ПЕРЦЕПТУАЛЬНИЙ ПРОСТІР ФУНКЦІОНУВАННЯ МУЗИЧНОГО ТВОРУ
PERCEPTUAL SPACE OF ACTION OF A MUSICAL COMPOSITION

Summary/Abstract: The purpose of the article is to reveal the meaning and peculiarities of the category "perceptual space" in musical art. The methodology of the research is based on the interdisciplinary integration of the methods of modern philosophy, cultural studies and art history. Scientific novelty of the article is the substantiation of the inseparable interconnection of space and man, which makes it possible to consider this category one of the fundamental forms of understanding the world and thinking about the world in musical art. For a full study of the perceptual space in music, there are means that facilitate the creation of connections of elements both within the composition and between objects of art and reality. Conclusions. Continuation and deepening of the study of spatial means and principles of form formation in music create prerequisites for a deeper understanding of the nature of space in art.

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