Vie multiple
Poems by Vesna Krmpotić: Vie multiple; Interlude; Rendez-vous place aux fleurs;
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Poems by Vesna Krmpotić: Vie multiple; Interlude; Rendez-vous place aux fleurs;
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KRALJEVIĆ, Miroslav, painter, graphic artiste et sculptor [Gospić, 14.12.1885 – Zagreb, 16.4.1913] was (together with J. Račić et V. Becić) the founder of the modern Croatian painting, where he introduced the French element (until than the Italian element was dominant in the painting of the South, and the German element in the North).
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In the Bibliothèque Nationale in Paris has been descovered the review Action, 5, 1920 with the first publication of Krleža in France, unknown till then by specialists in the work of Krleža. The Study raises the question about the aesthetical and ideological orientation of the review and about its place in the artistical scenery of postwar Europe. On the other hand the question is how does Krleža accord with the literary Europe of the 20ies: "si la partition jouée par l’écrivain croate Miroslav Krleža s’accordait à la musique «ambiante» de l’Europe littéraire des années 1920 et si les choix éditoriaux d’Action allaient de concert avec les positions de Krleža".
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Essay on Don Quichotte, to mark the Tercentenary oft the great spanish writer Don Miguel Servantes de Saavedra.„Don Quichotte n’est pas un livre parfait comme L’Iliade, Madame Bovary ou La Divine comédie. Il a l’air d’être improvisé, écrit à la hâte, sans retouche, du premier jet comme des œuvres de Bach et de Botticelli. «Les meilleurs livres sont ceux que le lecteur pense avoir pu écrire lui même.» (Pascal). Don Quichotte est un de ces livres: facile, simple, plein d’incongruités.“
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Study about the imagine of Zagreb, the city of Antun Gustav Matoš' childhood and youth. The relation between Matoš and Zagreb is marked by the conflikt due to the impact between the social and political present after his return from Paris and the sentimental, romantical imagination of the croatian past.
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Poems by Andriana Škunca: Octobre à Novalja; La nuit de la mer; Vent du sud;
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Essay about the singular role of Matoš in the croatian literature of the "moderna", specially about his polemic work. The writer himself has compared the importance of polemics (to weed the garden) with that of the "pure" literature (to plant, seed and engraft).
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Prose by Miroslav Mićanović: The Dolly or the Voice from the neighbouring Room
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Critic to the following publicationsof the last years: LE VOYAGE AU QUOTIDIEN, RADE JARAK, Demon u pari kupaonice [Le Démon dans la vapeur de la salle de bain] Meandar, Zagreb, 2000; NOUVELLES TRANSFORMATIONS, DORTA JAGIĆ, Le Tamagochi est mort dans mes bras [Tamagochi mi je umro na rukama], Meandar, Zagreb, 2002; LA POÉSIE ET/OU LA PROSE, TATJANA GROMAČA, Nešto nije u redu? [Y a-t-il un problème?], Meandar, Zagreb, 2000; LES BOUCHERIES TRIANGULAIRES, DRAGO GLAMUZINA, Mesari [Les Bouchers], Naklada MD, Zagreb, 2001; OEKOUMÈNE DIVIN, PETAR GUDELJ, Po zraku i po vodi [En air et sur l’eau], Mala nakladna kuća Sveti Jure, Baška Voda, 2002; SPECTOGRAMME DE CRI, BRANIMIR DONAT, Put kroz noć, antologija poezije hrvatskog ekspresionizma [Le voyage à travers la nuit, anthologie de la poésie de l’expressionnisme croate], Dora Krupićeva, Zagreb 2001; LE SOLDE OU L’ARTIFICE DE L’ESPRIT, IVAN SLAMNIG, Ranjeni tenk [Le Tank blessé], MH, Zagreb 2000; LE JEU DU SOLEIL ET DU SOMMET, VESNA KRMPOTIĆ, Stotinu i osam [Cent huit], DHK, Zagreb 2001; AU-DELÀ DE L’ORAGE; HRVOJE PEJAKOVIĆ, Ville interdite [Zabranjeni grad], Editions Est-Ouest Internationales, Paris, 2001; L’ÉTINCELLEMENT DES SONNETS, NIKOLA PETKOVIĆ, Dan na bijelu hljebu [Le Jour vécu de pain blanc], Meandar, Zagreb, 2001; SIGNIFIER LA SCÈNE DU SIGNIFIÉ, CVJETKO MILANJA, Hrvatsko pjesništvo od 1950. do 2000., I. [La poésie croate de 1950 à 2000, I.], Zagrebgrafo, Zagreb, 2000;
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Matoš lives from 1899 to 1904 in Paris. He writes articles for the croatian readers about the world exhibition, about the french arts, about the modern life in Paris, a sort of travelogue.
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