SEMIOTICS OF MOTION PICTURE SOUND DESIGN Cover Image

СЕМІОТИКА САУНД-ДИЗАЙНУ В КІНО
SEMIOTICS OF MOTION PICTURE SOUND DESIGN

Author(s): Natalia Dombrugova
Subject(s): Music, Semiology, Film / Cinema / Cinematography
Published by: Національна академія керівних кадрів культури і мистецтв
Keywords: motion picture; sound design; film sound image; sound engineering; sound recording; simulation;

Summary/Abstract: The purpose of the article is to determine the specificity of sound design as a sign system in the structure of the film. The methodology of the study includes a semiotic approach and the involvement of some poststructuralist concepts (in particular, an "empty sign"), there is also a postphenomenological optics of view and a media theory of Boris Groys. Scientific novelty lies in the fact that for the first time an attempt has been made to reveal the conceptual core of sound design from the position of the simulated index field and the ontology of the submedial surface. Conclusions. If the movie as a whole is trying to create the impression of a "true story", it is logical to assume that individual components of the film perform the same function, not excluding the sound.

  • Issue Year: 2018
  • Issue No: 34
  • Page Range: 182-190
  • Page Count: 9
  • Language: Ukrainian