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Date: 2 to 4 September 2009
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Date: May 15, 2009; Place: Sofia University "St. Kliment Ohridski"
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1-4 May 2008, Bauff, Canada
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In this conference, Professor George Banu discusses how the certain spirit of times can influence theatre and performing arts. One of the most important idea he focuses on is that the concept of ‘novelty’ is constantly changing and transforming, ending up in a common place that will be a cliché on stage. George Banu is constantly referring to famous theatre directors, set designers and also actors in order to prove that the spirit of times is constantly influencing the performing arts. He concludes by stating that the direct connection with the spirit of time is a problem that refers to the artists’ age, biography and personal dedication.
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In this conference, Professor George Banu discusses how the certain spirit of a specific place can influence theatre and performing arts. Greek theatre, Elizabethan theatre and théâtre à l’italienne are the main concepts he refers to and he is constantly preoccupied by how the audience will find its place in such a context. In the same time, the author is focusing on the direct connection between nature and theatre, as he considers this has a huge impact on the venues and on the audience. George Banu considers that some European cities have certain key places that are apparently inappropriate for plays, but they turned out to be true artistic hotspots: Paris (La Cartoucherie and Bouffes du Nord) and Sibiu (The Culture Factory).
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Conferință - dialog în cadrul Festivalului Internațional de Teatru de la Sibiu ediția 26, 2019
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Conferință - dialog în cadrul Festivalului Internațional de Teatru de la Sibiu ediția 26, 2019
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Conferință - dialog în cadrul Festivalului Internațional de Teatru de la Sibiu ediția 26, 2019
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The dialogue between Klaus Maria Brandauer and George Banu was one of the most important conference during the 2015 edition of Sibiu International Theatre Festival. The renown Austrian actor talked about the specific elements that make actors focus on film or on theatre, about the way these two arts interact with each other and about the moments that defined his artistic career. Klaus Maria Brandauer’s personal experiences are always counterpointed by George Banu’s theoretical approach, through which he is directing his partner alongside the defining reference points of the most important plays and films in which the Austrian actor has played.
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Jan Lauwers (Needcompany) is a model of postmodern performativity. The experience of The Deer House presented in the Sibiu International Festival of Theatre (2013) is a climax of energy, unleashed by the relationship with the audience, as art is an exchange of energies. The company includes performers of different nationalities, aspect which underlines the theatricality centered on identity. The performance will always wear the stylistic hallmark of the geographical perimeter who creates the artist: the director's work is full of Flanders, as that space is his cultural context. The performance has a composite structure from unexpected directions (influenced by Joseph Beuys or brechtian alterations), in a performative organism where the music has a substantial part and has the ability of charging the performance with energy.
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Pasaulio terminologus į Lietuvių kalbos institutą sukviečianti moks-linė konferencija „Moksliniai, administraciniai ir edukaciniai termi-nologijos lygmenys“šiemet juos tegalėjo sukviesti... prie kompiu-terių ekranų. Besitęsiant Covid-19 suvaržymams, šią tradicija betampančią konferenciją teko rengti netradicinio formato.
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Thank you, Desmond. Thank you, Rusmir. And thank you, International Forum Bosnia, for organizing this meeting and bringing us together on this sad occasion. It is obviously not easy for me to speak at this event, but I will try to do my best, I will try to do right by Ivo and his memory, by just specifying a few things that some of us have already touched upon and then maybe a few things that nobody has mentioned, as a way to point future researchers and students towards areas of study they might investigate in trying to assess Ivo’s legacy.
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28 października 2021 r. odbyła się V Warmińska Konferencja Nauk Penalnych „In dubio pro humanitate”, zorganizowana przez pracowników Katedry Prawa Karnego Materialnego i Prawa Wykroczeń Wydziału Prawa i Administracji Uniwersytetu Warmińsko-Mazurskiego w Olsztynie. Z uwagi na obowiązywanie pandemii koronawirusa konferencja odbyła się online na platformie MSTeams. Konferencja stanowiła kontynuację zobowiązania podjętego w 2011 r. przez Katedrę – organizacji cyklicznej konferencji naukowej, mającej na celu wymianę poglądów teorii i praktyki na fundamentalne problemy dostrzegane w obszarze nauk penalnych.
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Raportul conferintei "CONFERINȚA ȘTIINȚIFICĂ INTERNAȚIONALĂ STRATEGII XXI Panelul CSSAS „Studii de Securitate și Apărare” 28-30 iunie 2022"
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