СХІД І ЗАХІД У ЗВУКООБРАЗАХ СВІТОВОЇ ГАРМОНІЇ: ДИХОТОМІЯ ТА ДУАЛІЗМ КУЛЬТУР
EAST AND WEST IN THE SOUND IMAGES OF WORLD HARMONY: THE DICHOTOMY AND DUALISM OF CULTURES

Summary/Abstract: Purpose of the article. The purpose of the article is to study the specifics of modeling sound images of world harmony in the philosophical and cultural aspects of the reflection of «East–West» problematic in musical culture. Methodology. The set of methods and methodological approaches of cultural, textological, comparative, culturаlhermeneutical analysis was applied. Scientific novelty. This study allowed, on the one hand, to emphasize specific meaningful and intonation-expressive directions of representation of sound images of cultures of the eastern and western civilization type, and on the other hand, to state the centripetal tendencies of interpretation of the sound image of the world – from the dichotomy to the dualism of Eastern and Western cultures through the prism of the reflection of the sound image of silence as the artistic and musical embodiment of world harmony. Conclusions. Modern global civilization challenges actualize the problems of dialogue between Eastern and Western cultures (Asian and European, North American area).

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