HUANG JI – COMPOSER AND SCHOLAR: CREATIVE ACHIEVEMENTS OF THE FOUNDER OF THE CHINESE NATIONAL MUSIC CULTURE IN THE CONTEMPORARY WORLD Cover Image

ХУАН ЦЗИ – КОМПОЗИТОР І ВЧЕНИЙ: ТВОРЧІ ЗВЕРШЕННЯ ФУНДАТОРА НАЦІОНАЛЬНОЇ МУЗИЧНОЇ КИТАЙСЬКОЇ КУЛЬТУРИ НОВІТНЬОЇ ДОБИ
HUANG JI – COMPOSER AND SCHOLAR: CREATIVE ACHIEVEMENTS OF THE FOUNDER OF THE CHINESE NATIONAL MUSIC CULTURE IN THE CONTEMPORARY WORLD

Author(s): Mengmeng Chen
Subject(s): Cultural history, Music, History of Art
Published by: Національна академія керівних кадрів культури і мистецтв
Keywords: Chinese national music culture; Chinese Schubert; founder of the professional music culture of China; genre and style system of vocal and choral and instrumental art;

Summary/Abstract: The purpose of the article is to reveal the degree of Huang Ji’s creative achievements – the Chinese Schubert, composer, and scholar – on the make of the foundations of the Chinese national music culture in the contemporary world. Methodology is based on the method of historicism, system analysis, applied to define the combined value of types of research and creative activities of Huang Ji in the formation of the newest music culture of the Middle Kingdom; a genre and style analysis was introduced to identify the achievements of Huang Ji-the composer on the make of the foundations of the professional music culture of China of the twentieth century. Scientific novelty. An attempt is made at defining the importance of Huang Ji’s research and creative activities – the educator of the first generation of Chinese composers who involved European traditions in their work – on the make of the genre and style and educational research foundations of the professional music culture of China in the first third of the twentieth century; the genre and style discoveries of the composer in the field of vocal and instrumental music of the Middle Kingdom (in particular, in the field of polyphony), Chinese tragic and lyrical styles in the art of music; the significance of the body of work of the scholar who laid the foundations of historical and theoretical musicology, music aesthetics and pedagogy of China. Huang Ji, as the founder of contemporary music and theoretical Chinese thought, focused extensively on the issue of the interaction of “pure” (“ideal”) and descriptive music, the links of music, and everyday life. The main task of music as “great art,” according to Huang Ji, is the creation of a “portrait of a nation and society.” Conclusions. Huang Ji is an innovator and classic of national art of music, the founder of the newest music school in China, who has laid the foundations of the professional music education of the Middle Kingdom, systematically embracing its genres. Some works of the composer still have a unique value in the history of Chinese music: if the genre basis of a Chinese artistic song is an appeal to the national poetry, then Huang Ji has laid the prospects for the development of the genre on the basis of an appeal to a foreign (English) language.

  • Issue Year: 2019
  • Issue No: 2
  • Page Range: 210-215
  • Page Count: 6
  • Language: Ukrainian