Театр: время кванта. Феномен невидимого и энергия мысли
Theater: Quantum time. The phenomenon of the invisible and the energy of thought

Summary/Abstract: New theatrical studies, dealing with the systems of artistic culture as open nonlinear system, come close to an unexplored and highly complicated problem: Theater and the quantum world ... A world dominated by energy, unpredictability, probabilistic states, where the laws of classical physics are practically abolished, where there is no standard time, where mutually exclusive events can occur simultaneously, which is inconceivable in traditional physics. This is our today’s world. The phenomenon of the “invisible”, to which the article is devoted, is one of the most mysterious in the theater and the derivatives of the concept of energy. Even in the era of the modern, the most sensitive theater directors (although, of course, it’s not just about them) managed to “open” and “lay” the elements of those fundamental laws and regularities that underlie the existence of the theater and, I am convinced, of the Being as such. After all, artistic culture, of which theatre is a part, is a system primarily of spiritual coordinates, which are prior for humanity. A system that acquires the meaning of the moral criteria of Being itself. To a large extent, it is immersed in “invisible” loci, but with a clearly perceptible energy base, with ontologically marked epiphanies, with processes of verbalization of meanings and islands of non-verbalized images and associations deployed at all levels of consciousness.

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