Informacija je svuda i sve je informacija
Review of: Fahira Fejzić, Uvod u teoriju informacija, Promocult, Sarajevo, 2008.
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Review of: Fahira Fejzić, Uvod u teoriju informacija, Promocult, Sarajevo, 2008.
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Review of: Dan Dediu, Siluete în mișcare. Eseuri despre compozitori români, Silhouettes in movement. Essays about Romanian composers, Editura Muzicală, București, 2021
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Review of: Oleg Garaz, The Tools of Musicology, Editura Eikon, Universitas Collection, Musicology Series, București, 2022
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Review of: Alex Vasiliu, Duet pe partitura timpului. Convorbiri cu Ioan Morna, Editura Muzicală, București, 2022.
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Review of: Ioan Dura, 2002.,Dialog, toleranţă, libertate. Configuraţii ale religiei în tranziţia de la secularizare la pluralizare. Cluj-Napoca: Editura Presa Universitară Clujeană, 214 p. (Ioan Dura. 2022. Dialogue, tolerance, freedom. Configurations of religion in the transition from secularization to pluralization. Cluj-Napoca: Cluj University Press, 214 p.
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Kritická vyjednávání na přelomu 18. a 19. století, Veronika Faktorová, p. 199-201; Naratologie v diachronní perspektivě, Václav Vaněk, p. 202-205; Za tajemstvím úspěchu, Ladislav Futtera, p. 206-212; Znovuobjevený Emil Saudek, Václav Maidl, p. 213-218; Jednoduchá knížka o lidové pohádce a těžká otázka, jestli a jak je lidová pohádka lidová, Pavel Šidák, p. 219-224; „Cítím čím dál tím víc krásu modernosti“, Roman Kanda, p. 225-229; Poznámka k recenzi Romana Kandy „Cítím čím dál tím víc krásu modernosti“, Josef Vojvodík, p. 230-236; Zpráva z konference Displacements: Women’s Transnational Trajectories & Artistic Experiences of Emancipation in Central Europe, Magdalena Eriksröd-Burger, p. 237-241
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Review of: "Awangardowe muzeum" by Agnieszka Pindera and Jarosław Suchan (Museum of Art in Łódź, Łódź 2020).
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Review of: Mohamed Mbougar Sarr, Najskrytsza pamięć ludzi, tłum. Jacek Giszczak, Wydawnictwo Cyranka, Warszawa 2022, 435 s.
More...Nad esejem Nicole Lorauxové o řecké tragédii
Nicole Loraux’s book The Mourning Voice: An Essay on Greek Tragedy focuses in its main part on the ways of expressing mourning in Greek tragedy, and understands mourning in tragedy as a borderline between (in)articulated words and music. This approach appears to be useful in interpreting some lyrical passages in which the contemporary reader may easily miss the semantic role of the acoustic dimension of the passage. However, my review essay discusses in detail how, apart from some interesting partial observations, the author fails in all the main ways, turning a partial interpretation into a general statement about the genre of tragedy as a whole. The author’s general thesis is modelled on the artificial oppositions of aulos — lyre, Apollo — Dionysos, which point to another artificial scheme, created by Nietzsche in The Birth of Tragedy, rather than to the poetic-performative culture of classical Greece. The author’s following of this scheme leads in the end to a misinterpretation of the specific passages from the tragedies on which she builds her interpretation.
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Review of: Bassam Antoine Nassif. 2022. The Mystery of Marriage Amid Deconstruction. A Dialogue between Orthodox Anthropology and Postmodern Perspectives. Saint John of Damascus Institute of Theology, University of Balamand, 306 pp
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Review of: Vodič kroz arhiv Bošnjačkog instituta – Fondacije Adila Zulfikarpašića, Sarajevo, 2020.
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Review of: Zlatko Dukić, Drž’te načelnika, “Monos” Gračanica, 2022.
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Review of: Muhamed Ali –paša: Ljetno putovanje u Bosnu i Hercegovinu, (prevela i priredila Hana Younis) Institut za istoriju u Sarajevo–Istorijski arhiv, Sarajevo, 2008
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Review of: Marian Enache, Ștefan Deaconu, Varga Attila, Parlamentul României în jurisprudența Curții Constituționale, Volumele I-II, Editura C.H. Beck, București, 2023.
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Review of: Verginia Vedinaș, Marian Enache, Funcționarul public în jurisprudența Curții Constituționale, Editura Universul Juridic, București, 2023
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