KIRKLARELİ İLİ KABA ZURNA İCRASINDA KULLANILAN SÜSLEMELER
ORNAMENTS USED IN KIRKLARELİ PROVINCE KABA ZURNA PERFORMANCE

Summary/Abstract: When it is looked at Zurna instrument‟s historical development and its location in Turkish people‟s live, it is seen that it has a meaning in the layers of state and society. With the consideration of Turkey region‟s cultural richness is one of the most important factors that trigger instrument variety, Zurna instrument being performed in Trakya region‟s northwest has gained one of a kind manner in historical process. The aim of this research is to reveal ornaments used in the local style of kaba zurna which is played in Kırklareli accepted as an important performance center of Trakya region. In this survey, qualitative research method was used and field study is determined as a model of survey , literature review and document analysing techniques are used in getting data. Kaba zurna performers who live in Kırklareli form population of survey, five kaba zurna performers chosen by random (Yusuf Ihnalı, Hüseyin Ihnalı, Vedat Ġlan, Naci Peri ve Oğlu Naci Peri) form sample of study. In the direction of scientific travels organised on 04-12-2017 and 17-03-2018, it was made interviews with five kaba zurna performers and recorded improvization performances which is thought that they may include data of kaba zurna performance style in region Obtained records were analysed in the process of analysis of data and findings about ornaments used in kaba zurna performances are evaluationed. As a resault; It is revealed that grace note ornament technique was used generally desscending melody patterns, in point of using zone; grace not ornament technique constantly was used at “dügah” pitch with the aim of final feeling.

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