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Estetyka sytuacji edukacyjnych
4.50 €

Estetyka sytuacji edukacyjnych

Author(s): Danuta Waloszek / Language(s): Polish Publication Year: 0

In the face of increasing knowledge, fewer and fewer arguments supporting teacher’s actions can be found in philosophy and epistemology, but more in the culture. The sense of modern education is creating, not giving the news, that is why there is a need of changing a role of the teacher — Leaving the method based on introducing him into certain roles and replacing it with the method promoting the attitude to culture.The teacher should learn how to create human’s educational space — As a student defending himself against the capture, the teacher should serve its development, not only the interest of different social ranks or political classes.Situated in culture, mostly because of speech, the teacher accomplishes various aesthetics, close to postmodern forms of communication between the human and the world. I understand aesthetics, as M. Bachtin thought, not only as a sphere concerned with beauty, but as a surface of thinking about the world, acceptable behavior and complex social experience. In this context aesthetics allows analyzing forms of arranging educational situations. So basically it is the answer to the need of avoiding traps, in which modern man falls, it says how to get along with them, starting from childhood (and perhaps above all). Among educational aesthetics, reflecting the educational specifics of childhood, we can mark out: Situation of being first; Situation of being second, in the background of the role, task, and person; The triad, or a situation implicating a normative postulate „Allowing this third” to act (A play, a game, special action). Music, as Aristotle said, is an example of an integrated aesthetical educational situation supporting a child in its development.

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Dylematy aksjologiczne powszechnej edukacji muzycznej
4.50 €

Dylematy aksjologiczne powszechnej edukacji muzycznej

Author(s): Rafał Ciesielski / Language(s): Polish Publication Year: 0

The essence of education is to show a quantum of knowledge and skills recognized by a given community as necessary in educating a young man. The criteria of determining its range and content are different for humanities and scientific disciplines. In the former case the scientifically verifiable topicality of the knowledge and its accordance with reality are the decisive factors. In the latter, it is the aesthetic-axiological cultural factor. The form of subjects referring to the artistic disciplines — literature, art or music — is the function of the adopted axiological perspective, while aesthetic education — in its deepest roots — is being axiologically oriented in a natural way: the axiological issues address it to the same extent (or even a greater one, as it shapes the future) as they address music education, performers, artistic criticism, editing publications, and lastly — everyday decisions of individuals.In the face of aesthetic and methodical abuses frequently found in music education it is necessary to devise such a way of approaching a work of music in which it is shown as a piece of work with a culturally determined genesis, aesthetic-musical context, artistic form and aesthetic influence.It seems that distancing the aesthetic perspective and further axiological relativizing is one of the primary causes of the crisis in music education: it fails to show the credible picture of music and, as a result, is unable to satisfy the aesthetic needs of the youth.

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Wartości poznawcze śląskich pieśni ludowych
4.50 €

Wartości poznawcze śląskich pieśni ludowych

Author(s): Krystyna Turek / Language(s): Polish Publication Year: 0

The article is a general reflection on the issue of cognitive values of Silesian folk songs. The song repertoire was looked at in the article from several perspectives, taking into consideration its connections with a folk tradition. Much onus fell on the lexical layer characterizing the reality and diversity of song content and function. The basic scope of artistic means within poetics and song melody was discussed. Important comments concerned the means of transmission, rules of functioning and folklore communication.The suggestions encouraging the audience to read the song parts proved the fact that Silesian folk songs are the book of knowledge on traditional, family, social and artistic culture, and a fundamental source of getting to know the past, as well as consolidating the feeling of one’s own identity.

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Nowe media a odpowiedzialność jako kategoria aksjologiczna w edukacji estetycznej młodzieży
4.50 €

Nowe media a odpowiedzialność jako kategoria aksjologiczna w edukacji estetycznej młodzieży

Author(s): Ewa Szaradowska-Zamirska / Language(s): Polish Publication Year: 0

Nowadays, values are the subject of many scientific disciplines. The main focus of the article is responsibility comprehended both as a general human value and as an inseparable part of an upbringing-aimed discussion. It asks the following questions, ‘What new does a computer contribute to the educational process realised in the area of the artistic and musical education of the school youth?’, ‘How, in the context of an advancing process of IT (Information Technology) or new media use (here: a computer, the Internet), is an issue of a pedagogue’s responsibility perceived?’. It points out some aspects of the use of the above-mentioned media in the aesthetic education of the young. The article focuses attention on the fact that, beside some possible threats, there are undoubtedly exceptional opportunities for creating didactic as well as educational situations. Alongside this, the article emphasizes the necessity of a deep introspective reflexion over a pedagogue’s own hierarchy of values.

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Lwowski dyrygent, kompozytor i pedagog profesor Adam Sołtys i jego uczniowie
4.50 €

Lwowski dyrygent, kompozytor i pedagog profesor Adam Sołtys i jego uczniowie

Author(s): Tatiana Lysenko-Diduła / Language(s): Polish Publication Year: 0

The great achievements that belong to Prof. Dr. Adam Sołtys, a conductor, composer and pedagogue and who taught the world-known conductors such as Stanisław Skrowaczewski, Witold Krzemiński, Jerzy Kołaczkowski, Eugeniusz Kozak and such composers as Tadeusz Machl, Szandor Kallas, Andrzej Nikodemowicz, Szymon Niemand, Mirosław Skoryk and many others have not seen fundamental scientific researches nowadays. This gap is filled out by souvenirs of his daughter Maryla Sołtys, his disciples, professors Andrzej Nikodemowicz and Leszek Mazepa as well as short slogans that can be found in music encyclopadias. Because of this fact the name of this honoured man who worked for Polish culture is relatively little known both in Lviv and in Poland.That is why in our report we are trying to give a short description of his work as a conductor, composer and, what is the most important, a pedagogue of the first half of the XIX century and 1939—1968, to go into the root of his performing as a conductor and his methodology as a pedagogue, to shed a light on his huge influence as a well-known person who taught young composers and conductors.

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Koncertowa aktywność nauczycieli akademickich a ich postawy wobec dziecięcej i młodzieżowej publiczności niepełnosprawnej
4.50 €

Koncertowa aktywność nauczycieli akademickich a ich postawy wobec dziecięcej i młodzieżowej publiczności niepełnosprawnej

Author(s): Wiesława A. Sacher / Language(s): Polish Publication Year: 0

The subject-matter of the empirical studies is the measurement of the attitude of the academic teachers under the influence of the concert activity. The studies covered 21 teachers from the University of Music in Katowice. The results showed that the teachers’ attitudes change according to the personality features, value system, attitude to the work performed and emotional resistance to various audience reactions of the pedagogue-artist. The text was enriched with the model examples of research tools, as well as theoretical considerations within the scope of the concept of attitude.

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Terapia muzyczna jako droga ku wartościom
4.50 €

Terapia muzyczna jako droga ku wartościom

Author(s): Radosław Tarczoń / Language(s): Polish Publication Year: 0

In the paper the author describes some possible application of musical therapy as a method of therapy towards a person with „a deficit”. Basing on his own experiences as an educator of music and a music therapist, the author of the article points that musical therapy has a very wide influence on the disabled. He also says that musical therapy can be used in practice. The author emphasizes that musical therapy is especially positive for the disabled in their individual therapy development and it is also a way to overcome a barrier between them and other people.He gives many examples of how musical therapy can be the main element of correction and disorder level nivellation. He writes that therapists, teachers and people who work in places like rehabilitation centres, patient clinics, specialized service agencies, need to enrich their elementary knowledge about musical therapy and its influence on disabled people. They also should know how to use different methods in their work to minimize deficits, disabilities and disorders.

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Odbiór utworu muzycznego przez dziecko przedszkolne
4.50 €

Odbiór utworu muzycznego przez dziecko przedszkolne

Author(s): Lidia Kataryńczuk-Mania / Language(s): Polish Publication Year: 0

Listening to music is a long-lasting process that demands gaining abilities in remembering, understanding and feeling. Kindergarten children should be systematically introduced into an aural „observation” of a composition; they should be made sensitive about music elements, such as rhythm, melody, tempo, timbre, dynamics, articulation, composition’s structure, etc. Children are most interested in well-differentiated compositions, which are contrastive, characteristic and have a distinct articulation, which are full of surprises and are played in a lively tempo.Joining music with extra-musical contents facilitates noticing musical phenomena. Practice and research show that ‘live’ listening to music is ideal in accordance with children’s needs. Children should be provided with appropriate conditions regarding individual receiver’s possibilities (inter alia type of music, performance, and way of transmission).

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Muzyka środkiem i wartością w rozwijaniu wyobraźni twórczej młodzieży licealnej
4.50 €

Muzyka środkiem i wartością w rozwijaniu wyobraźni twórczej młodzieży licealnej

Author(s): Alina Górniok-Naglik / Language(s): Polish Publication Year: 0

The present text displays music as a means stimulating creative imagination of young people, assuming that every contact with music is a school of imagination, makes it possible to create another reality and frees the creative courage of the receiver. The thesis is proved in the text by the analysis of the novels written by students while listening to music. The analyses in question suggest the agreement between the intersemiotic translation and a construction of a musical text. Moreover, the analysis reveals the richness of the young people’s fantasy and imagination who, in the texts, reveal the truth about themselves, when facing fate adversities, looking for the sense of humanity and human existence. It shows a person who does more than a simple recording of what he or she knows and thinks about the work under the influence of music. Some of the novels have an unquestionable aesthetic value. Although the music was a means of doing, its value was not ‘hidden’ for the young who have not only read it, but also translated it into the system of new aesthetic qualities. At the same time, music, as an educational method and value, appears as a weapon in the fight for the education ‘to imagination’ and ‘with imagination’.

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Specyfika zajęć umuzykalniających dla studentów kierunków pedagogicznych
4.50 €

Specyfika zajęć umuzykalniających dla studentów kierunków pedagogicznych

Author(s): Danuta Zoń-Ciuk / Language(s): Polish Publication Year: 0

The author deals with the phenomenon of aesthetic education in pedagogy with a special focus on education through music. By describing musical education for pedagogy students she emphasises the role of singing as the simplest form of music. She considers the acquisition of the skill of playing musical instruments as developing musical abilities and making the classes more attractive. Movement to music is treated as a multi-functional education helping also in a better perception of a musical piece. Improvisation is treated as a means of developing musical imagination and as a form which shows the students’ potential in the best way and, hence, enables the teacher to treat students individually. The article contains a number of suggestions and conclusions concerning the ways of conducting classes. There are also practical tips for students as well as for teachers.

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Muzyka wczesnego dzieciństwa a przygotowanie zawodowe nauczyciela
4.50 €

Muzyka wczesnego dzieciństwa a przygotowanie zawodowe nauczyciela

Author(s): Lidia Wollman / Language(s): Polish Publication Year: 0

The author presents the importance of music in life of the small child and bases of developing the musical interests in a family, kindergarten and school. The paper depicts the implementation of musical education by the kindergarten and primary school teachers, who are not well prepared to develop sufficiently the musical interests and skills of their learners. Then, the author presents the scope of knowledge, skills and competence that should be developed during in-service teacher education for the primary schools. However, the focus is on the proper selection of students that want to be teachers in the future, defining requirements for this profession.

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Lévi-Strauss and the Opera
4.50 €

Lévi-Strauss and the Opera

Author(s): Vlado Kotnik / Language(s): English Publication Year: 0

This paper is dedicated to Claude Lévi-Strauss and his structural reading of opera as metaphorical 'composing' of an anthropological grand opera, materialized in the four-volume study of Mythologiques, which refers to Wagner s tetralogy of The Ring. He created a type of comparative view of the fun-ction and structure of myth schemes in Amerindian culture and the orchestral scores of Wagner s operas, and implicitly signalled that European music, with its eminent representation opera has had the same value or similar symbolic position in the mind and life of a contemporary European that myth has had in the savage mind . Through this, he can lead us to the understanding of opera as myth and metaphor. However, the paper extends the discussion on Lévi-Strauss to a broader historical picture of the relationship between opera and mythology as two symbolic systems of European culture

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Predstave o rokenrolu kao urbanom kulturnom nasleđu
4.50 €

Predstave o rokenrolu kao urbanom kulturnom nasleđu

Author(s): Marija Ristivojević,Bojan Žikić / Language(s): Serbian Publication Year: 0

U radu su predstavljene početne hipoteze istraživanja koje za cilj ima analizu odnosa između rokenrola i predstave o urbanom, kako na globalnom nivou, tako i na lokalnom. Posmatranjem rokenrola kao kulturnog fenomena u široj perspektivi, teži se naglašavanju fluidnosti i promenljivosti značenja samog pojma u različitim sredinama. Nakon prezentovanog teorijskog okvira koji tretira pitanje urbanosti (urbanity) kao vrednosnog sistema, ali i rokenrola kao lokalnog fenomena, ovaj rad sadrži kraću analizu specifičnosti lokalnog poimanja rokenrola i urbanosti na primeru novog talasa osamdesetih godina dvadesetog veka, a koja predstavljaju polazište i konceptualnu osnovu za dalje, opsežnije ispitivanje.

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Неумски кодекс Охрид бр. 53 у рукописној традицији XI века
4.50 €

Неумски кодекс Охрид бр. 53 у рукописној традицији XI века

Author(s): Vesna Sara Peno / Language(s): Serbian Publication Year: 0

The Sticherarion No. 53 from the National Museum in Ohrid is one of a few notated neumed monuments that belong to the Paleobyzantine period of musical literacy. It is dated at the end of the 11th — beginning of the 12th century, completely written in Greek. Originally, it was not exclusively intended for chanters. The neumes were added later, above the stichera automela. Concerning the notation type, Ohrid No. 53 belongs to the Coislin codex group. The most frequent neume signs suggest developed Coislin symiography. The analogy with the manuscripts dated later is also striking. Namely, there are apparent similarities between Ohrid No. 53 and Vindobonensis theol. gr. 136, which was written during the first half of the 12th century. The elements of so-called Round or Middle Byzantine notation are characteristic for both of the codices. Some of the great — or hyaeronomic signs are also present in the Sticherarion No. 53. The Ohrid neumed collection deserves its place among the family of codices from the second half of the 11th and first decades of the 12th century also for its liturgical text structure. Of special interest are those services indicating the possible Constantinopolitan origin of the collection. By indicating the typical paleographic features of Ohrid No. 53, its approximate position in the written musical tradition of Byzantium is determined.

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Kult początku a fascynacje wieku dojrzałego w literaturze i muzyce
4.50 €

Kult początku a fascynacje wieku dojrzałego w literaturze i muzyce

Author(s): Ewa Borkowska / Language(s): Polish Publication Year: 0

The late style is notoriously difficult to define, since for some creators, it correlates with the final period of their artistic activity, while for others, it begins much earlier. However, in both cases, it comes to signify artistic maturity and the mastering of a certain “grammar of creation,” discussed by George Steiner in his book. This philosopher and literary critic, who was also an expert on music, made numerous attempts at discussing “the dusk of the artistic endeavour” before arriving at the conclusion that what is crucial is the “cult of thebeginning,” the first notes of “the grammar of creation,” which function as an overture,marking the beginning of the work. It appears, then, that it is precisely in the “incipit” thatthe promise of the conclusion is located. The mature age can also manifest in the author’smastery of their artistic craft. The article includes numerous examples of fascinationwith the late style in poetry (William Shakespeare, John Donne, William Blake, ReinerMaria Rilke, James Joyce, Seamus Heaney, Gerard Manley Hopkins), as well as music andart (Roger Scruton, George Steiner, James Joyce). Zbigniew Herbert, Alfred Tennyson orWilliam Butler Yeats.

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Teoria i estetyka awangardy muzycznej drugiej połowy XX wieku
16.00 €

Teoria i estetyka awangardy muzycznej drugiej połowy XX wieku

Author(s): Zbigniew Skowron / Language(s): Polish

The book is devoted to the theoretical and aesthetic reflections of the three most eminent representatives of the musical avant-garde of the 1950s: John Cage, Pierre Boulez and Karlheinz Stockhausen. Based on their opinions, programmes and declarations, the author reconstructs the aesthetics of new music, in particular the views on works, artistic activities and perception. He presents the aesthetic awareness of Cage, Boulez and Stockhausen. The author analyses the concept of “musical avant-garde” in historical perspective.

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Drazí (III): Dopisy Bohuslava Martinů rodině v Poličce z let 1934 a 1935 / Dear All (III): Bohuslav Martinů´s Letters to his Family in Polička in 1934 and 1935
20.00 €

Drazí (III): Dopisy Bohuslava Martinů rodině v Poličce z let 1934 a 1935 / Dear All (III): Bohuslav Martinů´s Letters to his Family in Polička in 1934 and 1935

Author(s): Jaromír Synek,Gabriela Všetičková / Language(s): English,Czech

The monograph is the third volume of Bohuslav Martinů's correspondence with his family in Polička. It comprises 56 items of correspondence from 1934 and 1935. Although one-sided, as only letters sent by the composer were preserved, the correspondence contains Martinů's unique and authentic remarks on both his personal and his professional life, in which he shared his news, intentions, and opinions both with his closest relatives and, through them, to a broader circle of friends in Polička and Czechoslovakia. The Czech version provides a true diplomatic transcription of Martinů's manuscript letters and includes facsimiles of the correspondence. Comprehensive annotations give historical context. The monograph includes a parallel English translation.

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Jan Sztwiertnia (1911–1940) Człowiek i dzieło w setną rocznicę urodzin
4.50 €

Jan Sztwiertnia (1911–1940) Człowiek i dzieło w setną rocznicę urodzin

Author(s): / Language(s): Polish

The work is devoted to life and works by Jan Sztwiertnia (1911–1940), a composer,organist, conductor and teacher from Wisła. The very artist died at the age of 29 in theconcentration camp in Gusen, being at the edge of his career and having a composerscholarship by famous musicians in Paris for granted. An artistic value of his works washighly valued many a time not only in a regional dimension. The centenary of his birthdayin 2011 has become a pretext to organize many concerts, exhibitions and meetings.Also the publication in question is anniversary in nature as its aim is to recall the personof the musician slightly forgotten these days. The research on his life and artistic activityhave been conducted for several years in the Institute of Music at the University of Silesiain Cieszyn. The authors of particular articles in this book are people popularizing thecomposer’s works through their activity, making attempts to ascribe a fixed place in thehistory of the Polish music culture to him.

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Microphone Techniques In Stereo And Surround Recording
0.00 €

Microphone Techniques In Stereo And Surround Recording

Author(s): Adam Rosiński / Language(s): English

Sound engineering is one of the fastest-growing branches of music production. The need for a broad-based discussion on the issues constituting the art of sound engineering persists and loses none of its relevance, revealing that sound engineering should not be investigated only in the mathematical and physical context (musical acoustics) or the engineering aspect (signal processing and modification).Publications targeted primarily at musicians are few and far between, which is why the mutual understanding for different priorities which effectively concern the same issues faced by the engineer, the acoustician and the musician, seems to be a complex problem and the main concept explored in this publication.This book is intended for musicians or sound directors, but also acousticians and sound engineers wishing to learn how the musicians think. The monograph is also addressed to musicians who intend to record their material in the studio in the near future, but do not possess knowledge on studio construction, studio workflow or the art of recording. It seems important to familiarize the musicians with the reality that awaits them on the other side of the glass, thus fostering their responsibility for the work jointly produced by them – entering the studio – and the sound director.

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Dźwięki muzyki i dźwięki wojny
21.00 €

Dźwięki muzyki i dźwięki wojny

Author(s): Rufin Makarewicz / Language(s): Polish

The textbook consists of two parts. The first one, Sounds of Music (pol. dźwięki muzyki), was inspired by two lectures given for many years as part of the second-cycle (master's) course in acoustics at the Faculty of Physics at Adam Mickiewicz University in Poznań: Musical Acoustics and Environmental Acoustics. In Sounds of Music, we find a description of the phenomena accompanying the formation, i.e. generation, of waves carrying musical sounds. The second part of the book, Sounds of War (pol. dźwięki wojny), was written as a response to the outbreak of the Russian-Ukrainian war, when on 24 February 2022, alarm sirens and explosions replaced the sound of the wind and the splash of the sea. This section deals with the phenomena accompanying the transmission i.e. propagation of waves carrying the sounds of war.

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