Kraljičin izbor
The review of: Božena Volić: Kraljičin izbor Skaz o Jeleni Branković – Mari, posljednjoj bosanskoj kraljici
More...We kindly inform you that, as long as the subject affiliation of our 300.000+ articles is in progress, you might get unsufficient or no results on your third level or second level search. In this case, please broaden your search criteria.
The review of: Božena Volić: Kraljičin izbor Skaz o Jeleni Branković – Mari, posljednjoj bosanskoj kraljici
More...
The review of: Dragan Gligora: Rad snova i Jedini smisao vremena, Naklada Bošković, Split, 2018
More...
The review of: Ljuba Đikić: Pisme i pisma – Aktualne guslarske pisme s Duvanjskog polja / Pisma u tuđinu i pisma u zavičaj, Udruga građana za kulturu i informiranje Tomislav, Tomislavgrad, 2019.
More...
The paper analyzes the image of the young girl in German literature from Slavonia. The characteristics of young girls are shown on three examples (Victor von Reisner’s Das angenehme Erbe, Roda Roda’s Die Streiche des Junkers Marius and Wilma Vukelich’s Spuren der Vergangenheit), which are then compared to the characteristics of young girls as depicted in German novels for young girls. The elements suggested by Christa Stocker are used in the analysis: explicit and implicit descriptions of movement, naturalness, officiousness, a state of mind attributed to young girls during the period in question and terminology. The analysis and comparison show that only Victor von Reisner portrays the young girl within the norms prescribed by novels for young girls. Roda Roda and Wilma Vukelich give their girl protagonists unusual characteristics that cannot be classified as well-behaved or ill-mannered. Although they show characteristics of wild young girls, i. e. girls that are not stereotypical, they are not judged or sanctioned as ill-mannered. On the contrary, the characteristics that make them seem wild give them a special distinctiveness and character depth which they preserve as adult women as well. The analyses also shows that in all three texts the regional characteristics influence the character of the young girl.
More...
In this paper, I would like to present the story of two Polish 20th century translations of Osman by baroque poet Ivan Gundulić. In the production process of the translation there were involved three main actors: Croatian initiator of the whole process, Julije Benešić, and the two translators, Czesław Jastrzębiec-Kozłowski and Jerzy Pogonowski.
More...
Review of: Ivana Brković, Političko i sveto. Identitet prostora i prostori identiteta u dubrovačkoj književnosti 17. stoljeća, Zavod za povijesne znanosti HAZU u Dubrovniku, Zagreb - Dubrovnik, 2018., 323 str.
More...
The review of: Stijepo Mijović Kočan, PRIČA S KRAJA SVIJETA, Matica hrvatska, Ogranak Konavle, 2018.
More...
The review of: -Medaljon – Prvi roman o škriparima, Ogranak Matice hrvatske u Čitluku, Čitluk, 2015.; -Posljednji, Ogranak Matice hrvatske u Čitluku i Ogranak Matice hrvatske u Vinkovcima, Čitluk – Vinkovci 2016.; -Od Franje do Franje, Ogranak Matice hrvatske u Čitluku i Ogranak Matice hrvatske u Vinkovcima, Čitluk – Vinkovci, 2017.
More...
Predstavljanje knjige Kud plovi ovaj brod, akademika Josipa Muselimovića./ Presentation of the book “Where Does this Ship Sail?” by Academician Josip Muselimovic.
More...
The review of: Stanko Krnjić, Sto i jedna mala pjesma, OMH Podstrana i DHK HB Mostar, 2019.
More...
This paper is on the research of the impact of physiognomic theories on the dependence of a person’s character on his outer appearance in the characterization of protagonists in short stories by Janko Polić Kamov. In Croatian literary realism there is a significant number of examples in which the personality of a main character is shaped according to his physical appearance. The prose works of prominent representatives of Croatian literary realism followed the pattern of characterization in line with the physical appearance of a character with a particular focus on his nose. In the examples of the characterization of protagonists in Kamov’s prose it is noticeable that there is an unavoidable relationship between a character’s nose and his human values and conduct. In accordance with the accomplishments of previous research on the impact of physiognomic theories on attitudes expressed in the essays by Janko Polić Kamov, in this paper the research is extended to his short stories to determine more precisely his view on modernist literature. It is concluded in the paper that Kamov often motivates the behavior of a character and his value judgments according to his outer appearance and that, in a short story written by Kamov at the end of his life, he departs from characterizations that equate the physical and ethical. Abandoning the process of equalizing the physical and ethical is accompanied by strong irony, as well as the inner crisis of the main protagonist of the short story „Bitanga” (“The Scamp”). The failure of physiognomic theory to serve self-analysis confirms it is not trustworthy in advocating a strong causality between the physical and moral, but it also confirms the assumption that Kamov is an author who did not manage to avoid the contradictions of modernist literature.
More...
Pitanje identiteta najopćenitije je pitanje umjetnosti, ali ono se ne odnosi, kako se obično shvaća, isključivo na razinu sadržaja, odnosno priče; reprezentacije identiteta jasnije se otkrivaju na formalnoj razini, pa se ne kaže uzalud da je forma srce sadržaja. Što se književnosti tiče, najvidljive je to u romanu. Još je Bahtin pisao kako se roman, kao višeglasni žanr, razlikuje od epa (u kojem postoje dva pola, dobro i zlo, Turci i Crnogorci, partizani i ustaše) baš po tome što su likovi u romanu u romanu nositelji kompleksnih ideoloških stavova, dok je riječ u romanu uvijek ideologizirana, uronjana u ono što bi Foucault nazvao pragovima diskurzivne zbilje — etizacija, estetizacija, politizacija itd. Riječ u romanu, način na koji se ona oblikuje, posreduje, načini na koje se priča slaže na razini pripovjednih strategija, kompozicijskih i leksičkih riješenja itd. [...]
More...
Poems: Karla Crnčević – 17. Armin Stefanović – 1993. Vernes Subašić – EMININ MACONDO; Emina Elezović – GEOMETRIJA SOPSTVENOSTI; Tihana Gambiraža – HIJERARHIJA STRAHA; Dženedina Mušanović – KAD SI REKAO DA JE VOLIŠ; Josip Zlodre – KOLEKTIVNO DOBRO; Stjepan Bajić – MICHAEL KEATON; Maša Živković – SEZONOSKOPIJA; Nikolina Todorović – SVJEDOK.
More...
Samba, rumba i cha–cha–cha u ritam & blues a(ra)n(ga)žmanu, (Milko Valent i poezija prekoračenja)?
More...
Kada otvorite enciklopedijsku natuknicu Milko Valent, najčešće će pisati kako je on prozaik, pjesnik, dramatičar, esejist, teoretičar, kazališni kritičar i još čitav niz drugih zvanja usko vezanih uz književnost i kazalište.
More...
The paper deals with the decisionist approach to organization theory and presents the work of American Nobel laureate Herbert Simon as its chief representative. Information is collected from the work written by Simon himself, from books and papers authored by other people, most notably his close associates and critics, as well as Croatian literature dealing with decision-making in organizations and decision-making in general. Although his extraordinary contribution to several disciplines is recognized in the domestic literature, there is no systematic overview of Simon’s work. This paper aims to fill this void. First part of the paper tackles the basic concepts of Simon’s decisionmaking theory: rationality of decision-making and, in particular, bounded rationality, search for a satisfying solution (satisficing), heuristics, and differentiation between programmed and non-programmed decisions. The paper proceeds by presenting Simon’s understanding of decision-making within the organizational setting. It is argued that Simon’s understanding of organizations is anchored in the differentiation between two types of decisions: decision to participate and decision to produce (intraorganizational decisions). Finally, the last part of the paper explores criticism of Simon’s work.
More...
Goran Čolakhodžić (Zagreb, 1990) is a poet and translator. He graduated in English and in Romanian at the University of Zagreb and translates literature from and into both those languages. As of February 2017, he has translated four books, both alone and in collaboration. In 2015, his volume of poetry Na kraju taj vrt (In the End the Garden) was awarded the famous Croatian award for debutants in poetry, “Goran for Young Poets”. The book was published later that year. His poems have appeared in a number of magazines and on websites in Croatia and other ex-Yugoslav countries and have been translated into English, Romanian, Polish and Dutch. In 2016, he was one of the Croatian representatives in the Versopolis project, participating at the European Poet of Freedom Festival in Gdansk, Poland and at Ledbury Poetry Festival, United Kingdom. His poetry appeared in several anthologies. In 2017. he was awarded with the Bridges of Struga award for the best debut book.
More...