ПРИНЦИПИ РОБОТИ ДИРИГЕНТА-ХОРМЕЙСТЕРА З УКРАЇНСЬКИМ ПАРТЕСНИМ ТВОРОМ В КОНТЕКСТІ СУЧАСНОЇ ВІТЧИЗНЯНОЇ ВИКОНАВСЬКОЇ КУЛЬТУРИ
THE METHODOLOGY OF CONDUCTOR-CHOIRMASTER'S WORK WITH PIECES OF UKRAINIAN BAROQUE MUSIC IN THE CONTEXT OF MODERN PERFORMING CULTURE

Summary/Abstract: The purpose of the article. The research is related to the search for the most effective ways to achieve the historically correct sounding of the vocal composition of the Ukrainian Baroque within the professional vocal ensemble in the context of modern performing realities; and to identify the feasibility and extent of the implementation of individual elements of the artistic text of the party work due to the practical work of the conductor-choirmaster. The methodology of the research is to apply the historical-logical method for studying the canons of performing the music of the Ukrainian Baroque, empirical methods: experiment (testing of individual elements of artistic text based on the group of performers), observation, as well as methods of analysis and synthesis.

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