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Content of the main Bulgarian scientific journals for the current year in linguistics, literature, history, folklore, ethnography, archeology and art studies
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In this article Sikora examines what role the writing down of the law played for the Philomath Society. She focuses on the process of formulating the law and the norms regulating communication within the group. Basing her analysis on their correspondence, protocols, successive drafts of the law, etc., Sikora suggests that the behavioural formalization constituting the Vilnius students’ secret organization was accomplished principally through a regulation of writing practices. The very process of formulating the law aimed at creating a bureaucratic disciplinal system that would guarantee the founders’ influence. Exploring the contradiction between the Society’s declared values their accepted protocol of communication, Sikora also asks in how far members would have internalized the ambivalence of their protocol.
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In this article Prof. Palangurski is reviewing the political history in modern Bulgaria - from the Liberation in the late 19th century till early 20th century.
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Hands language as a means of expression in rhetoric and fine arts, the rules of which were presented mainly by the Roman authors Cicero and Quintilian, continued to stir interest over the seventeenth and eighteenth centuries and strongly influenced artists and their iconographic reference points. English physician and rhetorician John Bulwer (1606–1656) devoted a few of his significant works to studying of the human gesture system, offering over 120 chirograms (types) of particular meanings. Spanish mathematician Juan Caramuel (1606–1682) studied the rhetorical wealth of chirologia, defining it as a major means of human communication. Hand gestures with fingers locked together is traditionally deemed to be a Christian prayer gesture, where palms are pressed together with fingers straight pointing up. In fact, the locked together fingers, known as early as the Antiquity, unlike the prayer gesture that emerged as late as the late medieval period, designated something else: a moment of deep sadness and suffering reflecting the strong tension of the mind. French artist Georges de La Tour uses this gesture as a basis for reflection on the vanity of worldly goods. Thus the position of the hands played the role of both a plastic device and an iconographic symbol.
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The article describes the history of Polish relations with China, starting from the end of the 13th century to the end of the 18th century. It focuses mainly on political and economic relations, but it refers to the civilizational and cultural relations as well. The Author omits, already quite well analyzed, issues concerning the Jesuit and Franciscan missionaries in China. The Author mentions the Battle of Legnica on Dobre Pole on 9th April 1241, which should be considered as the first contact between the Poles and the Mongols. The Author mentions diplomatic mission of the Franciscan Benedict the Pole who on 22th July 1246, as the first Pole, reached Karakorum in Mongolia. However, the most part of the article concerns the attempts to find a simpler way to China through the lands of Moscow, which has failed, and even in the 12th century, the Poles used the sea route or traveled through Persia. The article highlights the efforts of missionaries and diplomats in that matter. As the most interesting issue in Polish-Chinese relations in the period until the end of the 18th century, the Author indicates an attempt to establish direct relations between the king Jan III Sobieski and the Chinese emperor Kangxi. Jan III Sobieski after the victory over the Turks at Vienna has sent one of his portraits to the emperor’s court, who accepted the gift and has responded writing him a letter. Moreover, in the 18th century, not only the king Jan III Sobieski, but also merchants, middle-class bourgeois and landowners possessed Chinese products, especially Chinese porcelain.
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Nasiłowska discusses encounters with the East as portrayed in late-nineteenth and early-twentieth-century Polish literature, focussing on Wacław Sieroszewski and Antoni Ferdynand Ossendowski. Experiences of forced settlement in Siberia, or of finding oneself in Asia as a consequence of historical circumstances, gave rise to a literary trope that anticipated such academic fields as cultural anthropology or international relations. As a rule, Polish writers did not identify with the Imperial (in this case mainly Russian) point of view. Their chances of survival depended on cooperation with various indigenous national and ethnic groups, and on accepting their own cultural difference. This is not to say that Polish culture was not Eurocentric, as is evident from incidents of anti-Chinese sentiment. Nonetheless, Polish writers painted a complex picture of Asia. Although the Russian Revolution hampered their curiosity and exploration, echoes of their earlier experiences were heard until the late 1920s.
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The paper is devoted to the research of the phenomenon of the Lusatian Sorbs cultural revival. The intensification process of cultural and national movement of the Lusatian Sorbs, that took place under the influence of the Age of Enlightenment at the turn of the 18th –19th centuries, has been considered. Changes that took place in the political and social life of the German states, led to the formation of a new layer – ethnic intelligentsia, who became a leader of the Sorbian revival. Despite the general laws, the Sorbian revival turned to be different from the similar processes of other Slavic peoples. For the Sorbs the main issue of the ethnic revival programme was not politicizing their movement, but preserving their own culture and its renaissance. Consequently, it is argued that the Lusatian ethnic community could not have transformed into a nation because of various objective reasons. However, as the Sorbs developed within the mainstream of the formation of European nations, in particular German, their cultural and ethnic revival was a part of the establishment of new European nations.
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Rhetorical figures and rhetorical strategies in The Minotaur by Harrison Birtwistle The Minotaur is the opera composed by Harrison Birtwistle to libretto by David Harsent. It was premiered in 2008 in Royal Opera House, Covent Garden. Birtwistle’s musical language is basically modernist: atonal, centralised, based on interval or number patterns, pre-compositional operations, scales invented by the composer himself. His music is recognised as generally intellectual and connected with great avantgarde of 20th century. On the other hand, Birtwistle has never denied expression in his pieces. Titles and extra-musical inspirations are common (i.e. Melencolia 1). Birtwistle is inspired by music of the Middle Ages, Renaissance, and, less often, Baroque. The score of The Minotaur is full of rhetorical figures: both hypothyposis and emphasis. They are evident and immediately recognised in spite of contemporary, atonal language of the opera. Mostly, they are inspired by Baroque musical-rhetorical figures but there are examples of individual, contemporary means. Figures are local and connected with only one or few words. General atmosphere of fear and isolation can be created with ‘rhetorical strategies’, which are active much longer than figures. Birtwistle uses musical symbols as well. There are two main symbols in The Minotaur: the iambic ‘glissando gesture’ which opens the opera and appears in its key moments, and the ‘motif of fate’ – repetition connected with powers of fate and with tragic irony. The question is, why Birtwistle used so traditional and instantly recognisable means, as he is known for his highly intellectual music. Answer given in this text is that they stay in service of narration. They are audible and visible signs of telling the story.
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The article presents the main types of synonymous prepositions in the Russian literary language of the first half of the 19th century. The author provides the examples of each type based on literary texts of the period under consideration and in accordance with the existing scientific classifications. The paper reveals such trends in the development of prepositional synonymy as the flexibility of the rules of using morphological synonyms and the stylistic reassessment of the components of synonymic rows.
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The article studies semantic development of Russicisms borrowed by the Persian language in the 19th–20th centuries. Based on the analysis of Russian and Persian lexicographic resources (including dictionaries of foreign words, explanatory and etymological dictionaries, and Internet data resources) and using the method of continuous sampling, around 300 lexical units have been revealed. Two structural and sematic types of Russian borrowings are described: 1) Russicisms the meaning of which undergoes no or insignificant changes when borrowed from the source language; 2) lexemes the semantic structure of which undergoes quantitative, qualitative or categorial changes in the Persian language.
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The article describes the group of seventeen early English prints from the second half of the 17th century. The prints are part of the collection of the former Preußische Staatsbibliothek in Berlin kept in The Jagiellonian University and contain ayres and religious songs. Fourteen of them were published by John and Henry Playford. The first part of the paper shows the biographies of the publishers and brings the state of research on their work. The second part includes the detailed description of the seventeen of early English prints. The final part presents the content of the prints and biographies of its most important composers.
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The music of Polish composers of the Romanticism is still quite a forgotten and undiscovered area. One of the examples of that issue are the works of Joseph Poniatowski (1816–1873), a composer who spent a significant part of his life abroad. His work concentrates mainly on the opera music, which was largely dictated by the environment from which he descended and in which he stayed. The purpose of this article is to draw attention to one of the composer’s forgotten works – Mass in F major, and also to presently selected topics related to this work.
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Subject of research is the activity of Amirdovlad Amasiatsi in Plovdiv. He is among encyclopedic figures in the Ottoman Empire during the in its expansion in the Balkans in the XV century. Its activity is reflected in official documents and original medical works. The new read activities of Amasiatsi aims not only to promote a medieval physician and pharmacologist working in the Bulgarian lands, but whose works reveal scientific and cultural trends imposed during XV – XVII century. The activity of Amasiatsi consider three aspects that represent three separate research tasks – the role of Amasiatsi as a physician and scientist in the specific historical conditions in the Balkans, focusing on its activities in the region of Plovdiv and placing this work in the context of trends imposed in called. «Dark ages» – the destruction of the Christian intelligentsia, the collapse of education and scientific knowledge depersonalization of culture. Positive trends are striving to defend the faith, creation of literature in spoken language, care for the education of students – future healers and pharmacologists. In this sense, what Amasiatsi in Plovdiv is an expression of moral, ethical and human values inherent in the spirit of the Hippocratic medicine scientific medical school in Constantinople.
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The paper is divided into two parts together thematically related. The first part informs about fires occurring in Košice in 16th century on the basis of the literature, but most of the archival documents. The largest space is devoted to probably one of the biggest fires in the city dating to April 1556. The effort is not limited only to lay damages caused by this and other fires, but also points on the situation in the city after disaster, on the required financial and material assistance for the city from the emperor and from towns of Pentapolitana. The second part provides an insight into the incidence of arson in Košice, as one of the crimes against property, where output a specific perpetrators different management considerations and motives. It provides an informations about punishing offenders under the then existing regulations and laws. For both parts of the contribution the archival research was conducted in the Košice City Archives, to show the lesser known facts of the history of the city, as fires and other disasters have remarked economic and social face of this and later periods.
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