K budúcnosti architektúry moderného hnutia
Adaptive reuse. The Modern Movement towards the Future. Proceeding from docomomo 14th international conference; DOCOMOMO international; Modern movement architecture
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Adaptive reuse. The Modern Movement towards the Future. Proceeding from docomomo 14th international conference; DOCOMOMO international; Modern movement architecture
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Osmanlije [Osmanli], Islamskadinastijakojajepocelavladati Anadolijom 1281; u svojim najvecim granicama tokom 16. stoljeca Osmansko carstvo obuhvatalo je Balkan, Krim, Irak, Siriju, Hidzaz, Egipat i Sjevernu Afriku. Trajalo je do proglasenja ustava Republike Turske 1924.
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The article attempts to clarify the place and role of Marxist methodology in the creative works of MM Bakhtin. Through analysis of the application of this method to study the aesthetic and literary perspective, the paper thesis distancing bahtinskoyi version of Marxism from its official version, presented primarily in debased forms.
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The object of attention is the Mannerism in his two local variants – English and Spanish, with the most complex consistency and dynamic of evolution, due to the geographical features of the transformation aspect in the first case and due to the specifics of the religious situation - in the second case.
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Made an objective analysis of the structural characteristics of cultural and artistic environment as a factor of socialization creative person on the basis of cultural, philosophical, artistic, aesthetic studies the phenomenon of culture and art.
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Strategical directions in the system of art education of XXI century in the context of development of national education, culture and science of Ukraine are highlighted. Art education is observed as the complete historical and cultural phenomena, which is characterized by original cycles. That is why constant growth, integration and renewal are foreseen by the art education. Nowadays modernization of the system of education of XXI century needs preparation of pedagogical scientific staff in the context of personal development on the basis of humanistic and culturological approaches so as the approaches.
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Article describes ways of organizing the concert of artistic educational establishments that were founded during the twentieth century. Described the work of some creative teams that were formed and continue to function on the basе of these institutions. Their role is determined in artistic life of Ukraine.
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The authors of this article investigates the processes of distribution socially engaged art in the Ukrainian culture situation. Semantics of new tendencies in art is traced both by the example of the Ukrainian actual art practices.
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Article’s author touches upon the problem of art-esthetic culture general level deterioration among modern student youth, and offers one of the possible aspects to overcome it – broadening of culturologic direction in the structure of humanitarian subjects, recognition of priority model of humanistic-oriented future specialist’s preparation for any profile, which would in a way guarantee person’s valuable attitude to the surrounding reality and to himself as Personality.
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The research of the myth poetics in contemporary Ukrainian fine arts demands election of principle of regulation of empiric material. Traditional criterion of typology of myth poetical forms by the plot shows non-conformity as to researching of contemporary art. Analysis of this question is a foreword to the problem of myth as the aesthetic category and is firstly considered in context of postmodern problems.
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In the article determination and interpretation of such sociokul'turnogo phenomenon is given as sainted. On the basis of linguistic, historical, ethnographic material analysed Sainted.
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In the article neofolklorism features of the vocally instrumental art on examples of ethnogroups and ethno-festivals are considered. Interpretations of the notion “neofolklorism” by various 137 scientists are noted. Conclusion about influence of the folklore on the art and use the folklore by artists up-to-date is made.
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The article analyses a folklore and festival movement in contemporary Ukraine. It defines place and role of public organizations in its formation.
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In the article is analysed collection of works of artists - novakivciv from the funds of Kolomiya’s museum of folk art of Gucul'schini and Pokuttya; history of forming of collection is reflected; certainly time and place of these works in creative biographies of artists.
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In this article, an attempt is done, to compare a few theoretical positions of А. Bergson and J. Maritain, an analysis is done conception of these philosophers on development of literature and Art.
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Ukrainian ombudswoman says hunger-striking prisoner needs urgent hospital care.
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