of home, ultimately forcing women to withdraw from the public life. At the same time it touches upon a fundamental human characteristic: language and communication, which facilitate the creation of bonds in human societies. However, the curtailment of speech for one group has consequences for the communication process of the non-silenced group which has retained complete freedom of speech as well; after all, communication requires interaction and cooperation of at least two parties. The advantage of one party leads to the disappearance/destruction of dialogue, to authoritarian monologue. The novel is referred to as a feminist dystopia, a political novel, a novel of the Donald Trump era, a novel of the #MeToo era, a socially engaged, activist novel, a novel of manners, a linguistic thriller, a medical thriller. Each of these genological expressions directs the reading of Vox differently. Regardless of the readings, however, the novel remains a story about the premeditated atrophy of interpersonal communication.
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The article is devoted to Henryk Sienkiewicz’s journalistic writing, shown from the perspective of stylistic and genre boundaries. Analyses of selected press statements have aimed to indicate the presence of stylistic elements characteristic of literature in journalistic texts and to show how, on the other hand, the journalistic experience (e.g. in the form of reports from painting exhibitions, correspondence from travels) has found its artistic rendering in Sienkiewicz’s literary works. The research material consists of texts representing Sienkiewicz’s most frequently employed journalistic genres: note, review and travel correspondence. The analyses have been formulated in their appropriate contexts, taking into account the state of 19th-century journalism, the genre consciousness of the time and Sienkiewicz’s literary output.
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The article touches upon the topic of cultural transformations, on the basis of the analysis of song lyrics written by Paweł Soltys, performing under the stage pseudonym Pablopavo. Moreover, it elaborates in more detail on the separate, interconnected and overlapping circles of issues, such as: the relationship between the mainstream and niche phenomena in culture, garbage, waste and remnants in culture, or money and the lack thereof in the world of wealth or nothingness. The observations lead to the conclusion that in his musical activity, the artist combines various, sometimes extreme social orders and worlds, including all kinds of phenomena taken from the mainstream and low art.
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Koźmian, director of Cracow’s City Theatre in the years 1865–1885 and a theatre reviewer, created a well-organized theatrical enterprise with a distinct artistic profile and well-balanced repertoire in which the best Polish plays were shown together with the canonical French, German and Russian classics. Shakespeare loomed large in the Theatre’s repertoire because for Koźmian his plays were the top achievement of European drama. The paper examines Koźmian’s ideas about drama, theatre and acting; his emphasis on both Polish and European plays in the repertoire results from the ambition to change the provincial stage into a national one, influencing and stimulating intellectual and artistic life in the then partitioned country. In this context the gradual introduction of Shakespeare’s plays (or rather their adaptations) in new translations is shown as a process of appropriating them as part and parcel of Polish culture.
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Bolesław Prus took a lively interest in Polish theatre, which he followed out of a sense of journalistic duty (throughout his life Prus earned most of his income through journalism). He took careful note of major events in Poland’s cultural life, notably those taking place in the Russian-occupied Kingdom of Poland, where the theatres were licensed to produce plays in Polish. Prus did not put a lot of a weight on theatre, which he never saw as fundamental to the nation’s life (he was similarly unimpressed by the other arts, including, perhaps a touch surprisingly, literature), and tended to focus instead on those areas which he saw as more fundamental to the well-being of society, such as education, science, economic development or relationships between social classes. Having said that, Prus enjoyed his theatre, and he paid attention to productions taking place in Warsaw. Notable among his numerous columns on the problems, events and personalities of Warsaw’s theatre are those which focus on the actress Helena Modrzejewska. Many of his columns written in 1882 and 1885 pay considerable attention to the actress. Prus believed that Modrzejewska was one of the most eminent artists of the theatre in Poland and abroad, and he ranked her alongside the famous Sarah Bernhardt. He admired here xtraordinary talent and range of expression, noting how her professionalism was based on reliability and diligence. Prus never joined her critics who decried Modrzejewska’s decision to pursue a career in the United States and did not see her as being unpatriotic. He criticised instead the Polish version of the tall poppy syndrome whose poisonous brew of envy and backbiting encouraged the more enterprising individuals to leave the country for an international career.
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This article was inspired by a handwritten outline of the “screenplay” for a largely forgotten 1914 production of Hamlet in Kraków; drafted by Tadeusz Pawlikowski, widely regarded as the greatest director and theatre principal of late 19th- and early 20th-century Poland. The article opens with a description of the manuscript, a hitherto unknown document which preserves traces of the creative effort leading to the production’s premiere. The first section pieces together evidence from the manuscript with details gleaned from contemporary reviews to reconstruct the structure of the production (which involved over a dozen separate scenes), and the structure of the stage-space which used elements of a 1909 (1912) Max Rheinhard production at the Deutsches Theater in Berlin. The second section of the article argues that the production was a turning point in the critical appreciation of Karol Adwentowicz’s performance as Hamlet, more than five years after the great modernist actor added the character to his repertoire. The article is intended as a sort of reconnaissance mission to encourage further scholarly attention to what was arguably one of the most interesting theatrical productions of Hamlet in Poland.
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The essay presents Kazimierz Braun’s Shakespeare productions directed in the United States. It opens with recollections of productions of plays by Shakespeare in which Braun either acted (Twelfth Night, Poznań University, 1957) or which he directed. These included Romeo and Juliet (Teatr Polski, Warsaw 1963), Hamlet (Teatr im. J. Osterwy, Lublin 1968), Twelfth Night (Teatr Współczesny, Wrocław 1981), Hamlet (PWST Theatre Academy in Wrocław, 1984), and also Twelfth Night in Esslingen, West Germany (1984). In America, Braun first directed his own medley of love scenes from Romeo and Juliet and Twelfth Night (Swarthmore College, 1985). Next, he directed a series of the Bard’s plays at the Shakespeare in Delaware Park Festival in Buffalo, New York: Henry V (1987), Julius Caesar (1988), King Lear (1989), and As You Like It (1991). He also staged Richard III at the Kavinoky Theatre in Buffalo (1999), where he was responsible for directing and stage design. Directing Shakespeare in its original English and in an open air setting helped Braun discover what he calls new Shakespearean horizons: the blank verse which is “actional” and totally integrates the actor’s words and deeds, controlling the actor not unlike a horse bridle, and at the same time guiding the actor’s actions, energizing him/her and imposing a rhythm on speech and movement; and secondly, replicating in the open-air theatre the potentially three-dimensional space of Elizabethan theatre, allowing a smooth and expressive structuring of the action.
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“Shakespeare, the Polish Director’s Contemporary” considers two Polish productions of Shakespeare plays in the National Audiovisual Institute’s “Polish Contemporary Shakespeare” series. The author discusses the Polish tradition of “Shakespeare mania” and then analyzes Jan Klata’s production H. (an adaptation of Hamlet) and Krzysztof Warlikowski’s production Burza. Both directors apply Jan Kott’s idea that Shakespeare can be our contemporary to their productions, but they do so in different ways. The directors’ ability to achieve contemporaneity in their productions depends not only on stylistic directorial choices, but also on the changing nature of contemporary reality itself in the post-1989 era. Klata’s production seems to be almost an illustration of Kott’s discussion of Hamlet in Szkice o Szekspirze, yet at the same time, it has a curiously old-fashioned, Cold War–era feeling. H. enlists Shakespeare in the argument over European Union accession, an argument that was au courant in 2004 when the production was first staged but now seems dated. Warlikowski’s production appears less immediately contemporary in Kott’s sense than H., yet it illustrates Kott’s notion that Burza is “a passionate reckoning with the real world” as it was influenced by the controversy over Jedwabne, an issue that remains resonant to this day.
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Janusz Wiśniewski’s auteur theatre project was born in Poznań in the early 1980s, catalysed by the production of Balladyna by Juliusz Słowacki in Teatr Nowy and followed by several more productions of original plays (including Koniec Europy [The End of Europe]). From the outset, Wiśniewski’s project provoked extreme reactions, enthusiastic or otherwise, with Andrzej Żurowski acting as a major advocate. Following the collapse of communism in the early 1990s, Wiśniewski tried to start a theatre company in Warsaw. When the project foundered after two premieres, he spent several years in Germany before coming back to Poznań, first as a director in Teatr Nowy, and later as theatre principal in 2003–2011. Wiśniewski successfully combined the roles of director and auteur. His Teatr Nowy tackled a number of dramatic forms ranging from traditional dramatic theatre (Romeo and Juliet) to metaphysical comedy (Richard III) and visual narrative theatre (The Tempest). Notably, Wiśniewski explored Polish and world classics at the time. This basic outline attempts to recreate Janusz Wiśniewski’s years at the helm in Poznań, and looks at his auteur productions which enjoyed good critical reception in Europe.
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