Специфіка театрально-глядацької взаємодії в українському музично-драматичному театрі (остання третина ХІХ – початок ХХ століття)
Specificity of Theatrical-Spectator Interaction in the Ukrainian Music and Drama Theater (the last third of the XIX – beginning XX century)

Summary/Abstract: The purpose of the Article. The article considers the specificity of theatrical-spectator interaction in the Ukrainian music and drama theater in the context of ethnic-social processes of the last third of the XIX – beginning XX century. The methodology of the research is the use of historical-cultural, comparative and art methods. This methodological approach allows us to explore the ideological-aesthetic and creative aspects of the theatrical-spectator relations in the Ukrainian musical and drama theater, which directly influence the direction of theatrical activity. The scientific novelty of the work is to the analysis of the specific features of theatrical and spectator interaction in the Ukrainian musical and dramatic theater in the sociosphere of society. Conclusions. The activity of the outstanding masters of the Ukrainian scene promoted the national culture among a broad audience, encouraged the formation of its spiritual priorities and was an essential factor in ethnocultural identification.

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