The formation factors of fedir strygun’s creative vocation Cover Image

The formation factors of fedir strygun’s creative vocation

Author(s): Tetiana Osadchuk
Subject(s): Theatre, Dance, Performing Arts, Customs / Folklore, Cultural Anthropology / Ethnology
Published by: Національна академія керівних кадрів культури і мистецтв
Keywords: Fedir Strygun; creative vocation; theatrical mentality; the phenomenon of the artist;

Summary/Abstract: In this article it was determined the system of factors that influenced on the formation of Fedir Strygun’s creative work, the outstanding figure of dramatic art in our times. It also was offered the items that can interpret the integrity of aesthetic disposition and a unique personality of the artist. 1960-1980s are an important period in the development of Ukrainian culture in general and theatre in particular. Rapid raising of the professional theatrical skills, increasing of the number of specialized institutions, changing of creative generations, the emergence of new talented figures take place in this period. It was the time of the Fedir Strygun’s professional formation. After having graduated from Kyiv National Theatrical Institute after I. K. Karpenko-Kary, during 1961-1965, he was working on the stage of the Magar Zaporozhye theatre (then – M. Shchors). Lviv period of creative life of F. Strygun began in 1965. First, he worked as the actor and the chief director of Ukrainian Drama Theatre named after M. Zankovetska. Since 1987, and he has been still working as its artistic director with a rank of the national actor of Ukraine and the diploma of the National prize named after T. Shevchenko, and other state awards. It’s no doubt, a great professional rise of F. Strygun had its own history. That is why in the article it is described the conditions in which he was born, grown and gradually formed as a person and theatrical figure. The importance of the proposed article predetermined absence of any works in which simulated the preconditions of creative vocation of Fedir Strygun. The research subject of article is research and analysis of the system of factors that have led to the appearance of Fedir Strygun’s persistent aspiration to express himself and his own ability in theatre art.