
Арии. Веди. Санкхя и Йога
Collection of papers and articles on ancient Indian literature and culture
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Collection of papers and articles on ancient Indian literature and culture
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The contributions in this collection pertain to a variety of multiethnic, multilingual and multicultural aspects of Canada, epitomizing the diverse academic interests of the members of the Bulgarian Chapter of the Central European Association for Canadian Studies. The Bulgarian Chapter is one of the recent additions to the Association —formed in 2004 — but since its very inception it has proved to be a vibrant and enthusiastic society for academics, to which the present volume undeniably testifies. The papers in this volume address a broad range of topics which have been grouped according to their subject matter: history/culture, literature, linguistics, and teaching. The study of Canadian culture is seen to involve both a general introduction to various aspects of Canadiana and the close scrutiny of phenomena that belong to specific subject areas.
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The article attempts an analysis of Here Come the Clowns, a play written by an American playwright, Philip Barry, through the lens of the notion of theodicy. The question of the reason for and the meaning of suffering, understood as something evil, is often connected with the feelings of distress, helplessness and a sense of the imminent “end of times,” as well as with the experience of death, including the death of a loved one. Barry’s inspiration for the play is deeply rooted in his own experiences; the protagonist of the play searches for God in order to ask him about the meaning of human suffering. The question becomes not only an attempt at explaining or finding justification for the experience of suffering, but also an accusation towards God, who allows for the suffering to continue. God, however, becomes freed of all responsibility—in his dying breath, the protagonist reaches anepiphany that everything is dependent on man and his free will.
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Shakespeare’s Hamlet is the first book of the new bilingual library "English Poetic Classics" by the East-West Publishing House. The bilingual format of this library provides readers with the opportunity to get deeper into the subtleties of the text regarding some of the most valuable works of English literature by comparing original text and its translation, and also to get into the specifics of poetic translation of classical works. Hamlet is Shakespeare's most popular, and most puzzling, play. It follows the form of a "revenge tragedy," in which the hero, Hamlet, seeks vengeance against his father's murderer, his uncle Claudius, now the king of Denmark. Much of its fascination, however, lies in its uncertainties. Among them: What is the Ghost--Hamlet's father demanding justice, a tempting demon, an angelic messenger? Does Hamlet go mad, or merely pretend to? Once he is sure that Claudius is a murderer, why does he not act? Was his mother, Gertrude, unfaithful to her husband or complicit in his murder?
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Shakespeare’s Macbeth is the fourth book of the new bilingual library "English Poetic Classics" by the East-West Publishing House. The bilingual format of this library provides readers with the opportunity to get deeper into the subtleties of the text regarding some of the most valuable works of English literature by comparing original text and its translation, and also to get into the specifics of poetic translation of classical works. In 1603, James VI of Scotland ascended the English throne, becoming James I of England. London was alive with an interest in all things Scottish, and Shakespeare turned to Scottish history for material. He found a spectacle of violence and stories of traitors advised by witches and wizards, echoing James’s belief in a connection between treason and witchcraft. In depicting a man who murders to become king, Macbeth teases us with huge questions. Is Macbeth tempted by fate, or by his or his wife’s ambition? Why does their success turn to ashes? Like other plays, Macbeth speaks to each generation. Its story was once seen as that of a hero who commits an evil act and pays an enormous price. Recently, it has been applied to nations that overreach themselves and to modern alienation. The line is blurred between Macbeth’s evil and his opponents’ good, and there are new attitudes toward both witchcraft and gender.
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Shakespeare’s Othello is the second book of the new bilingual library "English Poetic Classics" by the East-West Publishing House. The bilingual format of this library provides readers with the opportunity to get deeper into the subtleties of the text regarding some of the most valuable works of English literature by comparing original text and its translation, and also to get into the specifics of poetic translation of classical works. In Othello, Shakespeare creates powerful drama from a marriage between the exotic Moor Othello and the Venetian lady Desdemona that begins with elopement and mutual devotion and ends with jealous rage and death. Shakespeare builds many differences into his hero and heroine, including race, age, and cultural background. Yet most readers and audiences believe the couple’s strong love would overcome these differences were it not for Iago, who sets out to destroy Othello. Iago’s false insinuations about Desdemona’s infidelity draw Othello into his schemes, and Desdemona is subjected to Othello’s horrifying verbal and physical assaults.
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Dedicated to the 180th anniversary of the birth of Vassil Levski, this collection gathers in one place the research efforts of literary writers and historians. The aim is tracing the way of the narrative about the historical personality to the sacred status of the national icon of the Apostle. The achieving of this scientific task intertwines the poetry of the "canonization strategist" (Hristo Botev), the words of today's lyricists, the memory of the associates, the "written by the hand of the Apostle", the results of an Olympiad in Taraklia (Moldova), the English press, the today’s children book and even the name of a mystical regiment The research efforts face the mystery of Apostle’s path into and out of monasticism, the words of veterans and philosophers, the ode and the rhapsody, the camera and the paint brush, the sound and the letter... To draw a never-ending journey, that will forever - and everywhere, accompany the Bulgarian spirit.
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Through the analysis of contemporary works of fiction, the papers published in these proceedings aim to shine light on the representation and/or construction of the Bosniak identity. Furthermore, as a result of the academic conference that preceded the publishing of these papers, these proceedings represent a collection of works which passed through the scrutiny of the Bosniak academic community, and thus presents an incumbent contribution to the fields of literary studies, sociology, contemporary history and cultural studies.
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These volumes provide scholarly editions of Edward Perry Warren’s works (all, save one, never before re-issued), augmented by a biographical introduction, extensive notes, translations, illustrations, and appendices. For the first time, Warren’s voice is heard in full—through his correspondence and other residues that constitute his commissioned Edward Perry Warren: The Biography of a Connoisseur, through his conversation, captured in Osbert Burdett’s An Imaginary Conversation, through his novel A Tale of Pausanian Love (published here for the first time) and his collection The Wild Rose: A Volume of Poems, through his fairy-tale The Prince Who Did Not Exist and his scholarly article The Scandal of the Museo di Villa Giulia, through his pamphlet Classical & American Education and his retelling of three Greek legends in Alcmaeon, Hypermestra, Caeneus, and through his magnum opus, the apologia A Defence of Uranian Love.
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The monograph centres on the changes in content and form in Russian literature at the end of the 19th and at the beginning of the 20th century. The first part of the monograph discusses the roots of the shift in the system of values and in the concept of the individual in comparison with 19th-century Russian prose, and shows differences in the models of the world presented by literary works of the period. The second part of the monograph explores particular phenomena in the work of V. Bryusov, L. N. Andreyev, L. N. Tolstoy, I. Shmelyov, S. N. Sergeev-Censkij and F. Sologub in relation to the work of F. Kafka and R. Musil.
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The monograph deals with the issues of expressivity (emotionality) in language. It starts with a theoretical chapter about the development and characteristics of fairy tales, fairy tales of German and Czech provenance are then analysed and compared. The author categorizes language expressivity at different language levels: phonetic, morphologic and word formation, syntactic and lexical, as well as those relating to text-linguistic, pragmatic and stylistic aspects of the utterance. The book also discusses translation problems, i.e. comparison of the original and the translation. The monograph analyses selected fairy tales by brothers Grimm, Clemens von Brentano, Michael Ende, Karel Jaromír Erben, Božena Němcová and Karel Čapek and presents examples of expressivity at several language levels.
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The book summarises the basic principles as well as main tendencies within the medieval lyric genre Minnesang – both in its German version, investigating its individual evolutionary phases, and in later appearing old Czech love poetry of high Middle ages. Moreover, the author of this comparative study Sylvie Stanovská applies her findings to younger German love poetry before 1500 as well so she gains a broad analytical basis, pursuant to which she constructs a novel, with numerous text examples supported typology of the old Czech love poetry. This typology can thus lead to further research of this genre.
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The publication focuses on the absurd in the French Dada and pre-surrealist theatre, examining the scenical potential of three texts which have, until now, remained practically unexplored: “La Premiere aventure celeste de Mr. Antipyrine” by T. Tzara, “Les Mysteres de l’amour” by R. Vitrac, and “S’il vous plait” by A. Breton and P. Soupault. The author understands the absurd as an aesthetic category applicable to theatre analysis in general – contrary to the “Theatre of the absurd”, a concept suggested by M. Esslin in order to characterize the avant-garde of the 1950s and often criticized for its lack of precision. The conclusion evaluates Esslin's contribution to the study of the absurd in theatre.
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Tremendism is one of the most peculiar phenomena that appeared on the Spanish cultural scene in the 20th century. Its origin at the beginning of the 1940s had been accompanied with several polemics that have gradually faded out. Tremendism appeared along with a new literary group, the so called Generation of 36, whose literary works influenced the later development of the Spanish narrative. A greater revival of interest in this issue took place only much later, especially in the 1990s after Camilo Jose Cela, the leading representative of tremendism, was awarded the Nobel Prize for Literature. At the same time, new writers from the Generation X published their tremendist novels. This monograph is a contribution to the academic discussion on tremendism as a literary phenomenon.
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In the novel "Splitting", with the ominously ambiguous subtitle "How I Searched for Serbs in the City" (which in another culture, say Czech, could be the title of some Hašek humoresque), a whole world of good neighbours, friends and schoolmates cracks at the seams and collapses. Based on the experience of youth that is maturing in the shade of socialist blocks of Split through games of football, first drunkenness, petty theft, skipping classes and confused, casual sex, Split youth suddenly, still green, learns that "we are not all the same", this prose precisely depicts and demystifies the time in which the Dalmatian metropolis shockingly and forever changed its face. The plot of the novel mostly takes place in one of Split's neighborhoods inhabited by former Yugoslav military (JNA) personnel, mostly serving in the former naval base of Lora, in the period from the New Year 1990 to November 15 of 1991, when the first shells from the ships of the then Yugoslav navy fell on Split. Told from the perspectives of several characters, mostly underage high school students, who show more or less misunderstanding and resistance to the changes that are taking place, this Split story seems more authentic and true than anything written so far about the period. With this novel, journalist and publicist Damir Pilić has established himself as an excellent narrator. Damir Pilić was born in 1969 in Šibenik. He has a master's degree in psychology and a degree in journalism from Zagreb University. He published the scientific monograph Samoubojstva: oproštajna pisma (Suicides: Farewell Letters, 1998); the novels Đavo prvo pojede svoju majku (The Devil Eats His Mother First, 2001), Splitting (2014) and Kao da je sve normalno (As if Everything is Normal, 2018); the journalistic study Marx nije mrtav (Marx is Not Dead, 2016) as well as Tito očima Krleže (Tito Through The Eyes of Krleža, 2020). In co-authorship with Dražen Lalić, he published a book about young Split delinquents Na mladima svijet zastaje (The World Stops for Young People, 2001) and the monograph Torcida: Pogled iznutra (Torcida: An Inside View, 2011), and with Ed Vujević a study on former heroin addicts Dedal na iglama (Daedalus on Needles, 2005). From 1994 to 2001 he worked as a reporter for Feral Tribune, and since 2001 he writes for Slobodna Dalmacija newspapers. He lives in Split.
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Black Lymph/Green Heart: The Alternative Lexicon of Soul is a glossary of terms which the author deemed significant for today's collective and individual psychic condition. The selected entries have their definitions as in ordinary lexicons. However, the alternative lexicon selects the terms differently, and uses a different methodology of their treatment. In this lexicon, you will find apparently arbitrarily selected entries with inconsistently written definitions. But it is precisely with that subjective and ironic approach that the author reveals the characteristics of the listed concepts, which are important in some not-so-rare situations. The ones that concern our psychological welfare. This unscientific book, that parodies the scientific structure of a lexicon as such, reveals the functioning of narcissists, egomaniacs, psychopaths and sociopaths who have become a norm, instead of an exception. If you want to know what melancholy and femmes fatales have in common, or what is the nature of a relationship between pathocracy and a tram, The Alternative Lexicon of Soul will give you the answers and make you laugh at the same time. Željka Matijašević was born in 1968, in Zagreb. She graduated in Comparative Literature, and French Language and Literature at the Zagreb Faculty of Humanities and Social Sciences. She obtained her doctor's degree at the Trinity College of the Cambridge University. She is a full-professor at the Department of the Comparative Literature at the Zagreb Faculty of Humanities and Social Sciences. Her main interests are psychoanalytic theory and applied psychoanalysis. She is an author of six scientific books: Lacan: ustrajnost dijalektike (2005), Strukturiranje nesvjesnog: Freud i Lacan (2006), Uvod u psihoanalizu: Edip, Hamlet, Jekyll/Hyde (2011), Stoljeće krhkog sebstva: psihoanaliza, društvo, kultura (2016), Drama, drama (2020), and The Borderline Culture (2021). She also authored one novel, Defences with the Taste of Death (2019), and a lexicon Black Lymph/Green Heart: The Alternative Lexicon of Soul (2017). She is a member of La Fondation Européenne pour la Psychanalyse and the Croatian Writers Society.
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The Covid-19 crisis, with all the horrors it has caused, has offered humanity an opportunity to reflect on itself and evaluate its point, even if it is delayed. In a very short time, we found ourselves worried about whether we could reach the objects we needed, whether we would lose our jobs or keep our freedom.Alienation is described as withdrawing or separation of a person or a person’s affections from an object or position of former attachment: alienation viewed as a sense of detachment from the values of one’s society, family, and even from one’s own feelings from the values of one’s society and family (S. L. Halleck). Different forms of alienation, such as cultural alienation, professional alienation, and religious alienation, are among the current issues. It is obvious that we need to define different forms of alienation along with the pandemic.I believe this book will not be the first nor the last research book published on the Covid-19 pandemic. Our aim is to leave a resource on the subject for the next generation of researchers. I would like to thank everyone who contributed to the book and hope it will be beneficial for the academic community.
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“Göç ve sanat ilişkisinin kökleri çok eski dönemlere uzanmaktadır. Ancak bu ilişkiyi ortaya koyan araştırma ve incelemelerin yeterli düzeyde olmaması, bu ilişkinin akademik anlamda tartışılmasını geciktirmiştir. Bu ortak yapıt, resim, sinema, grafik, tasarım, el sanatları ve edebiyat gibi değişik sanat/yazınsal alanlardan araştırmacıları bir araya getirerek, alanlararası yeni(likçi) bir bakış açısıyla değişik sanatsal yaratıların tarihsel süreçte ve günümüzde göç ile kurdukları ilişkileri ve göçün yarattığı sanatsal sonuçları belirlemeyi amaçlamıştır. Doğal olarak bu çalışmanın, kapsamıyla alanyazında boşluk doldurması ve yeni çalışmalara öncülük etmesi beklenmektedir.”“Bu yapıtta, bir tanesi göç anlatılarını çözümleme yöntembilimi çalışması olmak üzere, sinema, görsel iletişim, yerleştirme, seramik, tasarım gibi değişik sanat alanlarından olan, birbirinden ilginç sekiz özgün çalışma yer almaktadır.”
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“Shades of Violence: Multidisciplinary Reflections on Violence in Literature, Culture, and Arts” explores the tapestry of violence across diverse forms of artistic expression, expertly edited by Sümeyra Buran, Mahinur Akşehir, Neslihan Köroğlu, and Barış Ağır. From the gripping introduction to the thought-provoking chapters contributed by an array of scholars, this collection navigates the multifaceted dimensions of violence. Muhsin Yanar’s exploration of Don DeLillo’s work calls for a posthumanist stance against violence, while Begüm Tuğlu Atamer questions the justification of violence in Shakespeare’s “Titus Andronicus.” The anthology expands its reach, examining slow violence in John Burnside’s “Glister” (Derya Biderci Dinç), portraying environmental violence in Bilge Karasu’s “Hurt Me Not” (Özlem Akyol), and unraveling psychological violence in Kate Chopin’s stories (Senem Üstün Kaya). Contributors delve into theatre violence (Gamze Şentürk Tatar), indigenous struggles against violence in Cheran, Mexico (Kristy L. Masten), Robert Browning’s “Porphyria’s Lover” (Derya Oruç) and the complex interplay of power in Anthony Burgess’s “A Clockwork Orange” (Şebnem Düzgün). The anthology also explores the contested space of the Black queer body (Taylor Ajowele Duckett), Nietzschean aggression (Yunus Tuncel), and various forms of violence in Giovanni Verga’s short stories (Simone Pettine). “Shades of Violence” emerges as an indispensable exploration of violence’s nuanced manifestations, providing readers with a comprehensive understanding through its diverse and insightful perspectives.
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