We kindly inform you that, as long as the subject affiliation of our 300.000+ articles is in progress, you might get unsufficient or no results on your third level or second level search. In this case, please broaden your search criteria.
Nekako s kraja prošle godine u izdavačkoj kući Dobra knjiga izašla je knjiga izabranih pjesama Željka Ivankovića. Knjiga je naslovljena Ljubičasti menuet, a izbor poezije – što je i zabilježeno unutar korica – sačinio je sam autor iz šest zbirki objavljivanih od 1990. do 2014. godine (Urušavanje slike, Traženje zavičaja, Raskoš, hladna mjesečina, Dnevnik melankolije, Sjene sve dulje i Sablazan jezik). Knjiga je dalje podijeljena na šest poglavlja od kojih je svako ime dobilo prema jednoj od uključenih pjesama.1 Ovaj novi kolaž ne zahtijeva hronološki pregled poglavlja niti insistira na strogoj povezanosti među njima i potpuno je otvoren za različit čitateljski tempo i logiku, za različite čitateljske intervencije, osim, rekla bih, za površnost.
More...
Znano je koliko je pjesničko umijeće nadrealizma privuklo modernističkog pjesnika Veselka Koromana. Pišući u vremenu postnadrealizma on je to umijeće prilagodio svojim potrebama, preuzeo je nadrealističku sliku i poetičku auru oko nje: ne i njegovu filozofiju, povezanu sa psihoanalizom. Tako je svoj odredbeni doživljaj djetinjstva, svoju privuče-nost snu kao drugoj stvarnosti, iskazao i izričitim ispoljenjima saglasnosti čula. Kod njega u ranom pisanju “gorka muzika” dodiruje “svjetlost”. “Čuj mirise koji sijevaju”, prizivao je stihom koji usaglašava olfaktivno sa auditivnim i vizuelnim istodobno. Pojmovi se kod Koromana “bjelasaju”, čežnja se bjelasa, radosti su bijele. Bijelo u pokretu je “sijevanje”.
More...
Uz ime i djelo Veselka Koromana najčešće se, da ne kažemo prvo i gotovo isključi-vo, veže određenje – pjesnik. Posve razumljivim nam se, stoga, čini da njegovih dvanaest pjesničkih knjiga bacaju u sjenu sve druge mu knjige, no sad kad pred sobom imamo cjelokupno njegovo djelo, k tomu djelo koje je sâm za života htio uobličiti i uobličio u svoje sabrano, integralno djelo, optičke sprave i kritičku opservaciju valja snažno okrenuti i drugim, namjerno nećemo reći ostalim, njegovim književnim djelima. To tim više jer je i potpisnik ovih redaka i sâm najčešće o Koromanu pisao kao o pjesniku. Dakako, ne misli-mo pritom cjelinu njegova djela prevrednovavati, ili ne barem u ovoj prigodi, ali svakako ima smisla nešto više svjetla baciti i na drugu, dosad daleko manje vidljivu ili barem manje opserviranu stranu njegova opusa.
More...
An essay writing holds a central position in the academic interpretative practices of Bosniak authors. This paper analyses that phenomenon by focusing on the work of Enes Duraković, who most completely describes the path from loyalty to this model to liberation that occurred parallel to the cataclysm of war and ethno-political, socio-structural and cultural shocks that marked the history of Bosnia and Herzegovina at the turn of the millennium. The shift occurs by adapting the traditions of postmodernism, post-structuralism, and postcolonialism, revealing thus if not the illusion, then certainly institutionalism of truths and their dependence on the socio-discursive order. In that sense, it is particularly interesting to observe the Bosniak academic reflection on literature within the rational choice theory.
More...
Divided self is a frequent theme in Andrić’s short stories, beginning with his first, The Journey of Alija Ðerzelez, to his last, The House on Its Own, posthumously published wreath of stories. Using the elements of narratological and psychoanalyticapproach, a certain narrative model is noticed that is used by Andrić’s in various forms. Andrić is regarded within a context of some of the greatest story-tellers in world literature.
More...
The paper analyzes some forms and meanings of repeated images, summaries, motives, heroes, anecdotes and lines in Ćopić’s works for children. Although critics often assessed Ćopić’s inclination towards repetitions as a shortcoming, the given procedure is seen here as a fruitful self-quoting technique.
More...
The paper deals with a complex genre structure of the chronicle-novel „The Bridge on the Drina” which makes the work mosaic and contextual. Genre allusions are initial impulse for intertextual merger with the ancient story: ancient and Christian mythology (myth on world creation and destruction of the created: myth on flood), Biblical legends (on sacrificing, resurrection, and new, authentic creation), and with verbal literature tradition.
More...
The paper discusses the complex relations between oral literature and Branko Ćopic’s works for children and youth. The author tries to point out the possibilities of transpositions of some key poetic features of oral literature (illusion of oral naration, repetitions, variance, traditionalism), but also of stylistic and specially inter-genre over-lappings between oral and written literature. In that sense, attention is directed to the mutual relations within Copic’s works (novels, short stories, fairy tales, long poems, poetry) and oral prose genres (oral tradition, fairy tales, deception naratives, humorous folk stories, fables, stories about animals, short stories), folk beliefs and customs, short prose forms and oral poetry. In addition the viewing the manner of transposition, the research also implies viewing of different functional relations between two corpora of texts, particularly the various types of Copic’s parody of the elements taken from oral literature.
More...