The Revolution Will Be Performed. Cameras and Mass Protests in the Perspective of Contemporary Art
This article offers an analysis of Videograms of a Revolution (1992) BY(ARUN&AROCKIAND!NDREJ5JICŌANDThe Pixelated Revolution (2011) BY2ABIH-ROUÎWHICHBOTHREmECTONTHEROLEOFAMATEURRECORDINGSIN AREVOLUTION7HILETHElRSTDEALSWITHTHEABUNDANTFOOTAGEOFTHEMASS protests in 1989 Romania, revealing how images became operative in the unfolding of the revolution, the second shows that mobile phone videos disseminated by the Syrian protesters in 2011 respond to the desire of immediacy with the blurry, fragmentary images taken in the heart of the EVENTS/NEOFTHEMOSTSIGNIlCANTRESULTSOFTHISNEWSITUATIONISTHEWAY image production steers the comportment of people involved in the events. Ordinary participants become actors performing certain roles, while the events themselves are being seen as cinematic. This increased theatricality of mass protests can thus be seen as an instance of blurring the lines between video and photography on the one hand and performance, theatre and cinema on the other.
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