Поэтический и образный строй стихотворения Е.Л. Владимировой «Я всего лишь тюремный поэт...»

Author(s): Cheslav Antonovych Girbachevsky / Language(s): Russian / Issue: XXI/2019

This article analyzes one of the poems written by the Russian poetess Elena Vladimirova. The author protests against prisons and hard forced camps systems established by Joseph Stalin, in which Elena Vladimirova spent more than eighteen years. We focus on such features of the poem as a poetic and figurative system and images-sym-bols, time and space, and two main “points of view”: “the supervisor’s estate” and “the slave’s estate”. The conclusions of the analyzed poem may initially seem unexpected: the boundaries between freedom and imprisonment are very unstable and subtle in the totalitarian state.

Поэтическое воспроизведение комедии Грибоедова Горе от ума в романе в стихах Пушкина Евгений Онегин и в романе Тургенева Рудин

Author(s): Katalin Kroó / Language(s): Russian / Issue: 1-2/2005

The paper (originally a chapter in a book published in Hungary, extensively investigating into the system of intertexts of Turgenev’s novel, Rudin – cf. Budapest, 2002) raises the problem of the intertextual poetics of Turgenev’s prose fiction as represented in his novel, Rudin. As elements of the intertextual system of this novel, on the one hand, Griboedov’s comedy, Gore ot uma, on the other hand, Pushkin’s novel, Evgenij Onegin are examined in detail from the specific point of view of how these literary works are creatively built into the semantic world of the Turgenevian text in a way that their joint presence there as an intertextual complex sheds light on the complicated poetic interrelation of these two texts themselves (interpreted in the contexts of the history of the text evolution and from the perspective of poetic meaning formation within the semantic universe). It is the motif of travelling (metaphorically construed as pilgrimage) which stands at centre stage in the analysis. The spatial dimensions of Chackij’s figure as opposed to the dominance of the temporal semantic extensions of Sofia’s poetic figure are under scrutiny as a crucial motivation factor for the plot construction. In the process of analysis the motif as belonging to the plot and the motif as representing a more abstract semantic unit with independent poetic development are consistently differentiated and also the semantic status of the pretext is separated from that of the intertext.

Поэтическое развитие мотивов слова и дела в романе И. С. Тургенева «Рудин»

Author(s): Katalin Kroó / Language(s): Russian / Issue: 3-4/2002

The paper entitled “The poetic development of the motifs word and deed in Turgenev’s novel, Rudin” examines the structure and the semantic evolution of the motifs under scrutiny. It throws light upon the different semantic configurations the variants of word and deed systematically form in different layers of the text—on the plot-level where they reveal themselves focussing around the main hero of the novel (see the protagonist’s debate with Pigasov or his complaint about his fate); in their linguistic representations including their lexical and phonic manifestations (cf. e.g. the expression говорить дельно); in the consequently constructed motif clusters, which reveal significant semantic parallelisms (cf. the semantic sequence of variants: fire-love-wandering- speaking), and in the intertextual practice of the novel. The interpretation formulates the idea of the isomorphic structural and semantic composition of the motifs word and deed, relating their poetic meaning to the problem of semantic motivation. This latter one “overwrites” the evaluation of Rudin’s figure offered in the framework of his unrealized love story with Natalya or given by the characters or the narrator. The paper aims at elucidating the true semantic character of the literary figure, deeply embedded in his intertextual role incarnations, out of which the Rudin-Onegin parallelism is paid special attention.

ПОЭТОЛОГИЯ И АКСИОЛОГИЯ Я. П. ПОЛОНСКОГО 1860–1880-Х ГОДОВ

Author(s): Tatiana Fedoseeva / Language(s): English,Russian / Issue: 4/2019

The article analyses the lyrics of Polonsky’s of the 1860s—1890s from the viewpoint of an artistic consciousness of the author found in his writings. The biographic context applied in the research permits to comment on formation of the value world of the intended poet against the background of the provincial noble culture of the 1820s—1830s. The poet’s writings chosen for the analysis are grouped into two formal content-based categories. The first one have the lyrics that express the contradiction felt by the poet between a “naïve” belief nurtured in his childhood and the Russian atheism of the second half of the 19th Century (“The Mad”, “To One of the Tired”, “Where a cliffy sea cost is...”, “In Memory of V. M. Garshin”, “Stanzas”). At a motif and image level of the analysis in the first group of poems there is distinguished an image of an idealist hero characterized by the motifs of emotional exhaustion, disease, loneliness. A religious aspect of the poet’s consciousness is expressed in allusions to the image of a Biblical prophet rejected by a musty society. There is seen “humanization” of the motifs of Christian love and transfiguration. The second category contains the poems pointing at the truth of a canonic orthodoxy affirmed by the poet (“A dying man”, “At the Temple”, “The Vesper-Bell”, “The Golden Calf”, “The 15th of July of 1888”). The generalized-parabolic character of the given writings is asserted. The motifs of penitence, salvation of the soul, prayers, as well as the topos of an orthodox temple and symbols of the vesper-bell are revealed. The analysis of the poems of the second category allows making a conclusion about formation in the poet’s lyrics of the idea of the orthodox historiosophy, that is, of the dependence of social existence of society on its spiritual condition. This idea is related to the motifs of worshiping the Golden Calf, the Doomsday, and the Revelation. The conducted research has found out the determinacy of the poet’s artistic consciousness by an outside influence and its conditionality by the dynamics of his inner, spiritual movement. In an axiological aspect the selected writings by Polonsky disclose the rootedness of the artistic consciousness of the poet in Russian orthodox tradition.

Правила о черноризцах в Кормчих книгах и сборниках

Author(s): Galina Barankova / Language(s): Russian / Issue: 1/2017

The article is devoted to the “Rules for monks” who are part of the Kormčaya and of Old Russian miscellanies. The earliest copies of the Rules are contained in a miscellany of the late 12th – early 13th century (Russian State Library, collection of the Trinity-Sergius Lavra, № 12) and in the Novgorod Kormčaya of 1280 (GIM, Synodal Collection, № 132). The different redactions of the Rules are determined and the general principles according to which the Rules were reworked in the Novgorod Kormčaya are defined. The article also presents the long history of this text in Old Russian miscellanies.

Пражская русская литература

Author(s): Oldrzhih Rihterek / Language(s): Russian / Issue: 1/1996

Date: December 6, 1994 Place: Hradec Králové, Czech Republic

Пражский "Скит": попытка реконструкции

Author(s): Ljubov Bĕloševská / Language(s): Russian / Issue: 1/1996

В изгнании, оторванные от своих корней, русские литераторы стремились и за рубежом сохранить традиции литературной жизни, литературного быта России. С начала 20-х годов от Токио до Сан-Франциско создавались литературные кружки, общества, объединения, цехи, содружества, союзы и тл. По неполным данным Словаря русских зарубежных писателей за два межвоенных десятилетия их количество приблизилось к восьмидесяти. В силу многих причин существование этих организаций часто было кратковременным, круг собравшихся распадался, изгнанники пускались в новый путь. Но оставшиеся и вновь прибывшие, движимые потребностью литературного общения, а кроме этого, и практическими доводами - защитой извечных цеховых интересов в новых условиях - собирались вновь, чтобы читать свои произведения, обсуждать их, выступать с докладами, делиться воспоминаниями. Многие содружества устраивали открытые публичные собрания, литературные, литературно-музыкальные, литературнотеатральные вечера, занимались издательской деятельностью. Издавали, прежде всего, сборники или альманахи, книги членов своих объединений. Но далеко не каждое такое сообщество имело свою программу.

Праздник Пасхи как социокультурный текст в рассказе «Фигура» Н. С. Лескова

Author(s): Natalia Nikolaevna Starygina / Language(s): Russian / Issue: 3/2019

The article implements a socio-cultural approach to the study of a work of art. The text containing information for reconstruction by the reader of social and cultural space, contemporary to the writer, is emphasized in the work of fiction. The content of the story “The Figure” by N. S. Leskov is determined by the socio-cultural conflict that develops during Easter days, which contradicts the atmosphere of joy, harmony and triumph of faith typical of Easter. This situation allows the writer to show the originality of socio-cultural relations in society. Easter, like other religious holidays, expresses Christian cultural universals, archetypes and values that determine (though not limit) the content of the “cultural core” of society.

ПРЕВОЂЕЊЕ КЊИЖЕВНИХ ДЈЕЛА ДОСТОЈЕВСКОГ

Author(s): Žarko Milenić / Language(s): Bosnian,Croatian / Issue: 3/2018

This essay presents an overview of the translation of literary works by F. M. Dostoyevsky in the Serbian language. More significant translators of Dostoevsky’s literary work to Serbian language have been cited, with a special reference to translators of the novel “Crime and Punishment”, and this view is given the most space given to us by the Dostoevsky - Jovan Maksimovich, translator. A fragment of his translation of this novel (1914) is compared with the original and it sounds archaic today. It is also compared with the original excerpt from the latest translation of Dostoevsky’s novel, signed by Katarina Brajovich, which was first published in 2015.

ПРЕДАНИЕ, СКАЗАНИЕ И РАССКАЗ В ЖАНРОВОЙ СТРУКТУРЕ ПОВЕСТИ И. С. ШМЕЛЕВА «НЕУПИВАЕМАЯ ЧАША»: К ПРОБЛЕМЕ ИСТОЧНИКОВ

Author(s): Nikolay Sobolev / Language(s): English,Russian / Issue: 1/2013

The article is devoted to one of the central episodes of Ivan Shmelev's short novel The Inexhaustible Chalice (Inexaustible Cup, or Non-intoxicating Chalice). The source of this episode was a legend, recorded by a priest Yakov Brilliantov. In 1912 he published the text of the legend calling it a Story of the Miraculous Icon of the Mother of God Called the “Inexhaustible Chalice”. The legend existed in the folk tradition for a long time. The paper presents a hypothesis that Ivan Shmelev reproduced an oral version or edition of the legend in his short novel. Comparison of Shmelev's novel and the old legend reveals similarities and discrepancies of texts, analysis of which can serve as the basis for important observations on lingvopoetics of the short novel and the author’s style. Ivan Shmelev uses the legend as a source of pious history: he connects it with his main text at all narrative levels, while leaving only functional elements in the recipient text. This type of creative editing can be defined as a form of a condensed narrative. Moreover, analysis of sources leads to a conclusion about the poetics of the chronotope and the main characters of the tale.

Предвозвестник славянофильства С. Н. Глинка: штрихи к портрету

Author(s): Radoslava Ilcheva / Language(s): Russian / Issue: 2/2017

As a writer, S.N. Glinka has long been recognised and appreciated in literary history. As a thinker, however, he is still not so well-known. On the basis of the analysis of the monthly periodical “Russian Messenger", the collection of stories “Russian Anecdotes" and “The Moscow Almanac for the Beautiful Gender" published by him, an attempt is made to highlight some aspects of his activities of present interest, compared to the socio-political context of the first quarter of the 19th century. This helps to remove a number of later additions from the conceptual profile of this pro-Slavonic forerunner, and illuminate some specifics of the pro-Slavonic attitudes in the then Russian society, decades before the clarification of the concept of the socio-political movement itself.

Предисловие к публикации главы "Фабула о продавшемсяталанте" из диссертации Р. Г. Назирова "Традиции Пушкинаи Гоголя в русской прозе. Сравнительная история фабул"

Author(s): Boris Orehov,Sergey Shaulov / Language(s): Russian / Issue: 1/2014

Foreword to the article about Romen Nazirov´s work. "A story of a man who sold his talent".

ПРЕДЛОЖНАЯ СИНОНИМИЯ В РУССКОМ ЛИТЕРАТУРНОМ ЯЗЫКЕ ПЕРВОЙ ПОЛОВИНЫ XIX ВЕКА

Author(s): Lyaysen Ravilevna Abdulkhakova,Kseniya Valeryevna Kotnikova / Language(s): Russian / Issue: 5/2013

The article presents the main types of synonymous prepositions in the Russian literary language of the first half of the 19th century. The author provides the examples of each type based on literary texts of the period under consideration and in accordance with the existing scientific classifications. The paper reveals such trends in the development of prepositional synonymy as the flexibility of the rules of using morphological synonyms and the stylistic reassessment of the components of synonymic rows.

Предмет в пространстве между смертью и жизнью (о прозе Алексея Апухтина)

Author(s): Natalia Petrova / Language(s): Russian / Issue: 118/2007

The article deals with the modification of object — word attitude in Russian literature on the boundary of XIX–XX centuries. The material under investigation is formed by the epic narrations where objects with the archetypical meaning (a door, a window, a chair) may represent the passage from life to death. Semantic changes of object’ are especially noticeable if they are accompanied by the idea of reincarnation that organize forms the area between life and death. The short story by Aleksey Apukhtin Mezhdu Smertiu i Zhizniu (Between Death and Life) is analyzed as paradigmatical text the reminiscences from which may be found in L. Tolstoy’s Smert’ of Ivan Ilich (The Death of Ivan Ilich), B. Pasternak’s Doktor Zhivago or in V. Nabokov’s Rozhdestvo (Christmas).

Предраг Матеич на 60 години

Author(s): Margaret Dimitrova / Language(s): Bulgarian / Issue: 25/2012

Представе о ђаволу у руској, украјинској, пољској и српској књижевности деветнаестог века

Author(s): Dejan Ajdačić / Language(s): Serbian / Issue: 157/2015

Conceptions of the devil in Russian, Ukrainian, Polish and Serbian literatures were taken from the polytheistic religion, Christianity and their mutual intertwining in folk Christianity, and from transformed motifs and various types of mythic, magical and rational thinking found in the 19th century literary movements. The devil is found under various names in the oral and written culture, and in the texts analysed here we find (1) names such as Satan, Lucifer, Asmodeus, Astaroth, Beelzebub, Antichrist, Mephisto, Pan Kopitinski etc.; (2) the fight between the Devil and God, the deal with the devil, exorcism, the devil as the tempter, the devil in hell, the devil at the sabbath, the devil in a dream, the devil’s servant/child/disciple, the devil in love, and the powerless devil. The section dealing with the themes that involve the devil touches upon the features of chronotopes, characters, ideas and intertextual connections. We also refer to works which mention demons in 19th century Slavic literatures by literary historians such as Renate Lachmann, Yuri Lotman, Yuri Mann, Jan Tomkowski, Alois Schmaus, Dejan Ajdačić etc.

Представление фактов о древнерусских грамотах в семантической сети: Attempto Controlled English (ACE)

Author(s): Aleksandrs Ivanovs,Aleksey Varfolomeyev / Language(s): Russian / Issue: 1/2019

This paper discusses some promising approaches to the representation of meta-information (facts) about medieval Russian charters on the Semantic Web in order to provide researchers with appropriate tools for the capture, aggregation, and semantic linkage of facts related to the charters and automatic logical inference. The authors demonstrate the actual and potential possibilities of a controlled natural language, ACE (Attempto Controlled English), in the representation of the meta-information about Old Russian charters. Recent research conducted by the authors confirms that the prospects for using ACE as a tool for representation of the facts about the charters on the Semantic Web are closely connected with the possibilities to make logic inferences based on ACE texts. Therefore, special attention is devoted to ACE tools, especially to Ace Rules and ACE Reasoner (RACE).

Преоткриване: Супрасълски сборник, старобългарски паметник от Х век/ Rediscovery: Bulgarian Codex Suprasliensis of 10th Century

Author(s): Dilyana Radoslavova / Language(s): Bulgarian / Issue: 25/2012

Преполовљени – први роман Предрага Степановића (интертекстуална анализа)

Author(s): Rada B. Stanarević / Language(s): Serbian / Issue: 20/2019

An intertextual analysis of Stepanović's novel reveals two things. First, a fruitful influence of Turgenev on the structure of fabula (reunion of friends at the same location) and on the typology of characters (Dragan – Lytvinov, Vojin – Rudin). Secondly, a highly unusual, impressive mixture of Turgenev and Goethe with reference to their respective works of the same title, Faust, providing the two aforementioned encounters of old friends with magic properties. This is achieved in such a manner that the two nocturnal, Mephistopheles-like meetings happen simultaneously, with Stepanović's characters enduring double destiny (Ana = Margareta and Vera Nikolayevna, Vojin = Mephistopheles and Rudin).With regard to its composition and subject matter, Stepanović's novel offers several interesting features. To start with, Mephistopheles' First/ Mother Night, unique and very successfully designed in artistic terms, takes place, intertwined with another night, within Chapters IV and VI, which justifies their central position as regards the novel's overall structure of fourteen chapters. In contrast with that, the protagonists' split lives of the present develop in the respective chapters of VIII, X, and XII. As for the subject matter – Ana and Dragan's unhappy love – it is comprised within the respective Chapters of V, VII, IX, and XI. As a result, events and relations between characters are not portrayed in a linear manner, but mutually intertwined. Yet, the frame, that is, the first and final chapters, which feature the partly ironically depicted character of Milorad Janković, makes sure that the desired unity of the plot, taking the novel in its entirety, is achieved, thus providing us with an open door to indulge in aesthetic delight.

Пресса в русском историко-литературном процессе. O некоторых аспектах изучения

Author(s): Ludmiła Łucewicz / Language(s): Russian / Issue: 155/2016

The article discusses main aspects of the role of press in the Russian historical and literary processes. Against the example of Russian periodicals of 19th-21st century, the author makes an attempt to presnt an outline of press as one of the most important factors in cultural processes.