Інтеграція сучасного мистецтва в культурний простір регіонів України

Author(s): Mykola Grigorovich Levchenko,Anatolii Fedorovich Forostian,Sergii Vladimirovich Kuznetsov / Language(s): Ukrainian / Issue: 3/2021

The purpose of the article is to study the peculiarities of the integration of contemporary art into the cultural space of the regions of Ukraine. Methodology. The general scientific methodology was widely used in the research, namely structural-functional, systemic, hermeneutic, axiological, semiotic research methods. The use of elements of structural-functional analysis was associated with the consideration of the object of study as a holistic system in which each element has its place and function in the structure. The scientific novelty of the proposed study is that this issue is not sufficiently covered by Ukrainian scientists and requires a thorough study. Conclusions. The challenge of modernity in Ukrainian society is particularly acute for the search for unifying principles that could become the basis for cohesion and fruitful interaction of different local (regional) cultures. It has been proven that the combination of cultural meanings and values inherent in each of them gives birth to a single field of cultural space. Evidence of the objectivity of its existence is the tendencies to convergence and integration of cultures due to the impact of globalization. Culture is the container of the most stable systems of socio-cultural meanings, universal values, acts as a form of existence and communication of people of different - past, present, and future - cultures, in other words, a form of dialogue and intergeneration of cultures. It is important to note that in the common cultural space are preserved only those values and ideals of local cultures that contribute to the development of society as a whole. The role of contemporary art in the peculiarities of the integration of contemporary art into the cultural space of the regions of Ukraine is assessed. It is noted that the main mission of cultural policy should be the spread of cultural norms, universal and national social ideals, as well as creating conditions for the full and harmonious development of the individual through preservation and involvement of cultural heritage (tangible and intangible), traditions and their actualization in modern life. Contemporary art is of particular importance in the implementation of this problem, and the cultural landscape is a physical and mental expression of the organization of space by man. It allows you to consider the cultural space locally, on the example of a particular region, in its relationship with a single culture. Thus, we can talk about the cultural landscape of the region, region, city, as well as an individual group or other community.

Інтермедіальність і проблеми інтерпретації вокального циклу «Коротка соломинка» Ф. Пуленка

Author(s): Iryna Leonidivna Vezhnevets / Language(s): Ukrainian / Issue: 39/2021

The purpose of the article is due to the need to study the peculiarities of the interpretation of the artistic texts of the vocal cycle of F. Poulenc on the poem by M. Karem "Straw" in the intermedial space. The methodology is based on an integrated approach using comparative, structural, interdisciplinary methods and narrative analysis to understand the psychological processes that arise when interpreting a vocal cycle, involves the inclusion of the problem of analysis in the space of art history and cultural discourse in an interdisciplinary context. Scientific novelty the scientific novelty lies in the fact that the vocal cycle of F. Poulenc was first investigated as a full-fledged semiotic space, a universal plane of the textual category of intertextuality, which, along with the specific characteristics of its sign system, conveys "figurative" information. Conclusions Analysis of philosophical, musicological, art criticism literature gives grounds to assert that the intermediality of vocal work is closely related to the concepts: "synthesis of arts", "narrative", "ekphrasis", "synesthesia", "suggestion", etc. F. Poulenc to poems by M. Karem “A Short Straw” is a full-fledged semiotic space that corresponds to the universal textual category of intertextuality, which, along with the specific characteristics of its sign system, conveys “figurative” information. The intermediality of vocal work is based on the interaction of artistic codes of various types of arts, as the formation of an integral poly art space in the cultural system. The combination of narrative and intermedial approaches to musical works is increasingly becoming one of the most relevant trends in modern musicology, the further development of the theory and practice of intermediality.

Інтерпретація коду Данте в мистецтві

Author(s): Olena Stalyevna Afonina / Language(s): Ukrainian / Issue: 4/2021

The purpose of the article is to study the interpretational possibilities of Dante's code in artistic samples of various types of art. Methodology. Methods of observation, modeling, comparison, analysis, and synthesis were used in the methodology of the work. The scientific novelty of the work lies in the fact that the analysis of interpretations of Dante's code on the example of fine art, computer games, cartoons, musical arrangement in a ballet performance is carried out. Conclusions. Dante's code is a kind of cultural code that contains common information. The observation method was applied to fix the perception of works of art in order to study Dante's code. Modeling and comparison methods allowed us to determine the features of Dante's code in different genres and types of art. In the history of the visual arts, Dante's code is interpreted both in the works of artists and becomes a creative process with a generalized content of D. Alighieri's works, but with the exact use of the code name (S. Dali). Comparing the use of Dante's code in computer games, cartoons, we state that in the visual arts and modern video series, Dante's code is reproduced in accordance with the content of D. Alighieri's works. In the history of music, in the musical design of a ballet performance, Dante's code is reproduced in a generalized form, where the reference to the name and title of D. Alighieri's works dominates. In the libretto of the Kyiv ballet of the same name, Dante's code is embodied in two appeals: to a love story and fragmentarily and generally to the work "The Divine Comedy". The musical series of the ballet "Dante" is not directly related to Dante's code, but there are attempts by the authors to find allusions, reminiscences in the music of composers (A. Dvořák, R. Wagner, Ezio Bosso).

Фильм в фильме

Author(s): Vyacheslav Vsevolodovich Ivanov / Language(s): Russian / Issue: 3/1981

Предварительные замечания о невырожденных знаковых моделях. Для сложившегося у нас направления семиотики, в частности, связанного с исследованием текстов литературы и искусства, существенно представление о произведении искусства (и искусства в целом) как модели. При этом имеется в виду понятие более широкое, чем то, которым пользуются, например, в структурной лингвистике, когда говорят о построении модели какого-либо объекта. В этом последнем случае речь идет о создании теоретической схемы (или соответствующего ей инженерного устройства, например, кибернетического), которая воспроизводит некоторые существенные стороны объекта. Так, под моделью языка имеются в виду некоторые правила, которые вместе со словарем (морфем, корней или слов) дают возможность строить некоторые из совокупностей высказываний, порождаемые и понимаемые говорящим на естественном языке. Вычислительная машина, в которую введены соответствующие правила, могла бы рассматриваться как действующая (или инженерная) модель языка (на создание этой модели были в последние десятилетия направлены усилия многих лингвистов). При этом не предполагается, что модель языка (или любого другого объекта, например, человеческого мозга или коллектива), которая строится наукой, должна отражать все особенности изучаемого объекта. Наоборот, ученые при построении каждой данной модели сознательно себя ограничивают, считая, что в модели могут отражаться лишь некоторые стороны объекта, другие же его черты, с данной точки зрения несущественные, сознательно отбрасываются (прямой перенос подобных взглядов на понимание литературы вел бы к ориентации прежде всего на изображение в ней некоторых типов).

Філософсько-музикознавчі підходи до вивчення архетипів як «спів/буття»

Author(s): Severinova Marina Yuriivna / Language(s): Ukrainian / Issue: 23/2013

In the article on music and philosophical approaches to the study of the phenomenon of «archetype» in terms of its event/occasion existence. Archetypes are investigated in the context of a semiotic system. Determined the event/occasion essence archetypes in music at various levels.

Фраземы с колоративным компонентом в методике преподавания русского языка как иностранного

Author(s): Nadya Cherneva,Boryana Tencheva / Language(s): Russian / Issue: 4/2020

The article is devoted to the Russian phrasemes with a colorative component as a means of forming linguo-cultural competence and developing emotional intelligence during the process of teaching Russian as a foreign language. The phraseological units as a linguistic and cultural sign always evoke strong interest among linguists and also the neophrasemes further enrich the lexico-phraseological system and conceptualize reality through emotional images. The main focus of the research includes analysis of the expressional and emotional characteristics of the phrasemes mentioned above. The article is interdisciplinary: it reveals a structural-semantic typology, as well as a system of exercises that can be involved in the teaching process when developing the listening, reading, writing and speaking on level B1-B2 in accordance with the Common European Framework of Reference for Languages.

Фразеологизмът като стереотип (Бележки върху етнолингвистичния подход на Й. Бартмински)

Author(s): Yana Sivilova / Language(s): Bulgarian / Issue: 17/2019

The article presents the key principles of the Polish Ethnolinguistic School. The author outlines the main achievements of the scientific approach, used by J. Bartminski and his followers. Special attention is devoted to the development of the term stereotype and its application in description and reconstruction of folk tradition. The advantages of examining the phraseological unit as a stereotypical combination of words in contemporary language are also discussed.

Фразеологические единицы с цветовыми компонентами кара ‘черный’ и кызыл ‘красный’, характеризующие физиологическое состояние человека, в алтайском языке

Author(s): Arzhana Majzina / Language(s): Russian / Issue: 02 (9)/2013

The article deals with the study of phraseological units containing colour names kara ‘black’ and kyzyl ‘red’ and characterizing physiological state of a person in the Altai language according to the linguistic and culturological approaches. The article gives the analysis of a constituent role of colour naming when representing various human functional senses and states.

Функции и категории языка кино

Author(s): V. V. Ivanov / Language(s): Russian / Issue: 1/1975

Проблема языка кино, поставленная еще классиками нашего кино а кинематографической мысли, в настоящее время подвергается оживленному обсуждению. Прояснению связанных с ней вопросов может способствовать как сопоставление с языками других искусств и с другими способами передачи информации, так и осмысление творческого эксперимента фильмов последних лет и тех им предшествовавших кинолент, где давно уже была предвосхищена постановка этой проблемы как стержня самого фильма (например, в нашем кино у Дзиги Вертова и Л. В. Кулешова).

Функции метафоры в инновационном процессе на лексико-семантическом уровне русского языка

Author(s): Vanya Ivanova / Language(s): Russian / Issue: 1/2021

The article examines the nominative and the characterizing functions of metaphors in the innovation process at the lexical and the semantic levels of the Russian language at the beginning of the 21st century. It also discusses the manifestation of the metaphorical function in the emergence of semantic innovations on the basis of metaphorization, as well as in the integration of foreign language semantic elements with metaphorical grounds. The simultaneous manifestation of these two functions in the nomination and characterization of the newly-emerged realia at the beginning of the 21st century is traced as well. The function of metaphorical nomination is also considered in connection with the spheres of dissemination of semantic innovations.

Функционални и стилистични контексти на етимологичната фигура „град градя” в българския песенен фолклор

Author(s): Nadelina Ivova / Language(s): Bulgarian / Publication Year: 0

This article reviews the contextual and poetic features of the etymological figure grad gradya in Bulgarian folklore texts. The usage of grad gradya is related mainly to three folklore motifs. The rhetorical device is symbol of community, symbol of new world order and symbol of virginity. The article describes the rhetorical convergence between the etymological figure and other rhetorical devices, such as assonance, anaphora, epanaphora, inversion etc. This combination is used to enhance the impression on the listeners/ readers.

Функция реминисценций в поэтике А. Блока

Author(s): Zara Grigoryevna Mints / Language(s): Russian / Issue: 1/1973

Проблема цитаты в художественном тексте - часть проблемы «чужого слова». ««Чужое слово» мыслится говорящим как высказывание другого субъекта, первоначально совершенно самостоятельное, конструктивно законченное и лежащее вне данного контекста. Вот из этого самостоятельного существования чужая речь и переносится в авторский контекст».

Функция характеризации в настоящем времени

Author(s): Michel Paladian / Language(s): Russian / Issue: 2/2003

This article is devoted to a field in cognitive and semantic analysis where stylistics and grammar meet: it concerns the function of characterisation in the Present tense. In general, linguistic works, which are devoted to the Present tense, take into account only the time and the aspect. However, from a point of cognitive view, the values of the Present are not limited to the Verb; they also relate to the values of the Adjective. We must thus take into consideration not only the Time conceptualisation (time features), but also the Space conceptualisation (space features). We know, since Davidson, how the event, which the Verb represents, can be broken up into phases; it is to the one of these phases that the function of actualisation is attached. Actualisation is parallel to the function of characterisation specific to the Adjective. As such this phase seizes, retains and assimilates entities and processes of the world in their instantaneous appearance. This cognitive operation can also be analyzed on another level: on the level of visual work.

Христианские образы и мотивы в кижских сюжетах русской прозы 1960 — начала 1970-х гг.

Author(s): Nataliya Leonidovna Shilova / Language(s): Russian / Issue: 3/2021

The article presents an analysis of Christian topics in prose works about the island of Kizhi. Methodologically, the study combines the approaches of studying the local text that have already become conventional, with the principles of historical poetics, bringing back the possibilities of diachronic analysis. This allows to take into account both the timeless semantic constants of the Kizhi Island image in literature, and the intellectual context of late Soviet literature, which is now attracting the attention of many researchers. 1960–70s are the period when the largest number of texts about the island appeared. The article offers a classification of the Christian topoi in the texts of that period. Three works by different authors are considered in more detail (Yu. Kazakov’ short story Adam and Eve, I. Mazuruk’s short story Kizhi, and V. Pul’kin’s book The Kizhi Tales), in which the Christian topic is represented both explicitly and implicitly — in the images of the church, icons, biblical story about Adam and Eve, gospel images of the apostles. In Soviet prose and poetry, the primordial religious meaning of Christian topoi is most often concealed in the subtext. The depiction of Christian symbols is ambivalent and requires legitimization: through folklore, through the theme of historical memory, dialogue of the past and present, etc. This kind of ambivalence clearly illustrates the complexity of the intellectual and spiritual atmosphere of the Thaw and the contradictory attitude of Russian literature towards the Christian traditions.

Християнското светоусещане в лириката на Атанас Далчев

Author(s): Kamen Rikev / Language(s): English,Bulgarian / Publication Year: 0

This article focuses on the Christian interpretation of Atanas Dalchev's poetry, which would reveal not only to the abundance of religious images and motifs of the critical reviews of Dalchev's poetry in Bulgaria is offered, as well as a definition of Christian outlook in modern art and concrete works of Dalchev containing key Christian concepts.

Художественная структура стихотворения А. Блока «Пляски осенние»

Author(s): S. I. Bernshteĭn / Language(s): Russian / Issue: 1/1973

Основной текст стихотворения, равно как и варианты (кроме ст. 6-го, 2-го и 44-го), приведен по второму тому Собрания сочинений Александра Блока в восьми томах, М.—Л., ГИХЛ 1960 и сверен со всеми прижизненными изданиями (из которых извлечены указанные дополнительные варианты ), а именно: 1) Ж урн. «Золотое руно», 1906, № 6; 2) Александр Блок. Нечаянная Радость. М., изд. «Скорпион», 1907; 3) Александр Блок. Собрание стихотворений. Книга вторая. Нечаянная радость, изд. 2-е, М., изд. «Мусагет», 1912; 4) Александр Блок. Стихотворения. Книга вторая, изд. 3-е, М., изд. «Мусагет», 1916; 5) Александр Блок. Стихотворения. Книга вторая, изд. 4-е, П., изд. «Земля», 1918.

Художественное творчество, функциональная асимметрия и образные способности человека

Author(s): Vyacheslav Vsevolodovich Ivanov / Language(s): Russian / Issue: 1/1983

Современные исследования связи языка и мозга (нейролингвистика, нейросемиотика, нейропсихология) позволяют различить две основные формы мыслительных процессов: логически - языковые, с одной стороны, образные (среди них и музыкальные, и зрительные, в том числе и цветовые), с другой. Соотнесение первой формы преимущественно с речевыми зонами левого (доминантного) полушария мозга, второй (в частности, и восприятия музыки) - с правым полушарием является врожденным и обнаруживается уже у новорожденных. Детские впечатления, бессознательно запечатлевающиеся до усвоения ребенком языка, имеют особое значение для позднейшего образного мышления. Отсутствие речевого общения с ребенком может привести к атрофии нейронов речевой зоны мозга (после пяти лет ребенку трудно, если не невозможно, научиться родному языку в полном объеме). Существует и оптимальный возраст для начала обучения музыке. Если он пропущен, человек оказывается способным в лучшем случае говорить о музыке, но не ощущает ее непосредственно. Музыкально образованные люди, научившиеся логически думать и говорить о музыке, воспринимают ее и левым полушарием.

Частеречная трансформатсия как троп современной поэзии (взаимодействие рефлексов бывшего перфекта)

Author(s): Ljudmila Zubova / Language(s): Russian / Issue: 1/1999

Частотный словарь «Стихов о Прекрасной Даме» А. Блока и некоторые замечания о структуре цикла

Author(s): Zara Grigoryevna Mints / Language(s): Russian / Issue: 1/1967

В последнее время не только все чаще высказывается мысль о важности составления частотных словарей художественных текстов, но и действительно сделан ряд такого рода словарей. Интерес к ним - одно из свидетельств характерного для современного литературоведения стремления преодолеть «гуманитарный» субъективизм, найти способы более строгого и однозначного описания явлений искусства. С этой целью составлен и настоящий словарь.

Числовые комплексы в ранних упанишадах

Author(s): Alexander Syrkin / Language(s): Russian / Issue: 1/1969

Особенности употребления отдельных числовых комплексов дают незаменимый материал для изучения специфических черт соответствующих культур в их естественно-научных, этических, социальных воззрениях и могут служить одним из критериев при более широких сравнительно-типологических исследованиях (отличительные черты определенных культов, закономерности научного и художественного видов творчества и т. д.).