О Радости Собственно Человеческой Жизни. К Феноменологии Эстетического Переживания
On joy of actually human life. To the phenomenology of aesthetical experiencing

Summary/Abstract: The question of the unity of aesthetical experience and, consequently, experiencing—the experience that spans and permeates all human being—takes on a critical significance for post-Husserlian phenomenology. This question can no longer be posed in the former ego-centered (egological) paradigm of understanding the subject but presupposes its radical decentration taking into account the constitutive role of the instance of the other. The following question moves us towards the solution on such unity: which vital need the human selfness seeks to fulfil when it exists its being, involves itself in the multiple area of various kinds of arts, on the one hand, and in the “not interested” relationship with nature, on the other? The proposed solution is that such is the need to be human and to derive pleasure(joy) from such being. The general formal sign of “pure” aesthetical experiencing is a meaningful(reflexive) involvement in some life process, which is subjectively experienced as an overcoming of the finitude of one’s existence. Onto-anthropological basis of such solution is the Dasein-analytical statement about the human’s “granted” awareness of the one’s finitude (temporariness or mortality), the process of overcoming which gives one joyful—and the same is aesthetic—sense of actually human life. In this approach, the process of transition from the organic enjoyment to the orgaistic one can be understanded as the initial form of the aesthetical experience. In supplementing the Dasein-analytical understanding of the human’s Being-in-the-world by the psycho-analytical one, we constate that the necessary basis of overcoming the anxiety of the awareness of the one’s finitude is the extimic, symbolically distanced instance of the Other, reflected in which and, at the same time, based on it, the Selfnessis able to affirm its own subjectivity or the very facticity of its Presence. The actually aesthetical nature of laughter is revealed in this vein, including the possibility of its schaden-freude (damage-joy) form. As a result, the following (presumably universal) formula of aesthetical experience and experiencing can be proposed: it is a symbolically distanced being in-itself and for-itself in the other. An exemplary example of the subjectivity aesthetically affirming itself is the process of literary reading. In this process, its meaningfulness is revealed with the greatest phenomenological purity.

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