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『砂時計』あるいは世界の書物

Author(s): Ayako Oku / Language(s): Japanese / Issue: 50/2003

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ウラジーミル・ソロヴィヨフとオカルティズム

ウラジーミル・ソロヴィヨフとオカルティズム

Author(s): Shuichi Sugiura / Language(s): Japanese / Issue: 52/2005

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シギズムンド・クルジジャノフスキイ『瞳孔の中』における表象/上演のテーマと視覚

Author(s): Yoko Ueda / Language(s): Japanese / Issue: 55/2008

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シクロフスキイ再考の試み ―散文における《複製技術的要素》について―

シクロフスキイ再考の試み ―散文における《複製技術的要素》について―

Author(s): Chitose Sato / Language(s): Japanese / Issue: 52/2005

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ソルジェニーツィン『煉獄のなかで』における声 -言語秩序と「身体」をめぐって-

ソルジェニーツィン『煉獄のなかで』における声 -言語秩序と「身体」をめぐって-

Author(s): Junna Hiramatsu / Language(s): Japanese / Issue: 51/2004

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ダニロ・キシュと中央ヨーロッパ ―― 未完の短篇「アパトリッド」を通して ――

Author(s): Ayako Oku / Language(s): Japanese / Issue: 55/2008

In 1979 Danilo Kiš left Belgrade and settled in Paris. Unlike Milan Kundera who was forced to move out of his country because he was deprived of his right to participate in public life, Kiš migrated to France of his own free will. His “voluntary exile” or “Joycelike exile,” was not only inspired by his quest for literature, but also by what he termed his “fate as a wandering Jew.” This paper focuses on Kiš’ “exile,” by analyzing his unpublished work “The Apatrid” (1980), and by examining how his understanding of the concept of “Central Europe” evolved.

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トルストイ『コサック』におけるカフカス表象の「現実性」

トルストイ『コサック』におけるカフカス表象の「現実性」

Author(s): Kyohei Norimatsu / Language(s): Japanese / Issue: 51/2004

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プーシキン『スペードの女王』の比較文学的考察: スタンダール『赤と黒』・バルザック『あら皮』『赤い宿屋』との対比

プーシキン『スペードの女王』の比較文学的考察: スタンダール『赤と黒』・バルザック『あら皮』『赤い宿屋』との対比

Author(s): Atsuko Morita / Language(s): Japanese / Issue: 54/2007

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プーシキンの『コーカサスの捕虜』再考

Author(s): Masanori Goto / Language(s): Japanese / Issue: 47/2000

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リュドミラ・ウリツカヤの作品世界 -描写と人物像の特徴を中心に-

リュドミラ・ウリツカヤの作品世界 -描写と人物像の特徴を中心に-

Author(s): Tetsuo Mochizuki / Language(s): Japanese / Issue: 53/2006

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レーシャ・ウクラインカ再読: ウクライナ文学におけるナショナル・アイデンティティ

レーシャ・ウクラインカ再読: ウクライナ文学におけるナショナル・アイデンティティ

Author(s): Yoshinari Harada / Language(s): Japanese / Issue: 54/2007

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世界は注釈でできている ―― ナボコフ『エヴゲーニイ・オネーギン』注釈と騙られた記憶 ――

Author(s): Shun’ichiro Akikusa / Language(s): Japanese / Issue: 55/2008

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実証主義の彼岸: И.С.ツルゲーネフの中編『クララ・ミリッチ(死後)』における写真のテーマ

実証主義の彼岸: И.С.ツルゲーネフの中編『クララ・ミリッチ(死後)』における写真のテーマ

Author(s): Yasuhiko Kyuno / Language(s): Japanese / Issue: 54/2007

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