Фабула и сюжет в поэтике А. С. Пушкина

Author(s): Mikhail Viktorovich Stroganov / Language(s): Russian / Issue: 2/2019

Pushkin’s works of different genres have three permanent characteristics. The first one resides in the contraposition of the completeness or incompleteness of the text; the second one concerns a subordinate position of the storyline in relation to the subject (the completeness or incompleteness of the writing) and the third particularity is an open composition. All the three features are three sides of the unique law of Pushkin’s poetics, which manifested a new stage in the development of historicism in the European aesthetic consciousness. Pushkin depicts life as a process; therefore he uses the artistic techniques that help to embody his idea in specifically artistic forms.

Фабула о продавшемся таланте

Author(s): Romen Nazirov / Language(s): Russian / Issue: 1/2014

This chapter of the unpublished doctoral dissertation of an expert on Dostoyevsky and literary theory, Romen Nazirov (1934–2004), addresses the problem of how Russian 19th-century literature treated the cultural motif of a deal with the devil. The chapter is centered on an overview of the variants of this motif in the writings of Nikolai Gogol, Vladimir Odoyevsky, Ivan Goncharov, and others.

ФАНТАСТИЧЕСКОЕ И РЕАЛЬНОЕ В РОМАНЕ О.А. СЛАВНИКОВОЙ «ЛЁГКАЯ ГОЛОВА»

Author(s): Galina Aleksandrovna Frolova / Language(s): Russian / Issue: 1/2016

This paper, on the basis of the novel “Light Head” by O.A. Slavnikova, considers the relation between classical and modern antiutopias. The basic principles of correlation between the fantastic and the real are explored. The forms and functions of the fantastic in the artistic structure of the analyzed literary work are identified. The paper analyzes from the above-stated perspective the problematics of antiutopia (freedom and captivity, confrontation between the individual and state), as well as the specifics of plot organization and conflict development, principles for disclosure of the disposition of characters (in the description of authorities, the fantastic element helps to identify their mechanicalness and impersonality; in the description of the main character, it shows that they stand out from the crowd). Furthermore, the role of computer game chronotope and related motifs (game, illusiveness, and simulation) are revealed. It is proved that the relation between the fantastic and the real in the novel under consideration contributes to actualization of the antiutopian discourse, grotesque sharpening of the real diseases of the society (displacement of the reality by simulation, absurdization of the reality, manipulations with the consciousness of the whole society and separate individual).

Фаустовский сюжет в контексте фантастики ХХ–ХХI столетия

Author(s): Ekaterina Labay Vladimirovna / Language(s): Russian / Issue: 6/2016

In the article on the example of the fantastic works of different national literatures (German, American, Canadian Polish, Russian, Ukrainian) the themes of immortality, robotics, the responsibility of the scientist for the invention combined by Faustian plot are examined. Beginning with the twentieth century, the development of science and technologies has a significant impact on the Faustian story (for example, the desire for immortality leads the protagonist to the use of scientific and technical devices). The purpose of the study is determined by the subject-imagery material in the context of general cultural world. Artificial Intellect in this story is trying to understand the human nature. For example, in the "Faust" by Johann Goethe the stage the successful creation by Wagner of Homunculus that further on is considered in the context of artificial humans, robots is present. The writers in the XX-XXI century bring original interpretations bring to Faustian plot, taking advantage of their time. It is also explained by the fact that the Faustian story is based on the desire of knowledge. Knowledge is a constant variable, so writers try to modernize the variation of knowledge. The authors cover the story with the new sounding, which leads to its modifications, complications and modernizing in fantastic versions.

Феномен Гузели Яхиной (к восприятию романа „Зулейха открывает глаза”)

Author(s): Vera Sitnikova / Language(s): Russian / Issue: 12/2019

The article analyzes salient aspects of Guzel Yakhina’s novel "Zuleikha (Zuleikha opens her eyes)" and its critical reception. First of all, the author discusses the connections of the artistic world of the novel with the Russian literary tradition with respect to the image of “the natural man”. Particular attention is paid to the treatment of the “eternal themes” of love, motherhood, faith, the formation of personality as well as to the originality with which the author approaches the topic of the mass repression of the 1930s. The predominating opinions of critics and reviewers are interpreted, and an attempt is made to indicate the reasons for the novel’s popularity with the readers.

Феномен квир-стратегии в женской рок-поэзии 90-х годов XX века (на материале поэтических текстов Дианы Арбениной и Светланы Сургановой)

Author(s): Anton Sergeevich Afanasev / Language(s): Russian / Issue: 1/2018

This paper is devoted to the analysis of ways of artistic representation of the queer strategy, which was relevant in the female rock culture of the 1990s. At first, the strategy worked primarily for the benefit of the image of performers. Later, it promoted their cultural codification. The relevance of the study is due to the great interest of the humanities in gender issues, particularly, in the gender analysis of the text. The study has been performed in order to identify the main forms of explication of the queer strategy in female rock culture. To fulfill this purpose, the following main methods have been used: structural, motivational, and biographical. The paper cites a series of examples proving that this strategy was used in the most declarative and consistent way by the duet “Nochnye Snaipery” (‘Night Snipers’) by Diana Arbenina and Svetlana Surganova. The duet was perceived as a queer due to the biographical myth that was created by both the musicians themselves and their fans. Simulation of the queer image took place at two levels: visual (appearance, style of dress, behavior) and verbal (lyrics). The material for the literary analysis is the first album of the duet “Kaplya degtya v lozhke meda” (‘A Drop of Tar in a Spoon of Honey’) (1998), the authentic version of which included 27 compositions. Based on the results of the study, the following conclusions have been made: the queer strategy in the verbal subtexts of the rock composition is realized through the “floating” gender identity of the lyric subject and object and the poetics of corporeality. The obtained results are of great importance for further research of the gender image of the world in female rock poetry.

Физическое, юридическое, значительное лицо в гетеротопии власти (Шинель Гоголя в свете теорий Мишеля Фуко)

Author(s): Carla Solivetti,Artem Marchenkov / Language(s): Russian / Issue: 5/2015

The article analyses the discursive and disciplinary practices at the basis of the mechanism of origin of the power in the Russian Empire of Nicholas I, by means of applications of theories elaborated by Michel Foucault on Nikolai Gogol’s The Overcoat. The codified and informal rules that predetermined the habitus of the members of bureaucratic organization (body image; manner of oral and written language; semiotics of clothes and gesture; different roles in the rituals of the hierarchical ladder) are here reconstructed. The central opposition in The Overcoat shows the contradiction between the formal legal status in the heterotopic space of the public service (rank, position) which is usually expressed through the induction of fear in others, and the real authoritativeness of a concrete person, qualified as a combination of his own direct authority and his public reputation as a significant person.

Философия любви в романе Владимира Набокова «Лолита»

Author(s): A.V. Zlocevskaya / Language(s): Russian / Issue: 3-4/2005

V. Nabokov in his novel Lolita incarnates his own and quite original concept of love. But its philosophical sources should be sought in the Russian concept of Eros of the beginning of the 20th century, as it was expressed in the works of V. Solovyov, V. Rozanov, N. Berdiayev, P. Florensky, S. Troitsky, A. Zhurakovsky and others.

Философия свободы в романе Дениса Соболева Иерусалим: на пути от отказа к возможному

Author(s): Roman Katsman / Language(s): Russian / Issue: 2/2017

The present paper dwells upon the subject and the conception of freedom in the novel Jerusalem (2005) written by the Russian-Israeli writer, poet and scholar Dennis Sobolev. According to this conception, the fragmentariness of the being serves as the foundation for the search for freedom. This search consists of renunciation of the world of absolute power. The renunciation enables apprehension of freedom as a possibility in the splits between the fragments of the being. In the novel, this search for the real order of freedom beyond the imagined chaos of history unfolds within the symbolic order of Jerusalem – the earthly, political, and mystical city, which is presented through the eyes of seven narrators in seven separate and united stories. Dennis Sobolev’s work thus reveals as a dissipative novel-myth about the disparate attempts to constitute the realistic and skeptical, and at the same time spiritual and playful, ontology.

Фитоморфната метафора в руската лингвокултура

Author(s): Olga Kondratieva / Language(s): Bulgarian / Issue: 2/2012

The article analyses some peculiar features of the phytomorphic metaphoric model which is quite productive in Russian linguoculture. Particular attention is devoted to the frames “Members of the plant world”, “The parts of plants”, “The life cycle of plants”, “Plant habitats” as well as their role in representing one of the pivotal concepts in Russian linguoculture – the ‘psyche’ concept.

Фјодор Михаиловић Достојевски (1821-1881) на страницама часописа Руски архив (1928–1937)

Author(s): Bojana Sabo / Language(s): Serbian / Issue: 164/2018

В данной работе рассматривается восприятие Федора Михайловича Достоевского и его творчества в белградском журнале Руски архив. Тексты, опубликованные в упомянутом периодическом издании и посвященные Достоевскому написаны постоянными сотрудниками журнала (М. Слонимом, И. Лапшиным, Е. Ляцким, А. Ремизовым, П. Митропаном и М. Шварцом). Несмотря на разные подходы и методологии, статьи, посвященные Достоевскому в основном рассматривают его философскую мысль даже когда предметом исследования являются произведения художественной литературы.

Флорентийские адреса Достоевского

Author(s): Valentin? Supino / Language(s): Russian / Issue: 1/2019

The article presents a new series of newly discovered facts about the last period that F. M. Dostoevsky spent in Florence, Italy (1868–1869). The search and study of the archives has unfolded a series of documents and maps that shed light on important and never published facts concerning the writer’s life and his literary activity, putting forwards new assumptions about the period in which his plan of a novel “Atheism” arose. To begin with, we know that the house in Guicciardini Street, where Dostoevsky lived during the first months of his last stay in Florence, has not been demolished completely, leaving its facade intact up to nowadays. Secondly, a certificate has been found: in it there is the address of another florentine house, that has never been mentioned before. Thanks to another archive discovery, the precise identification of the writer’s last address at the Mercato del Porcellino has been possible. From two parish archives, the personal notes of two Catholic priests also came to light and in them the request of a certain Russian Orthodox believer for a Mass and a Benediction is reported: in both of these cases, the addresses given by the enquiring Russian, coincide with the houses in which Dostoevsky lived at the time.

Флоропоэтика как код бытовой прозы xix века (дневник и литературные опыты анны олениной)

Author(s): Klara Sharafadina / Language(s): Russian / Issue: 4/2011

The article analyses Anna Olenina’s literary experience – the diary and the autobiographical prose – in the context of her use of "the language of flowers" poetics. This code was an original method of poetic prose and everyday landscape graphics at Pushkin's time, accumulating the allegorical plan of the content. The original version of the list of "the language of flowers" is placed in her blog – French etiquette handbook 1811.

Фольклор и русская литература XI−XVIII вв. в исследованиях польских ученых 1990−2015 годов .

Author(s): Eliza Malek / Language(s): Russian / Issue: 150/2015

This paper describes the contribution of Polish scholars to the study of Russian folklore, Russian literature of 11–18th Centuries and Polish-Russian literary contacts.

Фольклор как основа сохранения русской идентичности в китайской среде (по материалам Трехречья)

Публикация подготовлена в рамках работы по гранту РНФ «Этнические миграции как фактор цивилизационных взаимодействий и социокультурных трансформаций в Восточной Азии (история и современность)», проект № 14-18-00308.

Author(s): Anna Zabiyako,Andrey Zabiyako / Language(s): Russian / Issue: 1/2015

The article deals with ethno-cultural strategies of maintenance of the Russian identity in the Chinese environment. The authors focus on the descendants of Russian emigrants who live in Trekhrech’ye (Sanhe), the district in the north-east of China. Field studies of the Russian-speaking population of Sanhe led the authors to the conclusion that the language as well as folklore genres are one of the most important bases of maintenance of the Russian identity for this ethnic group. Previously unknown folklore texts and the texts earlier prevailing in the territory of the Russian Transbaikal and Eastern Siberia, now popular only among the Russian population of Sanhe, are published and analyzed in the given article. Статья посвящена этнокультурным стратегиям сохранения русской идентичности в китайской среде. В центре внимания авторов статьи — русские, проживающие в Трёхречье, районе на Северо-Востоке Китая. На основе полевых исследований русскоязычного населения Трёхречья авторы приходят к выводу о том, что для этой этнической группы одной из важнейших основ сохранения русской идентичности является язык и фольклорные жанры. В статье публикуются и анализируются ранее неизвестные фольклорные тексты, а также тексты, ранее бытующие на территории российского Забайкалья, Восточной Сибири, а в настоящее время популярные только среди русского населения Трёхречья.

Фольклорные начала в визуальной поэзии футуристов (на примере ранних стихотворений М. Семенко и В. Гнедова)

Author(s): Ksenia Dubiel / Language(s): Russian / Issue: 1/2019

The article describes some of the experiences of Ukrainian futurist Mykhail Semenko and Russian ego-futurist Basilisk Gnedov in the field of visual poetry and their connection with folklore motifs. For a more holistic image of this problem, the text briefly outlines Semenkov’s concept of “poesomalarstvo”, connected with the plastic appearance of the poetic text, as well as the general nature of linguistic and visual poetry experiments in Gnedov’s early works. There are also related aspects of the artistic practice of both poets, whose work to a certain extent had common origins. Folk roots in the poetry of both futurists are represented on the material of analysis of two early poems, which are an example of visual poetry.

ФОРМИРОВАНИЕ ФИЛОСОФСКОЙ ПРОБЛЕМАТИКИ «ЕВГЕНИЯ ОНЕГИНА» (НА МАТЕРИАЛЕ ПЕРВОЙ ГЛАВЫ)

Author(s): Evgeniy Vasilevich Sintsov / Language(s): Russian / Issue: 2/2015

The development of meanings similar to philosophical ideas is revealed in the first chapter of “Eugene Onegin”. A.S. Pushkin based them on the complex and contradictory relationship between the protagonist and the way of his life. Onegin’s dependence on the latter and attempts to assert his individuality in the whirlwind of everyday life give rise to a number of artistic problems, which are close to philosophical reflections on the meaning and purpose of human existence, happiness and its sources, true and false values, as well as their ability to fill life with genuine or illusory sense. The paper proves the thesis that such artistic and philosophical ideas organize the internal artistic unity of the first chapter, turning it into an exposition of “Eugene Onegin” as a philosophical novel.

Формы выражения авторского сознания в новейшей русской драме

Author(s): Olga Zhurcheva / Language(s): Russian / Issue: 7/2014

The article is devoted to the problem of authorial intention in contemporary Russian drama. Firstly, major theoretical approaches to the ‘problem of the author’ in drama are identi ed. It is then demonstrated how cultural paradigms change in an artistic consciousness and how, as a con- sequence, the most important structural components of drama – con ict, character, genre – become discredited and deconstructed. There follows an overview of speci c examples of such transforma- tions of these generic features of drama. It is argued in the paper that such transformations result from the activation of the author’s consciousness and are a manifestation of the author’s intentions regarding the modern picture of the world.

ФРАЗЕОЛОГИЯ КНИГИ ВОСПОМИНАНИЙ В. НАБОКОВА «ДРУГИЕ БЕРЕГА»

Author(s): Irina Vladimirovna Kashina / Language(s): Russian / Issue: 5/2014

The article considers the original style of Vladimir Nabokov, which is reflected in the selection of idioms from the phraseological fund of the language and the methods of their usage and transformation. It is found that the choice of phraseological units depends on their origin, degree of obsolescence and stylistic status. The author’s techniques of semantic and structural transformation of the units are identified.

ФРАНКО І РОСІЙСЬКА ЛІТЕРАТУРА: ВПЛИВ НА СВІТОГЛЯД, КРИТИКА, ІНТЕРТЕКСТУАЛЬНІ ЗВ’ЯЗКИ, ПЕРЕКЛАД (до 160-річчя від дня народження письменника)

Author(s): Tetiana Kosmeda / Language(s): Ukrainian / Issue: 5/2017

The article focuses on the contracted pieces of information on the influence of the Russian literature on the formation of I. Franko’s outlook, his esthetic style. The contacts between I. Franko and Russian writers have been analyzed. The points of view of I. Franko on the works and the activity of the Russian authors have been characterized. I. Franko’s interpretation of the role of the Russian literature in the world context has been highlighted. The actualization of the intertextuality phenomenon, that is projected on the Russian literature in the works of I. Franko, has been analyzed. The translation activity of I. Franko, concerning the transformation of Russian works in the Ukrainian language and the transformation of his fiction works in the Russian linguistic culture, has been characterized.