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Selection of email letters by Mirosław Mąka, eminent Cracow ethnographer, mountain climber, and bookseller, who died in 2020 due to COVID-19.
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The review presents the second and third volumes of the series entitled Ingineri români: dicționar enciclopedic (Romanian Engineers: An Encyclopedic Dictionary)published by the Romanian Academy of Sciences, at the initiative of late Academician Gleb Drăgan. Up until 2019, the authors of the series have managed to bring to the public attention 664 Romanian engineers (out of which24 female engineers) who have made significant contributions to the field, to the development of Romanian industry and/or to Romanian engineering education.
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Andrea Tankó's review of the poetry book Háttal a Napnak ("Turning my Back to the Sun") by Anna Terék.
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The author looks at the book Unposted Letters (2019), which collects the correspondence between Franciszka and Stefan Themersons between 1940–1942. She wonders how to read the couple’s love letters (apart from the established epistolographic codes) and, following the example of A Lover’s Discourse: Fragments by Roland Barthes, suggests looking for figures or concepts around which their content is focused. At the same time, these concepts (of waiting, separateness and work) are crucial for determining the existential situation of the Themersons at that time, moreover, they are especially valid now, during a time of isolation, which opens us to a personal reading of these documents.
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(„Kiedy patrzymy na Chrystusa, widzimy świat takim, jaki jest: Ekumeniczna myśl społeczna”), Katolicki Uniwersytet Lubelski Jana Pawła II, 4-5 marca 2019 roku
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Kolozsvári Állami Magyar Színház. William Shakespeare: Hamlet (Arany János fordításának felhasználásával). Rendező: Tompa Gábor. Szereplők: Vecsei. H. Miklós, Bodolai Balázs, Gedő Zsolt, Buzási András, Sinkó Ferenc, Tőtszegi Zsuzsa, Biró József, Kiss Tamás, Imre Éva, Pethő Anikó, Balla Szabolcs, Kicsid Gizella, Lőrincz-Szabó Vencel, Viola Sára. Díszlettervező: Both András, jelmeztervező: Bianca Imelda Jeremias, dramaturg: Visky András, eredeti zene: Vasile Şirli, koreográfus: Jakab Melinda, videó: Rancz András, a jelmeztervező asszisztense: Bocskai Gyopár, a rendező munkatársa: Veres Emőke, rendezőasszisztens: Gálhidy Sári, előadás-vezető: Zongor Réka.
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The present paper aims to bring in attention the importance of the work written by Dimitrie Ghika‑Comăneşti A Romanian expedition in Africa. This work has both scientific and literary value, not only for the citizens of Comănești, but for our culture. That’s why, it ends with the recommendation to be re‑published nowadays, being an important masterpiece of the great Romanian explorers Dimitrie and Nicolae Ghika‑Comăneşti.
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Wokół relacji międzywyznaniowych w Polsce
[“From Conflict to Communion”.
Around Interdenominational Relations in Poland].
Eds. J. Budniak, J. Kempa. Katowice:
Księgarnia św. Jacka, 2020, 174 pp.](/api/image/getissuecoverimage?id=picture_2021_63633.jpg)
Noémi László's review of "Veszedelmekről álmodom" (I'm Dreaming of Danger) by István Ferenczes.
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The topic of this study is Invernomuto: Negus, a documentary film made by an Italian duo of artists – an example of applying the cinema as a non-historical method of conducting historical studies. A juxtaposition of research shown in the film concerning the Italian colonial war waged in Ethiopia with the contents of lectures constituting sequences makes it possible to assume that the interlocutor not only participates in the film but also negotiates his appearance in front of the camera, using it for the purpose of realising his intentions. Co-dependencies between the makers of the film and those who appear in it allow us to regard the latter as “users” (Michel de Certeau) of the cinema.
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Two brief book reviews by Katalin Fleisz.
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