“ENGEL PHARMACY “LA CORÓNA”, NEAR THE GATE OF THE ROYAL COURT, JASSY”

Author(s): Ana-Maria Gruia / Language(s): English Issue: 2/2021

The paper reconstructs the history of the 19th-20th-century Engel pharmacy in Iaşi starting from a lot of items preserved in the History of Pharmacy Collection in Cluj-Napoca. The lot includes numerous drug jars, measuring cups, apothecary working tools, financial documents, prescriptions, correspondence, and various other documents, some of which were recently identified during the renovation of the pharmacy museum in Cluj. The analysis allows one to see the transformation of pharmaceutical practice in Moldavia and Romania between the end of the 19th century and the Second World War and to reconstruct the history of a successful family business.

“Only this Theatre, Faithful and True, Can Preserve the Distinctive Identity…”

Author(s): Eva KUMINKOVÁ,Ilona VOJANCOVÁ / Language(s): English Issue: 4/2021

This article explores the complex role played by the staff of open-air museums in the Czech Republic, their relationship with the communities they work with, and their impact on the intangible cultural heritage outside the museum gates. It further explores the considerable role played by researchers active in policy making at open-air museums. The position of open-air museums is rather intricate from the perspective of communities and the state administration, with many different roles and tasks that allow and sometimes even encourage open-air museum employees to transform heritage rules or create new ones. Our conclusions are based on several case studies illustrating how the staff of Czech open-air museums build their relationships with communities, groups and individuals and how this collaboration effects the safeguarding of the intangible cultural heritage. Ethical issues related to museum interpretation and perceptions of interpreted elements by the public are also discussed.

“The Charm of the PRL”. Memory Culture, (Post)Socialist Nostalgia and Historical Tourism in Poland

Author(s): Agnieszka Balcerzak / Language(s): English Issue: 2/2021

The article explores the mechanisms of memory culture and the commercialization of the socialist heritage from the period of the People’s Republic of Poland (PRL) (from 1945 to 1989) as a tourist destination, societal practice and cultural resource in today’s Warsaw. At the intersection of heritage studies, historical tourism and material culture, the ethnographic analysis focuses on three empirical case studies as examples of the commercial popularization of the history of the PRL. These are the communist heritage tours offered by WPT 1313 and the documentation of the socialist heritage at the Museum of Life in the PRL and the Neon Museum. These commodified products of Warsaw’s tourism and entertainment culture fill a gap in the tourist market, based on the prototypical, nostalgic longing of tourists for a sensual and emotional experience of the “authentic past”. This predominantly participant observation-based ethnographic study on the practices, spaces, images and agents filling this touristic niche, illustrates how they create sensual-emotive, aesthetic and performative fields of reifying, discovering and experiencing the socialist past. Finally, the paper focuses on how these polyvalent mechanisms shape the tourist infrastructure of Warsaw oscillating between critical distancing and entertaining appropriation of the socialist heritage.

„Acta Carpatica". Anuarul românilor din sud-estul Transilvaniei

Author(s): Anton Coşa / Language(s): Romanian Issue: XLIV/2015

Review of: „Acta Carpatica". Anuarul românilor din sud-estul Transilvaniei, I, Sfântu Gheorghe, Editura eurocarpatica, 2014, 858 p.

„Jednotlivci, ale aj celé národy, ktoré sa nepoučia „zo svojej histórie“ sú odsúdení na zabudnutie.“

Rozhovor s historikom Ðurom Hardim

Author(s): Đura Hardi,Miroslav Huťka / Language(s): Slovak,English Issue: 1/2022

Interview with Ðura Hardi by Miroslav Huťka.

ФОРМЫ И СЛЕДСТВИЯ МУЗЕЕФИКАЦИИ МАЛОГО ГОРОДА: КЕЙС МЫШКИНА И КАРГОПОЛЯ

Author(s): Lyudmila Aleksandrovna Maksimova / Language(s): Russian Issue: 5/2014

In recent decades the proliferation of museums and the transformation of their activities have become the subjects of debate in the western research. However, there are few studies aimed at understanding of museumification process in Russia. The study of the phenomenon of museumification is relevant due to orientation of the province at tourism development as the means of regional development. The author analyzes the role of museums in the local community and in the attraction of tourists and describes the changes in urbane space and temporal order of social life as the effects of museumification of Russian small towns. On the base of empirical observations the author emphasizes the most significant forms of museumification and defines the limits of this process: everyday practices and the difficult past seem to be its impediments. The research is based on the data collected during the field work in the towns Myshkin and Kargopol.

Фотографијата - приказна за животот

Author(s): Slavica Hristova,Tatjana Gorgiovska,Aleksandar Zdravev / Language(s): Macedonian Issue: 11/2005

The Мuѕеuт of the city of Skopje consists very rare Collection of photographs, presenting the culture hеritаgе of the city of Skopje and rural area. Part of the photographs are originals produced at the beggining of the 20th century. The most of the photographs are from period between the two World wars (1918- 1941 ). Collecton of photographs consists over 1000 photographs.They depict diferent parts of the town, the old bazar, streets, stores, public buildings, individual houses, monuments, citizens, fаmillу portraits, city fashion, hollidays, сulturаl life, fun, spiritual and sport life. Pictures from the rural area in Skopje region, represents material culture: houses, есоnоmу buildings, village cellebrations, fаmilу cellebrations, national dresses and village реорlе.

Характеристика педагогічного спілкування і його значення для формування корпоративної культури тележурналістів

Author(s): Olena Mykolayivna Kosinova / Language(s): Ukrainian Issue: 4/2019

The purpose of the work is to reveal the essence of the process of introduction of corporate culture in the system of aesthetic orientation of professional training of TV presenters. The research methodology involves a comprehensive approach with the use of analytical, systematic, and comparative methods, which makes it clear that the ideal of art education needs a meaningful content, creating optimal conditions for corporate culture in the system of aesthetic life of students of higher education and arts. The scientific novelty of the work lies in updating the concept of corporate culture in the context and in connection with the formation of professional training of broadcasters. Conclusions. As a result of the conducted research it is established that in the conditions of creative higher education the implementation of the aesthetic orientation of professional training of students is carried out by forming the personality of the artist with harmoniously combined professional, moral and aesthetic, psychological qualities and is provided with purposeful educational activities. The most important aesthetic qualities in the process of forming the corporate component of the aesthetic preparation of future TV presenters are the following: respect for the history, culture, dignity, ethical ideals of each people; interest in the national language, customs, traditions, as well as feelings of mutual tolerance and delicacy as to the national "other" mentality, spiritual values, and carriers of another culture and opinions that do not coincide with one's own.

Характерні особливості становлення і розвитку скансенів в Україні н початку ХХІ ст.: культурно-дозвіллєва складова

Author(s): Yulia Stanislavivna Borysenko / Language(s): Ukrainian Issue: 41/2018

The purpose of the article highlight the process of formation and development of Skansen in Ukraine, at the beginning of the XXI century. The methodology consists of applying the method of source study analysis of the leading publications on the topic (to determine the level of scientific development of the problem), terminological analysis (to clarify basic concepts), comparison (to identify the characteristic features of different stages of development of Skansens), theoretical generalization (to formulate conclusions). The scientific novelty is to highlight the process of forming Skansens in Ukraine at the beginning of the XXI century and showing cultural and leisure components of their activities. Conclusions. The formation and development of Skansens at the beginning of the XXI century occurred throughout Ukraine evenly. At the present stage, the material and spiritual culture of almost all the ethnographic regions of Ukraine is represented by the justification of architectural monuments in the museum institutions by the sky. The period under review is characterized by the discovery of privateowned Skansens, which was supported at the legislative level. However, most of the based Skansens could not fully realize all the planned activities for lack of funding.

Характерні особливості та функції фольклорних фестивалів

Author(s): Yuriy L. Afanasyev,Svitlana Y. Chernetska / Language(s): Ukrainian Issue: 4/2011

The article is based on an analysis of several foreign and national folk festivals defined characteristics and functions inherent in this type of index.

Хидролошко наслеђе – нови правац у хидрологији и геонаслеђу

Author(s): Srđan Belij,Ljiljana Gavrilović,Sava Simić / Language(s): English,Serbian Issue: 4/2010

Until recently hydrological heritage has practically existed in science neither as an idea nor a subject. Definitions of the main terms, general classification of hydrological heritage, as well as expanded classification of hydrological heritage of Serbia are presented in the paper which is the starting point needed for further determination of new direction in hydrology and geoheritage. The paper has also pointed to the key reasons for the previous unfavourable status of hydrological heritage and its scientific and national significance, as well as the necessity of its existence and complex development.

ХОРСКО ПЕВАЊЕ КАО НАЧИН ОЧУВАЊА КУЛТУРНО-НАЦИОНАЛНОГ ИДЕНТИТЕТА СРБА СА ДАНАШЊЕ ТЕРИТОРИЈЕ РУМУНИЈЕ

(Студија случаја: српски градски хорови 1836–2020)

Author(s): Deian Popov / Language(s): Serbian Issue: 7/2021

The Serbian ethnic community in the present territory of Romania proudly nourishes a long and rich tradition of choral singing, which spans from 1836 continuously until nowadays. Initiated with the initial purpose of embellishing the church services, it quickly developed and became richer, carrying along a national component reflected mainly, but not exclusively in the repertoire. Choral singing thus became a means of preserving the cultural and national identity throughout the times, following the current geo-political contexts. The present article analyzes this phenomenon by looking at the repertoire and the overall activity of Serbian choirs in urban areas of today’s Romania.

Хранители и власти: охрана и реставрация имперской столицы в сталинский период

Author(s): O. Yu. Malinova-Tziafeta / Language(s): Russian Issue: 27/2019

The article analyzes the book Saving Stalin’s Imperial City: preservation Restoration in Leningrad, 1930–1950 by S. M. Maddox. The — Bloomington: Indiana University Press, 2014. — XII, 284 p. Since the 1930s the architectural heritage of the former capital of the Russian Empire was actively used for ideological and mobilization purposes: — to fight fascism, to rebuild the city after the blockade, and to create the memory of the Great Patriotic War and the Blockade. The case of preserving monuments as such was first delivered only in Stalin’s time. Before the Revolution, the state did not invest in restoration, and there was no legal framework obliging owners to do so. The work of city defenders on the evacuation and preservation of historical monuments during the war is also discussed; post-war cooperation of authorities and “guardians” in the restoration of Leningrad; mobilization of the population by using the idea of complete restoration of the pre-war urban landscape; the possible fate of the monuments of Leningrad in the case of the capture of the city by the fascist troops; the establishment of official memory of the Blockade, captured in the urban landscape (monuments, memorial plaques, etc.) and the so-called “Leningrad text”; and finally, the disintegration of the alliance between creating a memory of the Blockade and the restoration of old imperial Petersburg as a result of tightening political course in the late 1940s and the start of the cold war.

Хроника

Author(s): Vladimir V. Mihajlović,Vladimir D. Mihajlović,Ivan Vranić,Marko Janković / Language(s): Serbian Issue: 3/2012

Vladimir V. Mihajlović - Međunarodni naučni skup Nedelja osmanskog nasleđa. Filozofski fakultet – Zavod za proučavanje kulturnog razvitka. Beograd, 07-11. novembar 2011. Vladimir D. Mihajlović, Ivan Vranić, Marko Janković - Međunarodna naučna konferencija Fingerprinting the Iron Age: Approaches to identity in the European Iron Age. Integrating South-Eastern Europe into the debate. Magdalene College Cambridge – Mcdonald Institute for Archaeological Research – University of Cambridge, 23-25. 09. 2011. godine.

Хроника

Author(s): Ljubica Milosavljević / Language(s): Serbian Issue: 1/2012

Ljubica Milosavljević - Prva godina (2011) realizacije projekata Odeljenja za etnologiju i antropologiju Filozofskog fakulteta Unverziteta u Beogradu koje sufinansira Ministarstvo kulture, informisanja i informacionog društva RS

Художнє життя Катеринослава на початку ХХ століття

Author(s): Olena Svetlichna / Language(s): Ukrainian Issue: 1/2011

There is complex analysis of Katerinoslav-Dnipropetrosk artistic life at the beginning of XX century, which has been revealed during the process of common art life’s development.

ХУДОЖНІ ГАЛЕРЕЇ І ВІЗУАЛЬНЕ МИСТЕЦТВО НОВІТНІХ ТЕХНОЛОГІЙ

Author(s): Vadym Mykhalchuk / Language(s): Ukrainian Issue: 1/2014

The article is the review of Ukrainian art-galleries activities in the area of modern visual art of the newest technologies during the last twenty years of Independence.The contemporary Ukrainian visual art is in the difficult state nowadays. An economic crisis resulted the decline of purchasing power of consumers of artistic works. The lack of budgetary facilities of the Ministry of Culture of Ukraine for the last four years does not conduct the public purchasing of the Museum fund. Money lasts the realization of two-three all-Ukrainian exhibitions barely. The number of participants of exhibitions narrows from year to year. The art of the newest technologies that arose up in an epoch of postmodernism appeared in the worst state. These directions are realized exceptionally outside state artistic museums in the non-state galleries due to sponsor support and foreign underbacks. An art-gallery is a multifunction organism, and at the same time it is an experimental ground, where approbation of experiments of the newest technologies takes place. Art-galleries actively react on the requirements of time, try to be flexible in a capture principles of co-operation of different forms of modern art with the newest technologies in creation of new visual and virtual forms of visual art.A vanguard art wants active and aggressive influence on public through the real transformation of reality, through creative transformation of environment, however exactly in postmodernist times presentation of artistic practice in public space becomes integral part of artistic organism. Him it may consider a visual symbol "ready-made", that comes forward as a valuable constituent in all directions of visual art of the last century – installations, objects, environments, performances, happenings, actions and other art-practices.Art of today – considerably more many-sided, more various and more representative, than in previous time. Artistic practices in Ukraine have the sign features, specific of the use and transformation of quotations, and also its own historical context. In relation to the last, the Ukrainian school of painting (in different regional displays), the followers of that are most modern artists, plays the dominant role here. Installations, performances, environments, created by first-class artists, carry in itself the imprint of traditional aesthetics at the level of genetic koda, but usually absolutely consciously.Founded in 1993 in Lviv Artistic Association "Dzyga" unites artists, writers, public men, businessmen for the sake of creation of various cultural projects and objects (clubs, festivals, media-projects, and others like that). From the very day of its founding "Dzyga" positioned itself as aesthetic establishment with accenting on the newest artistic technologies. The ideological and physical center of "Dzyga" is her gallery in Lviv. In its surroundings a cult cafe-club "Doll", studio of the audio recording and video studio, cafe "Under Clepsidra", antique shop, library of "Thursday" and at the same time editorship of this magazine, get along in the person of G. Izdrik. But the most important are the team and ideas."Dzyga" shows the special ingenuity in the genre of performance, and among the most sign personalities in the gallery, indisputably is V. Kaufman. The idea of the only in Ukraine annual festival "Days of Art Performance in Lviv" exactly in Lviv was successfully realized. The festival connected "School of Performance", meetings with artists, lectures, videoshows, implementations of performances, the authors of that are both well known masters and representatives of young generation of performers from different countries.Visual art of the newest technologies, performance, in particular, develops in modern Ukraine exceptionally in non-state institutions, and among them the Lviv gallery "Dzyga" is the leader.In Ukraine of gallery are not only commercial institutions, but mainly organizations that carry on in a civilized manner-elucidative activities and participate in various social, noncommercial projects. Carrying out scientific, communicative, expert, collection, commercial, advertisement and other functions, art-galleries are, engaged in actual directions of modern art and determine the vector of its development. They introduce modern visual art to spectators, bringing up their artistic taste, study and keep the most meaningful creative achievements of modern art for future generations.During the years of Independence of Ukraine gallery activities got considerable development, and accordingly, influence on modern creative process in the country.

Художня освіта в науково-технічному музеї

Author(s): Valentyna Illivna Batalkina / Language(s): Ukrainian Issue: 40/2018

Purpose of the Article. To outline the activities of fine arts expert at the scientific and technical museum, who conducts classes in fine art and music. The research aims to analyse the process of incorporation of the history of art, science and engineering at the modern museum in the context of improvement of professional training of the teaching staff of museum experts. To explore the problems of establishment and development of a ten years activity of Zaporozhye Museum gallery of applied ceramics and artistic creativity of Ilya and Alexey Burley, where the lectures “My profession is an engineer of technical creativity”. Also, the article defines a creative approach to the study of the history of art of science and engineering at the museum. The methodology of the study consists in the combination of art studies method, concrete-historical, logical-analytical and historical-cultural methods. Scientific Novelty. For the first time, the activity of museum expert at the modern regional museum of the technical profile is analysed. The issues of inclusion of museum exhibitions in the process of transfer of cultural values, which form the principles and methods of museum pedagogics, are outlined. The technological conditions of transfer of cultural values using artistic methods as an example of art creativity of A.P. Burley have been studied. Conclusions. The analysis of art study methods used for realization of the author’s project “Museum and school” which has been realized since 2010 and is designed for ten years (2010-2020) gives grounds for exposure of influence of art study methods on the development of the creative potential of a personality or the groundwork of new creative thinking. The project has been realised at the museum-gallery established at the beginning of the XXI century with the aim of preservation of historical inheritance in art study and museology. The groundwork of the project is the preservation of the artistic culture of the region. The process of historical formation of museum exhibitions, growing interest for the conservation of cultural heritage of the Ukrainian people, remembrance of the past today gains an impetus as a significant cultural and artistic potential. The problem of the graphic and creative content of museum exhibitions at the regional museums of the technical profile of Ukraine calls for additional research.

ЦИФРОВІ ПРОЄКТИ ЯК СКЛАДОВА КУЛЬТУРНОПРОСВІТНИЦЬКОЇ ДІЯЛЬНОСТІ ОДЕСЬКОЇ НАЦІОНАЛЬНОЇ НАУКОВОЇ БІБЛІОТЕКИ

Author(s): Iryna Biriukova / Language(s): Ukrainian Issue: 31/2020

At the modern stage of development of cultural and educational activities of libraries, the introduction of innovative forms of work with the use of information and computer technologies has significantly intensified. The main activities of Odessa National Scientific Library, which is one of the leading cultural, educational, scientific and information institutions of Ukraine, are customer service, information activities, the formation of documentary resources and their preservation, socio-cultural activities, research, cooperation with domestic and foreign libraries, research and educational institutions, international library cooperation and others. Each of these areas is to some extent fulfilled through digital projects implemented with the use of computer information technology, and match all the main functions of socio-cultural activities, which include information, cognitive, cultural and educational, communicative and organizational, practical, entertaining, aesthetic, creative, relaxing, etc. Among the most effective digital projects are projects of web portal development (odnb.odessa.ua), project sites "Virtual Museum of the History of the ONSL", "Digital collection of ONSL publications", "Digital Library" Treasures of Ukraine "," Old Engraving ", a virtual exhibit of new arrivals, an electronic catalog, collections of databases on local lore, and ONSL content on social networks are also very popular. Thanks to these projects, ONSL actively implements and develops virtual services, trying to provide information, research, educational, cultural and other needs of library users by means of information and telecommunication technologies, in particular: • provides online a significant array of information about the composition and structure of library collections through the reference and search engines of electronic catalogs; • ensures the functioning of the web portal and the 24/7 availability of e-library, digital collections, in particular, digitized documents from the library, which strengthens Ukraine's integration into the European and world information space, including worthy representation of the historical and cultural heritage of Ukraine; • promotes digital resources of libraries, archives, museums of Ukraine and the world to help scholars and educators; • provides reference assistance in finding and selecting sources of information through virtual reference services; • accepts and completes orders for electronic delivery of documents, • accepts and completes orders for indexing documents according to UDC system; • organizes and implements a significant number of online projects aimed at meeting research, educational, cultural and other needs of citizens; • promotes the acquisition of digital literacy skills, the use of digital data; • studies and makes available new ideas online, practices initiated in library institutions during quarantine period, information on best international practices; • actively communicates with users and colleagues on social networks.

Четене на романа на Димитър Димов „Тютюн“ на различни езици

Author(s): Milena Katosheva / Language(s): Bulgarian Issue: 5/2018