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ПЛЇШКОВА, A.: лексіколоґія і словотворїня русиньского языка. Пряшів 2015. 193 c.
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U prošlom broju smo donijeli Izvještaje za 1900., 1933. i 2001. godinu. I u ovom broju donosimo pet značajnih dokumenata: dva popisa članstva ogranka Matice hrvatske iz Tuzle (1882. i 1931. god.), originalni govor gospodina Ante Tadića, predsjednika Društva Hrvatski dom u Tuzli prilikom otvaranja zgrade Hrvatskog doma (1929.), Popis članova Prvog ogranka tuzlanskog HDZ-a BiH (iz 1990.), Popis izabranih članova na Prvoj skupštini Društva Hrvatski dom (Opaska: Svi se gornji Popisi nalaze u našem arhivu, o.p.) i tekst “Datum za pamćenje” koji je povodom toga objavljen u “Hrvatskom glasniku”(Usp. Hrvatski glasnik:1993. godina, broj 6 , str.8-9 ).
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"Teatrografski prikaz scenskih komada i protagonista koji su sudjelovali u kazališnom dijelu programa Mostarskog proljeća – Dana Matice hrvatske u razdoblju 1999. – 2018. godine".
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The so-called Śiva Vāman image from Mansar is presently placed in the National Museum, New Delhi. There are several controversies on its religious identification. Earlier scholars were of the opinion that it is a Buddhist deity but later, many scholars have identified the image as a śaivite Brāhmanical deity. This religious controversy still continues about Mansar site i.e. Hidimba hill/MNS 3 where the so-called Śiva Vāman was discovered. The present paper is an attempt to trace the religious identity of the controversial figures from the Mansar by investigating the religious identity of the brick structure and the images obtained from Hidimba hill/MNS 3 from Mansar.
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1. Lotman ja tehnika: loodus- ja sotsiaalteaduste ristumispunktis, 21.–22. aprill 2016 2. Loengusari “Keele sajand: Saussure, Linzbach, Jakobson”, september–detsember 2016 3. Semiosalong, kevad ja sügis 2016 4. Tartu semiootikud Gruusias, sügis 2016 5. Kaitstud magistri- ja doktoritööd 2016
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At 14 kilometres from Bruxelles, a woman lies tied to her bed completely paralyzed. Gazing is the only action she is capable of taking. She will be the protagonist of Castellucci’s opera, Orpheus and Eurydice, via live transmission as well. Imola Nagy discusses in her study the powerful conflict between reality and fiction, capturing the performativity of the gaze through the analysis of such phenomena as medium recognition, the mediation process, and the confrontations of the viewer with him- or herself.
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