Na valovima snova teče ljubav
The review of: Marina Kljajo-Radić, San na rijeci, na albanski preveo Mustafa Spahiu, Naklada Akademski pečat, Skoplje, 2017., str. 72.
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The review of: Marina Kljajo-Radić, San na rijeci, na albanski preveo Mustafa Spahiu, Naklada Akademski pečat, Skoplje, 2017., str. 72.
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The review of: Anto Marinčić: Rebro, Društvo hrvatskih književnika Herceg Bosne, Mostar, 2018.
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The review of: Nives Puhalo: Na libeli od tinte; vlastita naklada, Zagreb, 2018.
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The review of: Mato Nedić: Hod po oblacima, Vlastita naklada, Tolisa, 2017.
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The review of: Mato Nedić: Ako hoćeš biti svjetionik, Vlastita naklada, Tolisa, 2017.
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The review of: Miljenko Stojić: Cvrk-cvrk, Matica Hrvatska, Čitluk – Vrgorac, 2017.
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Kod Vlatka Majića, čak i tema smrti prikazana je uzvišeno (Tanana smrt), gdje: odlazi tiho / stara nana // bogatiji svemir. Biološki proces s dubokom vjerom u zagrobni život, u dostojanstvo čovjeka pri prelasku u vječnost, u okrilje Njegovo. Zanimljivo je kako i suprotstavljeni svjetovi imaju harmoniju postojanja: iz šume su izlazile želje / imadoh pticu i nož.
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The review of: Stanislav Bašić: Rane priče, rukopis
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The review of: Dražen Zetić: Bdijenja u Boki, Hrvatska bratovština Bokeljska mornarica 809 / Hrvatsko nacionalno vijeće Crne Gore, Zagreb, 2017.
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The review of: Tomislav Marijan Bilosnić: Sto pjesama o tijelu, 3000 godina Za dar, Zadar, 2017.
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The paper deals with the apsect of Matoš’s oeuvre that had been neglected in the Serbian and Croatian literary criticism respectively, which is his Rightist ideological discourse in the light of his relation to Serbs (Serbian culture). As for the former literary criticism, on those rare occasions his name was mentioned, it was done in a euphemistic manner (concerning his negative attitude towards Serbs and Serbian culture), whereas the latter offered few critically elaborated justifications of this problematic segment of Matoš’s oeuvre. Even today, on the 100th anniversary of his death, an opportunity was missed to topicalize these important issues and analyze what it was exactly where this problematic stance of the most pronounced follower of Ante Starčević’s ideas in the then Croatian literature found its expression. Namely, in the case of drastically negative observations made on the Serbian culture, which Matoš was deeply familiar with, even submerged into. The research comprises whole of Matoš’s oeuvre, and it becomes evident that his ideological discourse turns radical in the interaction with the Serbian culture, especially in the cases featuring background of critical discussion, politicizing, problematizing or stereotypization of relations between cultures, in the first case Serbian and Croatian ones. The paper confirms that there is a pronounced negative attitude towards Serbs and Serbian culture in Matoš’s works, where this discourse is founded upon nationalism, ethnocentrism, intolerance, even racialism.
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The initial fantastic impulses in the introductory chapter of Vladan Desnica’s novel Proljeća Ivana Galeba (Springs of Ivan Galeb) cause the stratification of the category of time and sophistication of the narrative course by the inclusion of the retrospective sequence of novel events. In the retrospectve sequence of novel events, there is an indicative fantastic cipher which offers a fantastic code of the text as one of the possible ways of reading that text.
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In this paper we pointed out the correlation between eclogue Radmio and Ljubmir by Džore Držic and dramatic forms by Marin Držic, as well as similarities between the two authors: about the artistic impressions, relation of art and reality, comic in life and art. From that point of view, Džore appears to be the exemplar for his nephew Marin and the stimulation for reshaping some of his motives and scene concepts in Marin’s dramatic forms.
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The paper discusses the principles of selection and the attitude to oral epics which make the foundation of Vojislav M. Đuric’s anthologies of Serbo-Croatian epic and heroic poetry. As dominant, the paper investigates esthetic and ethical measures, the relation between poems and history, as well as poetic features of oral epics. Special attention was dedicated to Đuric’s view on the relation between epic poems and history, and to the influence which this view had on the esthetic, content and ethical measures according to which he formed his anthologies of heroic and epic Serbo-Croatian oral poems.
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Short stories by Dubravka Ugrešić: -Celebrity -I am just a kid! -Sreća -Hometown -Ah, ta retorika! -Pravo na nesreću -Prostor i vrijeme -Tamilci
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Short stories by Dubravka Ugrešić: -Gradovi su kao kaputi -Prvi okus ljepote -Gdje žive odrasli? -Tijelo i prostor -Retorika -San o letu -Osmoza -Voltaireova metafora -Lomanstratt -Karneval -A kao Albert -Mostovi -Muzej -Draga Ana... -Who are you? – Said the caterpillar -Punjeni kolačići
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Kada danas gledamo razvoj književne karijere Dubravke Ugrešić, ta nam se karijera čini jasno podeljenom na dva dela, pri čemu se 1991. godina pokazuje kao prelomna. U vremenu do devedestih godina nastale su ključne “post-moderne” knjige Dubravke Ugrešić: Poza za prozu, 1978; Stefica Cvek u raljama života, 1981; Životje bajka, 1983; Forsiranje romana-reke, 1988. Nakon toga, ona se sledećih nekoliko godina okreće drugom žanru i pre svega piše eseje (Američki fikcionar, Zagreb 1993; Kultura laži, Zagreb 1995), koji se prevashodno bave društvenim i kulturnim problemima na prostoru nekadašnje Jugoslavije. [...]
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Croatian speculative fiction in the last quarter of the century has been dominated by the city of Zagreb. There are three anthologies depicting the capital of Croatia and visions of its future: Zagreb 2004 (1995), Zagreb 2014 (1998) and Zagreb 2094 (2004). Also, in Croatian dystopian fiction, the popularity of which has grown rapidly since 2010, the city becomes a metaphor for the problem of exclusion and deep inequalities between the centre and the periphery. The changes in the literary image of Zagreb over the last twenty-five years illustrate not only the changing perception of an urban space and different ways of experiencing the city by writers, but also depict the evolution of speculative fiction in Croatia by distinguishing its most important elements: the growth of the importance of local motifs and places, as well as blurring the rigid genre boundaries and the evolution towards the so-called slipstream fiction. Thanks to the analysis of literary images of Zagreb, questions about the attitude of fantasy literature of that time towards the main contemporary issues can be raised. The article finally offers a possibility to define either the subversive or conciliatory character of fantasy works in the context of the most dominant ideologies of that time.
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Albert Bazala’s book Psihologija u hrvatskom umjetnom pjesništvu (Psychology in Croatian Artistic Poetry) illustrates how during the early 20th century a tendency to use various disciplines in an integrated way in the teaching process was present in the Croatian educational system. This work, intended for students, is a pioneering venture in the field of psychological literature, which in its content combines poetry and psychology as a scientific discipline. Furthermore, an attempt will be made to delineate how poetry and psychology are interrelated through Bazala’s interpretation of delusions and projections. Bazala’s interpretation of delusions, projections, illusions and hallucinations is exemplified in the poems of Ante Tresić Pavičić, Jovan Hranilović, Luka Botić, Franjo Marković and Gjuro Arnold. It is nearly impossible not to notice the strong influence of Gjuro Arnold and his textbook Psihologija za srednja učilišta (Psychology for Secondary Schools) in Bazala’s work.
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