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The author briefly describes the status of the Croatian Literary Language under the new democratic circumstances and the demand for the change of the present title of the periodical »Jezik« (Language) into »Hrvatski jezik« (»The Croatian Language«).
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The author gives a brief description of the present-day problems in the Croatian orthography pointing out the fact that Croatian linguists are now faced with similar dilemmas as in the year 1941. In order to shed some light on these problems the author quotes from the minutes of the sessions of the Commission far the Croatian language its purity and orthography from 1941, and from some other papers on orthography from that period.
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Review of the article: Hrvoje Gomerčić, Hrvatsko ili srpsko-engleski slikovni rječnik (Norma Lovrić)
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Review of: Leopold Auburger, Verbmorphologie der kroatischen Standardsprache, Julius Groos Verlag, Heidelberg, 1988, 218 str. (Stjepan Babić)
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L'auteur discute les problemes de la codification de le norme usuelle, qui est etablie dans la langue croate litteraire a base de l' accentuation nouvelle štokavienne occidentale.
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Odazivajući se pozivu koji mi je upućen da dadnem svoje prijedloge u vezi s načelima za vođenje jezične politike u SRH i SFRJ, podnosim nekoliko sugestija.
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Iako ratovi, požari i razna uništenja nisu poštedjeli i najčuvanije sakralne i kulturne prostore u Bosni, kao što su franjevački samostani, crkve, arhivi i biblioteke, ipak se uspjelo sačuvati dio pisane povijesti. Među važna djela franjevačke, a onda i bosanske povijesti ubrajaju se ljetopisi i kronike. Posebno su značajni oni iz 18. stoljeća: Lastrićevo historiografsko djelo Pregled starina Bosanske provincije te ljetopisi N. Lašvanina, kreševskoga (M. Bogdanović) i sutješkoga (B. Benić) samostana, kao i Godišnjak fra Jake Baltića koji obuhvaća kasnije vrijeme, od polovice 18. do osamdesetih godina 19. stoljeća.
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Uputa za upotrebu: ako ljetuješ kraj mora, ustani ujutro u šest, idi do stijena, gdje je voda duboka i bliješti, skoči na glavu, plivaj dvadeset minuta. Osuši se na suncu, zapali, čitaj pjesme i idi doručkovati. U osami kreni kroz šumu na kupalište, polako, tamo se sunčaj, kupaj se do pola dvanaest, skupljaj školjke, puževe, plivuckaj, skači, igraj se žabica, gradi zamak od pijeska, usto meditiraj nad velikom tezom svijeta. Bolje je usred sunčanog ljeta kupati se u moru, nego zimi raditi u mračnom uredu. Ako si i s time gotov, još jedanput uroni u more, osuši se, obuci laganu pidžamu, polako idi do gostionice, sjedni za stol i, dok donose juhu, pročitaj sljedeće...
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Iznenadnim preminućem Tonka Maroevića u njegovoj obiteljskoj kući u Starom Gradu na Hvaru, kultura daleko širih protega od usko nacionalnih hrvatskih ostala je bez jednog od svojih najupućenijih i najstrastvenijih zagovornika. Srećom po ovdašnju duhovnu higijenu, bilo je neobično mnogo toplih reakcija kojima su mnogi željeli na ovaj ili onaj način komemorirati odlazak ovoga velikog učenog erudita i nenametljivog prosvjetitelja, što ipak svjedoči u korist činjenici kako kultura među nama, ipak, još uvijek nije iščezla.
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Rad će se baviti fenomenološkom analizom zvukovnoga sloja Koromanovih pjesama, s ciljem ispitivanja opalizacije u području jezično-glasovnih konkretizacija koje utječu na višeznačnost pjesničkoga govora na svim razinama u strukturi određene pjesničke cjeline. Pristupom Koromanovim pjesmama zasnovanim na fenomenu opalizacije, prikazat će se i analizirati razvojne faze pjesničkoga opusa s obzirom na zvučnost i ritam. Istraživanja Koromanova pjesništva do sada su išla u drugom smjeru i nisu se bavila analizama višeznačnosti na zvukovnom planu, a rad će strategijama fenomenološke metode prikazati modele po kojima se zvukovni sloj u Koromanovim pjesmama konstituira u svrhu postizanja opalizacijskih učinaka i višeznačnosti koje doprinose ostvarivanju estetskoga potencijala.
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The review of: Andrijana Kos-Lajtman, Sanja Lovrić Kralj, Nada Kujundžić, ur. 2018. Stoljeće Priča iz davnine: zbornik radova. Zagreb: Hrvatska udruga istraživača dječje književnosti. 918 str. ISBN 978-953-57604-3-6.
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Tribune of the Croatian Foundation for Science (19. September. 2019) - Faculty of Philosophy, Zagreb
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Vjenceslav Novak’s novel, The Last of the Stipančićs (1899), has intrigued the public and literary criticism until the present day. The Stipančić family includes the father Ante, mother Valpurga, son Juraj and daughter Lucija. Lucija is a girl confined within four walls, who has her girlish dreams, and who aspires to, and hopes for, a better life, wishing to realise her right to happiness, love and a life worthy of a human being. Lucija lives in a patriarchal society that has its strict rules, the disrespect of which is drastically punished. After the rebellion against her marginality, deprivation of her rights, confinement and neglect, and ill from tuberculosis, exhausted, weary, exploited, cheated, betrayed, left alone and disappointed, Lucija dies. The fate of Lucija, Valpurga, Ante and Juraj Stipančić embodies the fall of the patricians of Senj due to political, social and economic conditions in Senj in the first half of the 19th century.
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The authors present one of the ways that dramatic creativity is encouraged and promoted in the Republic of Croatia, namely the competition for the Marin Držić Award, which was introduced by the Croatian Ministry of Culture in 1991. The authors are particularly interested in the manner and extent to which women, that is, authors and playwrights, are represented in the arena of contemporary trends in national theatrical and dramatic creativity.
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The stereotypical images of Turks, a conquering force which represents a constant threat to Croatia and Europe, since the 15th century are the permanent place of the literary and semiliterary treatment of skirmishes between the Christian and Ottoman armies. And the most wellknown literary realisation by Pavao Ritter Vitezović – the "poem" Odiljenje sigetsko – will resort to many kinds of attributes of the attacking Turkish armies of which only a small part could be characterised as negative, with which an obvious departure from the then anti-Turkish productions was made. Following the traces of contemporary imagological research and the still relatively fresh attempts at the applying of their conclusions to Croatian literature (Dukić), Vitezović’s Odiljenje is viewed from the perspective of the stereotypical qualification of opponents, the Ottoman armies and their functions. The reasons of creating a considerably more moderate image of the Turks are found equally between the content and formal peculiarities of the text, but also in the reception of its orientation which to a great extent may also have caused the most tolerant literary relationship towards the enemy from the east in the Early Modern Age of our literature.
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The author in this paper compares phonologic and morphologic characteristics of Senj’s korizmenjak from 1508 whose linguistic basis is in Senj’s vernacular from the beginning of the 16th century, with the same characteristics of Senj’s vernacular of today. Special attention is given to those linguistic characteristics, which are no longer preserved in Senj’s vernacular of today.
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The consideration of irony here is established through several relations in the text: the irony between the characters, the irony the narrator uses in relation to the characters, the author’s irony in relation to the narrator and the reader. Nevertheless, very rarely is it one-way irony: the interpretation of one of the stories from „Early Sorrows“ by Danilo Kiš or some paragraphs written by Krleža and Crnjanski, are used with the aim of shedding light on relations where irony is being established, as well as its function within the text. The so-called ironic deflection gains a special attention here, and so do the direct and indirect irony. Since it is impossible to provide a universal pattern for irony detection, this text serves as a guide for detecting some of the mechanisms that can be used to create on-the-spot irony, which could prove useful for teachers in terms of adopting certain tools for recognising and including irony in the interpretation of the text. Further analysis can also reveal how irony can have to do with the author’s view on life and the world, in general.
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The subject of this paper is the novel Grad, pepeo (The City, the Ashes) written by a contemporary Croatian writer, Ivana Rogar. This is a recently published first novel by Rogar, provoking critical and broader readers’ response from the moment of its publishing. The interpretation of this romanesque universe and its dark atmosphere was mainly taking place during current pandemic, and the definition of the nature of its fictionality has been problematic. With occasional dialogue with existing critical responses, this work will interpret and analyze the elements of The City, the Ashes in light of the underlying Beckettian‑existentialist conceptual literary process.
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Prenošenje legendarnog, epski završenog junaka u jedan drugi rod, u drugi oblik kazivanja i drugi vremenski kontekst, povlači za sobom bitne promene u ponašanju i osećanju glavnog junaka, u stvari u strukturi radnje. Proces razaranja mita prošlosti i neprikosnovenog epskog junaka u njemu razvija se u pripoveci lve Andrića Put Alije Đerzeleza u dramatičnim etapama. Žanr priče teorijski i u neposrednom ostvarenju nametnuo je drugačije principe tretiranja ličnosti od onih koje zahtevaju strogi zakoni epske pesme. Proza je omogućila istraživanje “psihološke istine” glavnog junaka, što je u epskoj pesmi svedeno na detalj. lza Andrićevog Đerzeleza više ne stoji “narod”, on ne govori u ime “mnoštva” već u svoje ime. On dolazi medu ljude sam i sam ostaje do kraja. Njega ne štiti viša sila niti mu u nevolji pritiče u pomoć vila. Njega ne vodi ideja oslobođenja ili osvajanja. On ne teži nekom višem i po svom značaju opštem cilju.
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