Folklore Trend as an Expression of a National Style in the Works of U. Doychinovic (On the Example of “From the Land of Opanac”) Cover Image

Фольклорна тенденція як виявлення національного стилю у творчості У. Дойчиновича (на прикладі «З землі опанака»)
Folklore Trend as an Expression of a National Style in the Works of U. Doychinovic (On the Example of “From the Land of Opanac”)

Author(s): Olena Anatoliyivna Khoroshavina
Subject(s): Theatre, Dance, Performing Arts, Customs / Folklore, Sociology of Culture, Sociology of Art
Published by: Національна академія керівних кадрів культури і мистецтв
Keywords: national style; folk tendency; performing arts; folkloric; oriental style;

Summary/Abstract: The purpose of the article is to reveal the peculiarities of the folklore tendency as a manifestation of the national style in the work of U. Doychinovic. The methodology of this article is based on the unity of such approaches as psychological, musical - historical, musicological, analytical, socio-cultural, genre-style and performing. The scientific novelty is determined by the fact that, on the one hand, the leading features of the genesis of Serbian guitar art are identified, and on the other hand, the features of the folk tendency are revealed analytically as a manifestation of the national style in the works of Doychinovic. Conclusions. To identify the leading bases and aesthetic principles of the creative individuality of Uros Doychinovic, one of the most important contextual conditions is to reveal the concept of the national. The musicological approach to the problem of the national, on the one hand, appeals to those folklore traditions that allow you to form an idea of your own style in reliance on folklore sources, on the other hand, the process of forming a national music tradition cannot be reduced to one starting point and be unidirectional. The peculiarity of the musical language of the works of U. Doychinovic is the reliance on the principles of the national Oriental melody and the unique metrhythmic structure characteristic of the music and intonational complex of the peoples of the Balkan countries. More often, it is the specificity of ornamentation that forms intonational melodic semantics and makes it possible to determine the historical origin of the studied song material.

  • Issue Year: 2019
  • Issue No: 3
  • Page Range: 367-371
  • Page Count: 5
  • Language: Ukrainian