Топас “дому” ў аднайменным рамане Адама Глобуса

Author(s): Wolga Gubskaja / Language(s): Belarussian / Issue: 9/2017

The status of “home” as a basic archetype and topos attracts the attention of researchers who represent different branches of science. This article deals with the topos of home based on an example of the novel with the same title by Belarusian writer Adam Globus. It is emphasized that through the topos of home such oppositions as “countryman vs stranger”, “blood-related vs not blood-related” are actualized. The presence of an ekphrasis as an individual manner of Adam Globus’ writing is highlighted.

ТОПОНИМИТЕ В СТАРОБЪЛГАРСКИЯ ПРЕВОД НА КНИГА ИЗХОД

Author(s): Veselka Zhelyazkova / Language(s): Bulgarian / Issue: 20/2020

The paper deals with selected toponyms from the Book of Exodus in a wide range of sources from the 12th to the 16th centuries – books of paroemias, full copies of the Book of Exodus, triodia and menaia in comparison with Septuaginta. The analysis of the variant readings shows that the toponyms can be quite important for the text history of the Bible books. Most of the discussed readings in the Slavic manuscript tradition of the Book of Exodus are dependent on variants in different Greek manuscripts which served as protographs of the liturgical and non-liturgical translations, respectively, as well as of the later Athonite redaction. Other variants can be explained with the centuries-old manuscript tradition of the Book of Exodus, the mutual influence between different translations and redactions, non-systematic comparison with other Greek sources, as well as with misunderstanding of the toponyms from the copyists.

Топонимическая лексика в довоенный период творчества Александра Трифоновича Твардовского

Author(s): Inna Koroleva / Language(s): Russian / Issue: XX/2015

The pre-war period (1926–1940) of A.T. Tvaedovskiy’s creative work, the great poet of the 20yhcentury, born in the Smolensk Region, is a period of his rising as an insuperable master of word,a people’s tribune, the time when the main traits of his poetry were developed and when his formationas a founder of the Smolensk Poetic School occurred. One of the central themes of the SPS poets, andfirst of all, A.T. Tvardovskiy himself, was the theme of “the minor” and “the big”. Motherland, whichwas materialized in significant motives through a system of toponyms. i.e. the names of geograpphical places. The article analyzes a system of macro- and mictrotoponyms and demonstrates their part inrevealing of the thematical content of numerous pre-war poems (A Trip to Zagorye, 1939, StationPochinok, 1936, and others), as well the first epical poem of the author Strana Muraviya (1936).

ТОПОНИМИЯ УРАЛА В ПЕРВОМ РУССКОМ ЭНЦИКЛОПЕДИЧЕСКОМ СЛОВАРЕ – «ЛЕКСИКОНЕ» В. Н. ТАТИЩЕВА

Author(s): Elena Polyakova / Language(s): Russian / Issue: 1/2008

‘The Russian Historical, Geographical, Political and Civil Dictionary,’ compiled by Vasily N. Tatischev in 1744–1746, was the first Russian encyclopaedia. Various thematic groups of the vocabulary and geographical names of Russia and other countries are described in the Dictionary. Tatischev characterized many toponyms of the Urals area, such as names of rivers Аять (Ayat’), Белая (Belaya), Вишера (Vishera), Ирень (Iryen’), Кама (Kama), names of places Великая Пермь (Velikaya Perm’), Веретья (Veretya), Верхотурье (Verkhoturye), Екатеринбург (Yekaterinbourg), mountains and mountain ridges Великий Пояс (Velikiy Poyas), Благодать (Blagodat’), Говорливая гора (Govorlivaya gora), and others. He has developed the structure of the toponymic entry, which includes the following components: the head word, the reference to the named object (a river, a mountain, a town) and its geographical characteristics, the etymology of the toponym (if available), its linguistic characteristics and its translation, as well as historical and ethnographical materials which characterize the corresponding object.

ТОПОНИМНАТА ГЪСТОТА В ПЛОВДИВСКО КАТО ОТРАЖЕНИЕ НА ДЕМОГРАФСКИТЕ ПРОЦЕСИ В РЕГИОНА

Author(s): Krasimir Koilov,Maya Vlahova-Angelova / Language(s): Bulgarian / Publication Year: 0

This study investigates how present demographic processes affect the toponymy in the Plovdiv region by analyzing the current toponymic situation in two settlements – the village of Benkovski and the village of Tsalapitsa. An empirical study was conducted in 2016 in the two villages. The results are surprising and show that the dynamic socio-economic development, the expansion of the territory and the increase of the population of the village of Benkovski lead to a decrease in the number of toponyms in the region while in the depopulated village of Tsalapitsa their number does not change.

ТОПОНИМНЫЕ МОДЕЛИ СЯМОЗЕРЬЯ ДЛЯ НАЗЫВАНИЯ НИЗИННОГО РЕЛЬЕФА

Author(s): Anastasia Alekseevna Afanaseva / Language(s): Russian / Issue: 3 (180)/2019

Geographical terminology (including terms of lowland relief) is the most popular semantic group of vocabulary in the formation of toponyms. The article studies the toponymic stems of Lake Syamozero territory, that represent lowland relief (Alho-, Alango-,Kurzu-, Uitto-, Lyöžy-). It also deals with the problem of linguistic and ethno-cultural relations of Lake Syamozero territory at different times. For this purpose, the etymological origins of the terms are considered, including both original Baltic-Finnish lexemes and borrowings of different times. Areas and ethno-linguistic processes are also analyzed. All terms differ in their semantic shades and age, and their toponymic activity also varies. It has been demonstrated that this activity is related to the character of the use of the place described by the term. The topicality and novelty of the research is in the use of the areal-typological method of the toponymic material analysis for solving ethno-historical problems. It has been proved that Lake Syamozero territory was connected with Karelian Ladoga area, through which Finnish and early Russian borrowings penetrated. Data from the toponymic field research card catalogue of the Institute of Language, Literature and History (Karelian Research Centre of the Russian Academy of Sciences), and Toponymic Archive of Finland served as the source for the research. Explanatory and etymological dictionaries of the Karelian and Finnish languages were also actively used.

Топонимски дублети во Кривопаланечко

Author(s): Vesna Miovska / Language(s): Macedonian / Issue: 1/2014

ТОПОНИМЫ В СЕВЕРНОРУССКИХ СВАДЕБНЫХ ПРИЧИТАНИЯХ

Author(s): Julija Aleksandrovna Krivoshchapova / Language(s): Russian / Issue: 6 (175)/2018

The article refers to toponyms and idioms with toponymic components present in the wedding lamentations of the Russian North.The author characterizes the wedding lamentations toponymic space and highlights the influence of the northern area of the lamentationsfunctioning on the set of toponyms: the folklore text embraces such toponyms as Saint-Petersburg, Novgorod, Vytegra,Kargopol, etc. The space of the lamentations is also hydrocentric, which can be explained by the peculiarity of the region and thesignificant role of water in wedding ceremonies. Special attention is paid to adjectives, derived from toponyms, such as крепостиновгородскии (“the fortresses of Novgorod”) or железо вытегорское (“the iron of Vytegra”). Generally, these adjectives functionas a characteristic of an object. They lose their geographic references and receive general meliorative connotations, which isdetermined by the lamentation genre itself: attributes in collocations саночки новгородские (“sleds from Novgorod”) or коврымосковские (“carpets from Moscow”) become idealizing epithets meaning “the best”, and their geographical references almost disappear.However, the author considers it important to analyze the semantics of toponymic derivatives in lamentations more carefully,as some of them “remember” their geographic origins.

Топос дитинства у поезії Мозеса Розенкранца

Author(s): Tetiana Lakusta / Language(s): Ukrainian / Issue: 100/2019

The subject of this article is to study the literary space of childhood in the lyrical works of Moses Rosenkranz. The poems “Geburtspunkt” (“Birthplace”), “Meine Dörfer” (“My Villages”), “Auf der Weide” (“In the Pasture”), “Erinnerung” (“Memory”), “Nachts am Fenster” (“At Night by the Window”), “Der Bach” (“Stream”), “Die Liebe im Dorf” (“Village Love”), “Sonntag” (“Sunday”), “Tiefer Zug” (“Deep Mark”) from collection “Bukowina. Gedichte 1920–1997” have become the basis for the study of images and motifs traditionally associated with childhood – home, parents, garden, village, the theme of memory, motif of the lost paradise and ways of their literary actualization. The article attempts to determine the features of the topos of childhood in the lyrics of Moses Rosenkranz: the insecurity of the childhood from the destructive power of the adult world, the special importance of the theme of the lost paradise, which exposes the conflict of the adult and child worlds, the idyllic chronotope traditionally associated with the theme of childhood. In the course of this study, it has been found that Bukovinian images and motifs are key in the poetic work of Moses Rosenkranz. The land where he was born and spent his childhood and youth is portrayed by the author in his lyrical works with particular warmth and tenderness. Even being far from Bukovina, the author did not forget his country and imprinted his image in poems. The space of Rosenkranz's childhood is full of idyll and harmony, though he had been impressed by the brutality of the adult world in the childhood. Moses Rosenkranz's favorite character is a simple peasant with his traditions, misfortunes and hopes.

Топос дома в пространственно-временном континууме русской драматургии ХХ века

Author(s): Svetlana Goncharova-Grabovskaya / Language(s): Russian / Issue: 149/2015

Topos of home is the element of space-time continuum of Russian drama of 20th century which reveals the tendencies of literary development, the features of image of person and society in the works of such authors as Anton Chekhov, Mikhail Bulgakov, Maksim Gorky, Maria Arbatova, Nikolay Kolyada, Ksenya Dragunskaya, Olga Mikhaylova, Vasily Sigarev, Nina Sadur, etc. The reduction of topos of home is traced from a homestead to an anti-home and homelessness as a reflection of social, moral and ethical decrease of society.

Топос Донбасу як наративний феномен в українській культурі ХХ–ХХІ ст.: спостереження, аналіз, узагальнення

Author(s): Olena Romanenko / Language(s): Ukrainian / Issue: 98/2018

In this article the course of Donbas representation in the Ukrainian literature and culture of the 20–21th is described. Artworks of that times have been analyzed here in context of geographical metaphors forming and presentative impressions about Donbas as a whole socio-cultural area. Three types of Donbas's perception in Ukrainian literature have been identified. The first one is based on metaphorical comprehension of vision of steppe and hard work. This type was formed in Ukrainian literature in the first decades of XX century. For example, in the works of Spyrydon Cherkasenko or Mykola Cherniavsky. The second one is based on the idea of heroic labor and industrialization. Its formation dates back to the 1920s and 1930s. This was especially shown in the artistic and journalistic works that were published on the pages of magazines “New Generation”, “Zaboy”. And in the 1970s it came out in Peter Shelest’s and Oleksiy Tykhogo’s publications. The third type of the Donbas perception appeared as a result of social changes at the end of the XX century. Its main component is the motive of existential emptiness. In the article, this is described on the example of the analysis of Serhiy Zhadan’s works and in the public speeches of Yaroslav Hrytsak and Olena Styazhkina. Aspects of topic exploring in the context of memory investigation in modern humanities have been outlined in the article.

ТОПОС И НАЦИОНАЛНА ИДЕЯ (ПЕТКО-СЛАВЕЙКОВИ ТЕРИТОРИИ НА БЪЛГАРСКОТО ПРИСЪСТВИЕ)

Author(s): Elena Getova / Language(s): Bulgarian / Issue: 2/2009

The text is an observation of the shifts in P. R. Slaveykov's mind toward problematizaiton of Bulgarian space. The work studies geographic, historical, archeological and ethnographic traces and proofs that appeal to the Bulgarian National Revival author at different stages of his literary activities. The study emphasizes the new perception of town as a national topos for Bulgarians in the middle of the 19th century.

ТОПОС ЛАВИРИНТА У БОРХЕСОВОЈ ПОЕЗИЈИ

Author(s): Dušan R. Živković / Language(s): Serbian / Issue: 59/2016

This paper analyzes the forms, the nature, functions and transformations of the topos of the labyrinth in Borges’ poetry, in the domains of the following aspects: in relations between the divine and the demonic labyrinths; 2. In the topos of library as encyclopedic paradigm; 3. In the spatio-temporal transformations of city-labyrinths; 4. in the combinatorics of chess labyrinth.Through the use of the analytical and synthetic method, we note that in the relations between divine and demonic labyrinths Borges applied and justified the hermetic principle that ambiguities, paradoxes and contrasts can operate simultaneously. In this context, through the establishment of various intertextual connections, the topos of the library represents an allegory of the universe of meaning. In addition to the metaphysical dimension of the library as labyrinth, in his use of cities-as-labyrinths Borges creates an interference of elements of everyday life and reflections about time, eternity and death, through of specific aspects of Argentine tradition with his cosmopolitan mission,while in his use of chess as labyrinth Borges explores, by employing combinatorical metaposition, the relations between man, his existential drama and God as the supreme architect. Borges combines and shapes distinct mythopoetic elements of the heritage of our civilization into a palimpsest, creating an original world, a poetic testimony to the pluralism of the 20th century that in the interference of diffuse causes and effects turns into a dialogue with the reader about the nature of the mystical currents of civilization. Borges, thus, built labyrinths of signs which transformed his unique creative principles into universal values of world literature that embody but also surpass the postmodern context.

Топос явления Святой Троицы святому Александру Свирскому в Житии и Акафисте

Author(s): Olga Anchimiuk / Language(s): Russian / Issue: 15/2015

The article deals with the problem of topos – a miracle of The Trinity revelation, which connects The Live and The Akathist dedicated to saint Alexander Svirsky. The hagiographical text is represented by Pamiat’, which could be read in the saint’s name day. In this text both hagiographical canons and figures of speech are presenting. The Akathist – it is a kind of Easter Orthodox liturgical poetry praising with magnificent a saint in given topos (Ikos 7).

Топоси и протообрази за Методий като славянски светец в „Пространното житие на Св. Методий”

Author(s): Greta Stoyanova / Language(s): Bulgarian / Issue: 2/2017

The article discusses the topoi and proto-images in The Life of Saint Methodius used to emphasise the significance of St. Methodius as a Slavonic Apostle and archbishop. The analysis shows that the author presents the deeds of Methodius through the events and topoi of narrative, but evaluates them through a system of proto-images and prototypes. In this way the deeds of Methodius are compared to those of Biblical characters and heavenly creatures. The selection of images, (from the Old Testament, New Testament and early Christian, with a clear preference for the Old Testament Patriarchs), presents Methodius as a messenger of God, patron-saint of all Slavs, teacher, Church leader and pastor, protector from heresy, apostle and mentor of Slavonic peoples.

Торжественник конца XV – начала XVI века из собрания Национального архива Республики Карелия

Author(s): M. A. Spasova / Language(s): Russian / Issue: 5 (142)/2014

Manuscript № 30 (27), Festal Homiliary (Torzhestvennik), from the National Archive of Karelian Republic contains the main archaic body of Slavic translations of homilies from the Triodioncalendar cycle, which are part of the Codex Suprasliensis and of the Glagolita Glocianus of the XI century. The fact that the codex also contains late medieval translations and original texts is of interest as well. The article examines the question of whether or not the Slavic copies from the XIV–XVI century are reliable sources for the study of the body of texts of the early Slavic translations. It defends the thesis that the manuscripts should be studied not only as a type of codex, content, and structure, but that every part of the manuscript needs to be examined individually and in depth. The text should be compared with the early as well as with the late copies of the same homily in the literary practice of the Southern and Eastern Slavs. The language criteria should be chosen as the main basis for classification. The Russian men of letters copied the texts in a disciplined manner. That is why the texts are viewed as a reliable source for the research of the codex of early Slavic translations

Тоталитарният новоговор

Author(s): Petar Vodenicharov / Language(s): Bulgarian / Issue: 3/2020

Using the method of the critical discourse analysis and the insights of George Orwell „1984“ the author aims at analysing the propaganda mechanisms (production distribution and perception) of the totalitarian press in the 1950-s. The socio-political context of the press and the new relations between orality and literacy because of the domination of the new elite (mainly of village origin and with low education) have been outlined. The text analysis discovers the duality of the themes, the centralized and passive sources of the texts, new genres and the new imagery explained by some psychoanalytical concepts. The structure of the newspeak changed considerably with logoside and intensive production of neologisms, especially abbreviations, abundance of euphemisms and doublethinks which aim at closing the thought in vicious circles.

Трагедията на човешката алиенация:Наталия Андреева, Николай Ватов и Павел Вежинов

Author(s): Elena Borisova / Language(s): Bulgarian / Issue: 19/2017

In the very center of interpretation of the recent text is tragedy of alienation, developed in works of Pavel Vezhinov, Natalia Andreeva and Nikolay Vatov. Alienation as a condition and result of the development of human civilization provokes extreme psychological condition in the characters, disruption between real and imaginary. The radicalization of the mental states and desires of characters evokes by the “difference”, connected with their birth. The impossibility of “alienated mind” and its existence in a world that suppresses “different spirits”, leads to crash to explore and get to know of realistic spaces that the only way to understand their totality is final separation between mind and body through death.

Трагизъм или пророчество в смъртта на руските поети

Author(s): Nadezhda Aleksandrova / Language(s): Bulgarian / Publication Year: 0

In this discourse we are going to trace back some of the misterious and suspicious death of some of the russian poets lived and composing in the 19th and 20th centuries. The purpose of this study is to show under what circumstances did the authors died, and how they died. Is someone else involved in their death. To what extent or if they predicted their own death with some part of their poetry.

ТРАДИЦИИ «ПОВЕСТИ О ЖИТИИ ПЕТРА И ФЕВРОНИИ» ЕРМОЛАЯ-ЕРАЗМА В ПРОИЗВЕДЕНИИ А. С. ПУШКИНА «КАПИТАНСКАЯ ДОЧКА»

Author(s): Natalya Komar / Language(s): English,Russian / Issue: 1/2013

This article raises the question of the Old Russian sources of Alexander Pushkin’s novel The Captain’s Daughter and presents an attempt to identify the traditions of Ermolay-Erazmus’s The Tale of Peter and Fevronia in it. The main purpose of the research was to identify the parallelism between Pushkin’s novel and The Tale at the imaginative, narrative and thematic levels. Therefore, it was based on application of the comparative method. The main characters of both the books are compared in succession: Prince Peter and Peter Grinyov first, and then Fevronia and Masha Mironova. The results of the analysis lead to the conclusion that the male images reflect the spiritual evolution from being self-willed to obtaining Christian humility, and the key moment of the characters’ spiritual evolution is the meeting with wise virgins, etc. As far as the female images are concerned, the key parallel between them is the praise of their wisdom at the end of both stories. Thus, the material of the research enables us to speak about the traditions of The Tale of Peter and Fevronia being preserved in Pushkin’s last novel.