Lecturi - Receptarea literaturii maghiare din Transilvania. Schiță sintetică
Study on the reception of the Hungarian literature în Transylvania.
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Study on the reception of the Hungarian literature în Transylvania.
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Scholarly article about the evolution of literary criticism at Babes-Bolyai University.
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Essay on the topic of the Communist manifesto.
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Review about the book ”Prisoner in teh mirror” by Lidia Vianu.
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Literary review by Lucian Scurtu about thepoetry book of Nicolae Prelipceanu, Funa maro.
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This paper analyzes the programmatic views of Zaharija Orfelin in the context of considering various, if not all, problematic issues he engaged with. These issues encompass moral philosophy, the relationship to tradition, the development of linguistic norms and the use of scripts, the development of encyclopedic writing, the construction of national consciousness, the influence of Christian tradition and Enlightenment rationalism, political questions of global governance within the national community, the status of art, especially literature, and the approach to changes in social relations in society. Orfelin’s program is oriented towards community action and problem-solving in the present to achieve change. It is characterized by pragmatism, a wide range of issues he addressed, and individualism in finding solutions.
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This paper aims to prove two important theses. One proposition is that nothing in human life, especially in the life of sacred persons, is the matter of haphazard accident. Another assumption is that the lives of hagiographic characters, the creations of divine blessing and providence, represent the fulfilment of God’s divine design. The discussion of these ideas is based on the Gospel of John. The paper analyzes the hagiographic characters, who were predestined to achieve theosis and were thus the incarnation of the transformative process whose aim is the union with God for the betterment of their own people, with the purpose of indicating the possibility for all human beings to achieve deification themselves.
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The paper, primarily, gives an overview of the considerations of space and time in medieval literature. At the same time, the subjects of horotop, hierotopy and hierophany are defined. Leaning on theoretical settings from the introductory part of the paper, the poetics of micro-space in Domentijan’s Life of St. Sava is detailed. The symbolism of space in the works of this medieval author is widely dispersed, but under researched. To Domentijan’s recognizable poetics in the narrative is attributed a serious pursuit to build a symbolic (micro) space, that, striving towards eternity, creates a colorful picture of meanings. The examples of excerpted material from the Hagiography point towards the theology and aesthetics of heart and soul which create the concept of the mentioned poetics of micro-space.
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There are still a lot of unsolved events in the life of Jelena Balšić, kritor, ruler, and the first Slavic woman writer from the territory of modern Montenegro. Historians talk about her in excursion when they write about three rulers – two of her husbands, Zeta’s prince Đurađ II Stracimirović Balšić and Bosnian duke Sandalj Hranić Kosača, as well as her son Balša III Đurađević Balšić. In historiographical works, on the one side, Jelena Balšić is idealized, while, on the other side, her socio–cultural and psycho–anthropological profile is overshadowed. Concerning this, there are only a few papers that talk about the last years of Jelena Balšić, one is from Đuro Tošić (Tošić 2004), and the other from Mladen Ančić (Ančić 1987) which denies, using documents, the claim that Jelena Balšić met Sandalj Hranić Kosača while her first husband was still alive. In an attempt to show the biography of Jelena Balšić, her spiritual side is often overlooked. Numerous hypothetical reconstructions of the events from Jelena Balšić’s life are based on reducing unknown to known. It is often claimed that Jelena Balšić married Sandalj Hranić Kosača as a way to protect Zeta, which was ruled by her son Balša III, from the Bosnian side, but the circumstances of her marriage are mysterious. There is also a mystery about Jelena Balšić’s residence after the death of her second husband. The year of her first marriage and the birthday of her son are still unknown, and that makes the question about his age at the time of his father’s death and the conjoined ruling of Zeta with his mother, hard. There is also no solid evidence that Jelena Balšić wanted to become a nun after the death of her first husband, and that she became a nun after the death of her second husband. Those are a few of the unsolved places in the biography of Jelena Balšić which we look at in this paper. The best sources about the life of Jelena Balšić are archives of Ragusa, Kotor, and Venice, as well as the manuscript Gorički zbornik (1441/1442) which contains the correspondence with the priest Nikon of Jerusalem. Looking at the biography of Jelena Balšić without looking at the Gorički zbornik is the same as reducing her life to a fraction.
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The main topic of this paper is the analysis of the new translation of Old Testament by the retired professor of biblical scholarship of the Faculty for Orthodox Theology, Dr Dragan Milin. The paper considers circumstances of the formation of new translation, the role of the Serbian Biblical Society, secondary references used for translation (dictionaries, glossaries, manuals and other translations), numbering of chapters and verses, canon, book titles, toponyms, personal names and neologisms. Special attention is dedicated to the analysis of the used source – critical edition of masoretic text (BHS). Main goals of this paper are determination of the type of translation and evaluation of itʼs quality by methodological steps of contemporary biblical translatology (defined by Eugen Nida). Prof. Milin translation is compared to other Serbian translations of masoretic text. The translator declares two main goals in his work: being strictly faitfull to the source and the comprehension of the translation by contemporary young population. The analyzed verses are Gen 1, 2; Gen 19, 5, Ps 51, 14, The paper focuses on thorough analysis of the translation of specific verses (Gen 1, 2 and Ps 51, 14) and Gen 19, 5, Job 2, 9, Qoh 1, 2 as well with handfull other examples. The results of the analysis show that new translation strives both to formal and dynamic equivalence: in some examples it stays loyal to the source to the finest detail, when at the same time other examples show exegetic influence and preference to the sense and beauty of the utterance in the language of recipients. If we accept the Eugen Nidaʼs criterion that the good translation is the one that gives efficient communication between the text and the recipient, than we can affirm that the translation of Prof. Milin is a good and succefull one with the most positive prognosis for its further reception.
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Heinrich von Kleists literarisches Werk stellt schon zwei Jahrhunderte lang einen zugleich inspirierenden, aber auch irritierenden Ausgangspunkt für das Lese- und Wissenschaftspublikum dar. Beim Lesen vom Erdbeben in Chili aus ökokritischer und kulturökologischer Sicht wurden für diesen Beitrag sowohl verschiedene Funktionen der Natur in Kleists Text als auch Verhältnisse zwischen Individuum und Natur und zwischen Natur und der Gesellschaft in Betracht gezogen. Ziel des Beitrags ist die Hervorhebung vielfacher Deutungsmöglichkeiten aus der Perspektive der modernen Zugänge, aber auch die Interpretation von bis jetzt nicht genug erforschten Elementen dieser Novelle.
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This paper represents ideas which were developed by Nikola Milošević in his essays about Andrić, where he revealed some deeper layers of his literature. After that, it’s pointed out at the revision of those readings which are present in book „Andrić and Krleža as antipodes”, whereby are some particural conclusions called into question. At the and of the paper author tries to offer some meaninfull conclusion, which offers some kind of answer at the questoion why Milošević gave up from his earlier readings of Andrić’s novels, but also to summarize whole impression about his evaluation Andrić’s literature.
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Review of: Viktor Šklovski, Tehnika spisateljskog zanata, prev. Ivo Alebić, Zagreb: Sandorf, 2021, 98 str.
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The paper analyzes the aesthetic correlation between Erotic and Ironic existence as a Narrative Identity of character Lola Montez within the Novel A Drop of Spanish Blood by Miloš Crnjanski which are important part of the modern experience. Pointing on to the frames of Crnjanski’s subversive experience of the thirties, we are setting up an interpretaion of the Novel based on the immanent poetics and the theoretical insights of feminine seduction by Jean Baudrillard’s book The Seduction. Erotic existence in the Novel is important part of the narration since it creates The Poetic figure of The Otherness while Irony, as a semantic figure of the text, exposes the cultural and historical symbols related to the uncanny portrait of the King Ludwig I of Bavaria and the revolutionary year of the 1848th.
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The work tries to point out the unexplained literary-historical line of influenceс of on Branko Ćopić’s poetry, primarily of Aleksandar Vučо’s children’s poetry. Following the reasons for this unfamiliar literary-historical poetic connection, the paper points out the genre, morphological and stylistic points of contact in the works of the two authors, primarily within the genre of narrative verse, in which their representative works were created. The indicated parallel not only shows a sign of a hidden, but still present continuity in Serbian children’s poetry, but also points out an individual-poetic feature of Ćopić’s poetry: it exposes it as far more layered than it is shown in the most common writings. On the other hand, it additionally illuminates Ćopić’s path towards poetic independence, showing all the diversity of his traditional and modern poetic choices.
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The subject of this research paper is the representation of comic character types in the novels “Gardijski potporučnik Ribanać” and “Lek protiv starenja” by Aleksandar Popović. In the process of basic character classification, the paper employs Frye’s structuralist conceptualization of comedy, where the essence of comic action lies in the competition between the alazon (braggart) and the eiron (self-deprecating character). In this regard, the research aims to demonstrate how these characters are shaped through naming, physical description, and character actions (specifically, through predetermined functions). Furthermore, the paper should explore the functioning of key poetic elements such as grotesque, dreams, imagination, play, and performative elements in children’s prose (and children’s literature in general) by Aleksandar Popović.
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